The Resource A history of orchestral conducting : in theory and practice, Elliott W. Galkin

A history of orchestral conducting : in theory and practice, Elliott W. Galkin

Label
A history of orchestral conducting : in theory and practice
Title
A history of orchestral conducting
Title remainder
in theory and practice
Statement of responsibility
Elliott W. Galkin
Creator
Contributor
Author
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Galkin, Elliott W
Illustrations
  • illustrations
  • portraits
  • music
Index
index present
LC call number
ML457
LC item number
.G3 1988
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Otto Klemperer archive (Library of Congress)
http://library.link/vocab/subjectName
  • Conducting
  • Direction musicale
  • Conducting
  • Dirigeren
  • Orkesten
  • Direction musicale
  • Dirigieren
  • Geschichte
  • Direction musicale
  • Dirigieren
  • Geschichte
Label
A history of orchestral conducting : in theory and practice, Elliott W. Galkin
Instantiates
Publication
Copyright
Note
  • Cover title: The history of orchestral conducting : theory and practice
  • Includes index
Bibliography note
Bibliography: p. 847-868
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Schoenberg, Debussy, and after
  • Instrumental distributions and orchestral dispositions.
  • Instrumentation of selected orchestral works since 1764
  • Instrumental dispositions in selected orchestras since 1768
  • The temporal and textural background:
  • Perspectives of time and texture.
  • Rhythm, the heartbeat of conducting
  • Instruments, the soul of the orchestra
  • Orchestration : expressive and structural colorism.
  • Orchestration before Beethoven
  • From Beethoven to Berlioz
  • From Wagner to Mahler
  • L'art du chef d'orchestra
  • After Berlioz : nineteenth-century sources, general and specialized.
  • Stainer and Barrett to Riemann
  • Wagner
  • Blitz
  • Schröder
  • Weingartner
  • Technical treatises in the twentieth century.
  • Scherchen
  • Rudolf
  • Theory of an emerging art:
  • Grosbayne
  • Prausnitz
  • Time-beating : general descriptions and definitions.
  • Rousseau to Castil-Blaze
  • Koch and Dommer
  • Grassineau, Busby and Moore
  • From time-beating to conducting : procedures described in specialized sources from earliest times to Berlioz.
  • Cheironomy and Tactus
  • Metrical time-beating from Pia to Marpurg
  • Weber
  • Mendelssohn
  • Additional considerations on the baton and its use
  • Conducting from memory
  • The editing of scores
  • Beethoven, Berlioz and Wagner as conductors.
  • Beethoven
  • Berlioz
  • Wagner
  • After Wagner : Bülow, Richter, and Mahler, Nikisch, Toscanini, and Furtwängler
  • The art of conducting in practice:
  • Stokowski and Koussevitzky, Karajan and Bernstein
  • Conclusion
  • Transitional practices before baton direction.
  • Audible time-beating
  • Divided leadership
  • Unified direction : (in Germany and France)
  • The rising eminence of the baton conductor.
  • The baton
  • "Triumph" of the baton
  • Appendices:
  • First page of Messiaen's Les offrandes oubliées, with time-beating diagrams
  • Notes on Stockhausen's Zeitmasse, by Robert Craft
  • Rudolf, performance markings for the first violin part of Mozart's Symphony no. 35 in D major, K. 385
  • Prausnitz, instructions for conducting L'après-midi d'un faune
  • Philharmonic Society of London, 1832 season
  • ICSOM conductor evaluation form
Dimensions
26 cm
Dimensions
26 cm
Extent
xlii, 893 pages
Isbn
9780918728449
Lccn
85028433
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Note
Library's copy from the Johanna Fiedler Collection.
Other physical details
illustrations, music, portraits
System control number
(OCoLC)12943551
Label
A history of orchestral conducting : in theory and practice, Elliott W. Galkin
Publication
Copyright
Note
  • Cover title: The history of orchestral conducting : theory and practice
  • Includes index
Bibliography note
Bibliography: p. 847-868
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Schoenberg, Debussy, and after
  • Instrumental distributions and orchestral dispositions.
  • Instrumentation of selected orchestral works since 1764
  • Instrumental dispositions in selected orchestras since 1768
  • The temporal and textural background:
  • Perspectives of time and texture.
  • Rhythm, the heartbeat of conducting
  • Instruments, the soul of the orchestra
  • Orchestration : expressive and structural colorism.
  • Orchestration before Beethoven
  • From Beethoven to Berlioz
  • From Wagner to Mahler
  • L'art du chef d'orchestra
  • After Berlioz : nineteenth-century sources, general and specialized.
  • Stainer and Barrett to Riemann
  • Wagner
  • Blitz
  • Schröder
  • Weingartner
  • Technical treatises in the twentieth century.
  • Scherchen
  • Rudolf
  • Theory of an emerging art:
  • Grosbayne
  • Prausnitz
  • Time-beating : general descriptions and definitions.
  • Rousseau to Castil-Blaze
  • Koch and Dommer
  • Grassineau, Busby and Moore
  • From time-beating to conducting : procedures described in specialized sources from earliest times to Berlioz.
  • Cheironomy and Tactus
  • Metrical time-beating from Pia to Marpurg
  • Weber
  • Mendelssohn
  • Additional considerations on the baton and its use
  • Conducting from memory
  • The editing of scores
  • Beethoven, Berlioz and Wagner as conductors.
  • Beethoven
  • Berlioz
  • Wagner
  • After Wagner : Bülow, Richter, and Mahler, Nikisch, Toscanini, and Furtwängler
  • The art of conducting in practice:
  • Stokowski and Koussevitzky, Karajan and Bernstein
  • Conclusion
  • Transitional practices before baton direction.
  • Audible time-beating
  • Divided leadership
  • Unified direction : (in Germany and France)
  • The rising eminence of the baton conductor.
  • The baton
  • "Triumph" of the baton
  • Appendices:
  • First page of Messiaen's Les offrandes oubliées, with time-beating diagrams
  • Notes on Stockhausen's Zeitmasse, by Robert Craft
  • Rudolf, performance markings for the first violin part of Mozart's Symphony no. 35 in D major, K. 385
  • Prausnitz, instructions for conducting L'après-midi d'un faune
  • Philharmonic Society of London, 1832 season
  • ICSOM conductor evaluation form
Dimensions
26 cm
Dimensions
26 cm
Extent
xlii, 893 pages
Isbn
9780918728449
Lccn
85028433
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Note
Library's copy from the Johanna Fiedler Collection.
Other physical details
illustrations, music, portraits
System control number
(OCoLC)12943551

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