The Resource Art and the moving image : a critical reader, edited by Tanya Leighton

Art and the moving image : a critical reader, edited by Tanya Leighton

Label
Art and the moving image : a critical reader
Title
Art and the moving image
Title remainder
a critical reader
Statement of responsibility
edited by Tanya Leighton
Contributor
Subject
Genre
Language
eng
Summary
Presenting an array of key texts, this is the first reader to gather together critical reactions to the moving image in contemporary art. It includes seminal historical texts as well as newly commissioned essays from leading art historians, critics, artists, theorists and philosophers
Cataloging source
UKM
Illustrations
illustrations
Index
index present
LC call number
PN1995.25
LC item number
.A78 2008
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Leighton, Tanya
http://library.link/vocab/subjectName
  • Motion pictures
  • Art
  • Film
  • Kunst
  • Art
  • Motion pictures
  • Film
  • Kunst
  • Ästhetik
Label
Art and the moving image : a critical reader, edited by Tanya Leighton
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 482-493) and index
Contents
  • Culture : intercom and expanded cinema : a proposal and manifesto
  • Stan VanDerBeek
  • Enclosed by images : the Eameses' multimedia architecture
  • Beatriz Colomina
  • My mind split open : Andy Warhol's exploding plastic inevitable
  • Branden W. Joseph
  • The museum of attractions : Marcel Broodthaers and the Section cinéma
  • Eric de Bruyn
  • Paul Sharits and the active spectator
  • Federico Windhausen
  • Preface
  • Bare lives
  • Pamela M. Lee
  • Leisure 73
  • Sabeth Buchmann
  • The two avant-gardes
  • Peter Wollen
  • Modes of film practice in the avant-garde
  • Jonathan Walley
  • II,
  • The agonistic relationship between video and television.
  • Charles Esche
  • Hardware : the videosphere
  • Gene Youngblood
  • Video : the aesthetics of narcissism
  • Rosalind Krauss
  • Tale of the tape : Radical software
  • David Joselit
  • Dependent participation : Bruce Naumann's environments
  • Janet Kraynak
  • After the cull
  • Elizabeth Bennett Hupp
  • Introduction
  • Live on tape : video, liveness and the immediate
  • William Kaizen
  • The art of the possible : notes about some installations by Harun Farocki
  • Christa Blümlinger
  • Video, flows and real time
  • Maurizio Lazzarato
  • Five years later
  • Bill Horrigan
  • III,
  • From cinema to post-cinema.
  • Tanya Leighton
  • Deleuze's time, or how the cinematic changes our idea of art
  • John Rajchman
  • Difference and repitition : on Guy Debord's films
  • Giorgio Agamben
  • From movies to moving
  • Serge Daney
  • The time of re-departure : after cinema, the cinema of the subject
  • Jean-Christophe Royoux
  • Dissolution of the frame : immersion and participation in video installations
  • Ursula Frohne
  • I,
  • Video projection : the space between screens
  • Liz Kotz
  • Siting cinema
  • Andrew V. Uroskie
  • Moving images, moving images
  • John Kelsey
  • Of an other cinema
  • Raymond Bellour
  • The gap between film and installation art
  • Alexander Alberro
  • Histories and revisions.
  • White cube, black box and grey areas : venues and values
  • Gregor Stemmrich
  • Art and cinema : some critical reflections
  • Mark Nash
  • You never know the whole story : Ute Friederike Jürss and the aesthetics of the heterochronic image
  • Thomas Y. Levin
  • Fluxfilms in three false starts
  • Bruze Jenkins
Dimensions
25 cm.
Extent
496 p.
Isbn
9781854376251
Isbn Type
(pbk.)
Lccn
2007934791
Other physical details
ill. (some col.)
System control number
  • (OCoLC)244812338
  • (OCoLC)ocn244812338
Label
Art and the moving image : a critical reader, edited by Tanya Leighton
Publication
Bibliography note
Includes bibliographical references (p. 482-493) and index
Contents
  • Culture : intercom and expanded cinema : a proposal and manifesto
  • Stan VanDerBeek
  • Enclosed by images : the Eameses' multimedia architecture
  • Beatriz Colomina
  • My mind split open : Andy Warhol's exploding plastic inevitable
  • Branden W. Joseph
  • The museum of attractions : Marcel Broodthaers and the Section cinéma
  • Eric de Bruyn
  • Paul Sharits and the active spectator
  • Federico Windhausen
  • Preface
  • Bare lives
  • Pamela M. Lee
  • Leisure 73
  • Sabeth Buchmann
  • The two avant-gardes
  • Peter Wollen
  • Modes of film practice in the avant-garde
  • Jonathan Walley
  • II,
  • The agonistic relationship between video and television.
  • Charles Esche
  • Hardware : the videosphere
  • Gene Youngblood
  • Video : the aesthetics of narcissism
  • Rosalind Krauss
  • Tale of the tape : Radical software
  • David Joselit
  • Dependent participation : Bruce Naumann's environments
  • Janet Kraynak
  • After the cull
  • Elizabeth Bennett Hupp
  • Introduction
  • Live on tape : video, liveness and the immediate
  • William Kaizen
  • The art of the possible : notes about some installations by Harun Farocki
  • Christa Blümlinger
  • Video, flows and real time
  • Maurizio Lazzarato
  • Five years later
  • Bill Horrigan
  • III,
  • From cinema to post-cinema.
  • Tanya Leighton
  • Deleuze's time, or how the cinematic changes our idea of art
  • John Rajchman
  • Difference and repitition : on Guy Debord's films
  • Giorgio Agamben
  • From movies to moving
  • Serge Daney
  • The time of re-departure : after cinema, the cinema of the subject
  • Jean-Christophe Royoux
  • Dissolution of the frame : immersion and participation in video installations
  • Ursula Frohne
  • I,
  • Video projection : the space between screens
  • Liz Kotz
  • Siting cinema
  • Andrew V. Uroskie
  • Moving images, moving images
  • John Kelsey
  • Of an other cinema
  • Raymond Bellour
  • The gap between film and installation art
  • Alexander Alberro
  • Histories and revisions.
  • White cube, black box and grey areas : venues and values
  • Gregor Stemmrich
  • Art and cinema : some critical reflections
  • Mark Nash
  • You never know the whole story : Ute Friederike Jürss and the aesthetics of the heterochronic image
  • Thomas Y. Levin
  • Fluxfilms in three false starts
  • Bruze Jenkins
Dimensions
25 cm.
Extent
496 p.
Isbn
9781854376251
Isbn Type
(pbk.)
Lccn
2007934791
Other physical details
ill. (some col.)
System control number
  • (OCoLC)244812338
  • (OCoLC)ocn244812338

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