The Resource Art in bourgeois society, 1790-1850 /edited by Andrew Hemingway & William Vaughan

Art in bourgeois society, 1790-1850 /edited by Andrew Hemingway & William Vaughan

Label
Art in bourgeois society, 1790-1850 /edited by Andrew Hemingway & William Vaughan
Title
Art in bourgeois society, 1790-1850 /edited by Andrew Hemingway & William Vaughan
Contributor
Subject
Genre
Language
eng
Cataloging source
DLC
Index
index present
LC call number
N72.S6
LC item number
A745 1998
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorDate
1943-
http://library.link/vocab/relatedWorkOrContributorName
  • Hemingway, Andrew
  • Vaughan, William
http://library.link/vocab/subjectName
  • Art and society
  • Art and society
  • Art patronage
  • Aesthetics, Modern
  • Aesthetics, Modern
  • Art
  • Art
  • Art et société
  • Art et société
  • Esthétique
  • Esthétique
  • Kunst
  • Mécénat
  • Art et société
  • Art et société
  • Mécénat
  • Esthétique
  • Esthétique
  • Art
  • Aesthetics, Modern
  • Art and society
  • Art patronage
  • Art
  • Kunst
  • Burgermaatschappij
  • Bürgertum
  • Kunst
  • Öffentliche Meinung
  • Art
  • Art
  • Esthétique
  • Esthétique
  • Art
  • Artistes et mécènes
  • Artistes et mécènes
  • Kunst
  • Bürgertum
  • Kongress
  • Öffentliche Meinung
Label
Art in bourgeois society, 1790-1850 /edited by Andrew Hemingway & William Vaughan
Instantiates
Publication
Note
Includes index
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Ann Pullan.
  • 2.
  • The watercolour as commodity: the exhibitions of the Society of Painters in Water Colours, 1805-1812
  • Greg Smith.
  • 3.
  • French glitter or English nature? Representing Englishness in landscape painting, c. 1790-1820
  • Kay Dian Kriz.
  • 4.
  • 'Art is cheaper and goes lower in France.' The language of the Parliamentary Select Committee on the Arts and Principles of Design of 1835-1836
  • Thomas Gretton
  • Introduction: Marxism and art history after the fall of Communism
  • Andrew Hemingway
  • pt. 1.
  • Britain
  • Introduction
  • Andrew Hemingway.
  • 1.
  • Public goods or private interests? The British Institution in the early nineteenth century
Dimensions
26 cm.
Extent
xiii, 372 p.
Isbn
9780521551823
Isbn Type
(hardback)
Lccn
97008925
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.
System control number
  • (OCoLC)36372408
  • (OCoLC)ocm36372408
Label
Art in bourgeois society, 1790-1850 /edited by Andrew Hemingway & William Vaughan
Publication
Note
Includes index
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Ann Pullan.
  • 2.
  • The watercolour as commodity: the exhibitions of the Society of Painters in Water Colours, 1805-1812
  • Greg Smith.
  • 3.
  • French glitter or English nature? Representing Englishness in landscape painting, c. 1790-1820
  • Kay Dian Kriz.
  • 4.
  • 'Art is cheaper and goes lower in France.' The language of the Parliamentary Select Committee on the Arts and Principles of Design of 1835-1836
  • Thomas Gretton
  • Introduction: Marxism and art history after the fall of Communism
  • Andrew Hemingway
  • pt. 1.
  • Britain
  • Introduction
  • Andrew Hemingway.
  • 1.
  • Public goods or private interests? The British Institution in the early nineteenth century
Dimensions
26 cm.
Extent
xiii, 372 p.
Isbn
9780521551823
Isbn Type
(hardback)
Lccn
97008925
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill.
System control number
  • (OCoLC)36372408
  • (OCoLC)ocm36372408

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