The Resource Baroque music, edited by Peter Walls

Baroque music, edited by Peter Walls

Label
Baroque music
Title
Baroque music
Statement of responsibility
edited by Peter Walls
Contributor
Editor
Subject
Genre
Language
  • eng
  • fre
  • eng
  • eng
Member of
Cataloging source
YDXCP
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML193
LC item number
.B38 2011
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Walls, Peter
Series statement
Library of essays on music performance practice.
http://library.link/vocab/subjectName
  • Music
  • Music
  • Performance practice (Music)
  • Performance practice (Music)
  • Music
  • Performance practice (Music)
Label
Baroque music, edited by Peter Walls
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • New light on the old bow : parts 1-2
  • Robert E. Seletsky
  • Falsetto and the French : une toute autre marche
  • Andrew Parrott
  • Pitch tuning and temperament. Bach's keyboard temperament : internal evidence frm the Well-tempered clavier
  • John Barnes
  • Beyond temperament : non-keyboard intonation in the 17th and 18th centuries
  • Bruce Haynes
  • Technique and style. Handelian keyboard fingerings
  • Mark Lindley
  • Prologue. On the execution of music, and principally of ancient music
  • Violin fingering in the 18th century
  • Peter Walls
  • Tu ru or not tu ru : paired syllables and unequal tonguing patterns on woodwinds in the seventeenth and eighteenth centuries
  • Bruce Haynes
  • La voce è grata assai, ma -- : Monteverdi on singing
  • Richard Wistreich
  • Vibrato. The vibrato controversy
  • Frederick Neumann
  • The censored publications of The art of playing on the violin, or, Geminiani unshaken
  • Roger Hickman
  • Camille Saint-Saëns ; Henry P. Bowie, translator
  • What works? Text, subtext, surtext. Text, context, and the early music editor
  • Philip Brett
  • Sous les doits de Chambonniere
  • David Fuller
  • Violinistic virtuosity in the seventeenth century : Italian supremacy or Austro-German hegemony
  • Peter Allsop
  • Ornaments for Corelli's violin sonatas, op. 5
  • Neal Zaslaw
  • Tempo and rhythmic alteration. Déjà vu all over again? rhythmic alteration vs. Neumann's musical protectionism
  • Stephen E. Hefling
  • The right instrument. Reconstructing the harpsichord
  • Alteration in Handel : a fresh approach
  • John Byrt
  • Bach's French overtures and the politics of overdotting
  • Matthew Dirst
  • Scoring. Col nobilissimo esercitio della vivuola : Monteverdi's string writing
  • Peter Holman
  • Professional women musicians in early eighteenth-century Württemberg
  • Samantha Owens
  • Performance practices at San Petronio in the baroque
  • Anne Schnoebelen
  • Frank Hubbard
  • When is a solo sonata not a solo sonata? Corelli's op. V considered in the light of the genre's tradition
  • Niels Martin Jensen
  • Bach's chorus : a preliminary report
  • Joshua Rifkin
  • Challenging hip. Bach defended against his devotees
  • Theodor W. Adorno ; Samuel and Shierry Weber, translators
  • Early music defended against its devotees : a theory of historical performance in the twentieth century
  • Laurence Dreyfus
  • Epilogue. A Bach odyssey
  • Sigiswald Kuijken
  • The harpsichord culture in Bach's environs
  • John Koster
  • Bach and the flute : the players, the instruments, the music
  • Ardal Powell with David Lasocki
Dimensions
25 cm.
Extent
xxxiv, 553 pages
Isbn
9780754628828
Lccn
2010936052
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
System control number
  • (OCoLC)704526141
  • (OCoLC)ocn704526141
Label
Baroque music, edited by Peter Walls
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • New light on the old bow : parts 1-2
  • Robert E. Seletsky
  • Falsetto and the French : une toute autre marche
  • Andrew Parrott
  • Pitch tuning and temperament. Bach's keyboard temperament : internal evidence frm the Well-tempered clavier
  • John Barnes
  • Beyond temperament : non-keyboard intonation in the 17th and 18th centuries
  • Bruce Haynes
  • Technique and style. Handelian keyboard fingerings
  • Mark Lindley
  • Prologue. On the execution of music, and principally of ancient music
  • Violin fingering in the 18th century
  • Peter Walls
  • Tu ru or not tu ru : paired syllables and unequal tonguing patterns on woodwinds in the seventeenth and eighteenth centuries
  • Bruce Haynes
  • La voce è grata assai, ma -- : Monteverdi on singing
  • Richard Wistreich
  • Vibrato. The vibrato controversy
  • Frederick Neumann
  • The censored publications of The art of playing on the violin, or, Geminiani unshaken
  • Roger Hickman
  • Camille Saint-Saëns ; Henry P. Bowie, translator
  • What works? Text, subtext, surtext. Text, context, and the early music editor
  • Philip Brett
  • Sous les doits de Chambonniere
  • David Fuller
  • Violinistic virtuosity in the seventeenth century : Italian supremacy or Austro-German hegemony
  • Peter Allsop
  • Ornaments for Corelli's violin sonatas, op. 5
  • Neal Zaslaw
  • Tempo and rhythmic alteration. Déjà vu all over again? rhythmic alteration vs. Neumann's musical protectionism
  • Stephen E. Hefling
  • The right instrument. Reconstructing the harpsichord
  • Alteration in Handel : a fresh approach
  • John Byrt
  • Bach's French overtures and the politics of overdotting
  • Matthew Dirst
  • Scoring. Col nobilissimo esercitio della vivuola : Monteverdi's string writing
  • Peter Holman
  • Professional women musicians in early eighteenth-century Württemberg
  • Samantha Owens
  • Performance practices at San Petronio in the baroque
  • Anne Schnoebelen
  • Frank Hubbard
  • When is a solo sonata not a solo sonata? Corelli's op. V considered in the light of the genre's tradition
  • Niels Martin Jensen
  • Bach's chorus : a preliminary report
  • Joshua Rifkin
  • Challenging hip. Bach defended against his devotees
  • Theodor W. Adorno ; Samuel and Shierry Weber, translators
  • Early music defended against its devotees : a theory of historical performance in the twentieth century
  • Laurence Dreyfus
  • Epilogue. A Bach odyssey
  • Sigiswald Kuijken
  • The harpsichord culture in Bach's environs
  • John Koster
  • Bach and the flute : the players, the instruments, the music
  • Ardal Powell with David Lasocki
Dimensions
25 cm.
Extent
xxxiv, 553 pages
Isbn
9780754628828
Lccn
2010936052
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
System control number
  • (OCoLC)704526141
  • (OCoLC)ocn704526141

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