The Resource Art and revolution in Latin America, 1910-1990, David Craven

Art and revolution in Latin America, 1910-1990, David Craven

Label
Art and revolution in Latin America, 1910-1990
Title
Art and revolution in Latin America, 1910-1990
Statement of responsibility
David Craven
Creator
Subject
Language
eng
Summary
"In this book, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-40), in Cuba (1959-89), and in Nicaragua (1979-90) - were defining moments in twentieth-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced - and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders."--Jacket
Cataloging source
DLC
http://library.link/vocab/creatorDate
1951-2012
http://library.link/vocab/creatorName
Craven, David
Illustrations
illustrations
Index
index present
LC call number
N6502
LC item number
.C735 2002
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Art, Latin American
  • Art
  • Art and revolutions
  • Art latino-américain
  • Art
  • Art et révolutions
  • Art and revolutions
  • Art, Latin American
  • Art
  • Beeldende kunsten
  • Politieke aspecten
  • Kunst
  • Latin America
  • Lateinamerika
Label
Art and revolution in Latin America, 1910-1990, David Craven
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction. Revolving definitions of the word "revolution". A history of the word "revolution" ; Representations of the modern body politic ; Revolutionary forms of democracy -- The Mexican Revolution (1910-1940). The institutionalization of the revolution in the 1920s ; The Ministry of Education murals (1923-1928) and the new mass politics ; Orozco's murals in the Escuela Nacional Preparatoria (1926-1927) ; Chapingo (1926) and the Palacio Nacional (1929-1935) ; The Taller de Gráfica Popular and Estampas de la Revolución ; Critique: the "socialization of art" -- a future challenge -- The Cuban Revolution (1959-1989). Cultural policy, public institutions, and dialogical art ; Cultural democracy and popular engagement with art ; Autogestion and the socialization of art ; Popular culture versus populism ; From Cuban pop art through volumen uno (1959-1989) ; Critique: successes and shortcomings on the thirtieth anniversary -- The Nicaraguan Revolution (1979-1990). Protorevolutionary developments prior to 1979 ; Cultural policy in Nicaragua during the 1980s ; Particular artworks exemplary of the 1980s ; New form of patronage and attendant debates in the 1980s ; Contradictions in the 1980s within the revolution -- Appendices. A. Diego Rivera, 1929: "New plan of study, Escuela Nacional de Artes Plásticas of Mexico" ; B. Gerardo Mosquera, 1985: "The social function of art in Cuba since the Revolution of 1959" ; C. Ernesto Cardenal, 1980: "The Nicaraguan Revolution of 1979: a culture that is revolutionary, popular, national, and anti-imperialist" ; D. Interview with Ernesto Cardenal, 1983 ; E. Interview with Gioconda Bell of the FSLN, 1990 ; F. Interview with Nicaraguan artists in the UNAP, 1990
Dimensions
30 cm
Extent
x, 228 pages
Isbn
9780300082111
Lccn
2001006900
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
  • (OCoLC)48383327
  • (OCoLC)ocm48383327
Label
Art and revolution in Latin America, 1910-1990, David Craven
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction. Revolving definitions of the word "revolution". A history of the word "revolution" ; Representations of the modern body politic ; Revolutionary forms of democracy -- The Mexican Revolution (1910-1940). The institutionalization of the revolution in the 1920s ; The Ministry of Education murals (1923-1928) and the new mass politics ; Orozco's murals in the Escuela Nacional Preparatoria (1926-1927) ; Chapingo (1926) and the Palacio Nacional (1929-1935) ; The Taller de Gráfica Popular and Estampas de la Revolución ; Critique: the "socialization of art" -- a future challenge -- The Cuban Revolution (1959-1989). Cultural policy, public institutions, and dialogical art ; Cultural democracy and popular engagement with art ; Autogestion and the socialization of art ; Popular culture versus populism ; From Cuban pop art through volumen uno (1959-1989) ; Critique: successes and shortcomings on the thirtieth anniversary -- The Nicaraguan Revolution (1979-1990). Protorevolutionary developments prior to 1979 ; Cultural policy in Nicaragua during the 1980s ; Particular artworks exemplary of the 1980s ; New form of patronage and attendant debates in the 1980s ; Contradictions in the 1980s within the revolution -- Appendices. A. Diego Rivera, 1929: "New plan of study, Escuela Nacional de Artes Plásticas of Mexico" ; B. Gerardo Mosquera, 1985: "The social function of art in Cuba since the Revolution of 1959" ; C. Ernesto Cardenal, 1980: "The Nicaraguan Revolution of 1979: a culture that is revolutionary, popular, national, and anti-imperialist" ; D. Interview with Ernesto Cardenal, 1983 ; E. Interview with Gioconda Bell of the FSLN, 1990 ; F. Interview with Nicaraguan artists in the UNAP, 1990
Dimensions
30 cm
Extent
x, 228 pages
Isbn
9780300082111
Lccn
2001006900
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
  • (OCoLC)48383327
  • (OCoLC)ocm48383327

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