The Resource Bazille : purity, pose, and painting in the 1860s, Dianne W. Pitman

Bazille : purity, pose, and painting in the 1860s, Dianne W. Pitman

Label
Bazille : purity, pose, and painting in the 1860s
Title
Bazille
Title remainder
purity, pose, and painting in the 1860s
Statement of responsibility
Dianne W. Pitman
Creator
Subject
Genre
Language
eng
Summary
Studio companion of Monet and Renoir, protege of Courbet, and friend of Manet, Frederic Bazille (1841-1870) is more often remembered for the financial assistance he provided to future Impressionists than for his own vivid and often unsettling work. In this first complete book in English devoted to Bazille, Dianne Pitman seeks to situate this often overlooked artist within the complex and contradictory art world of the 1860s. In the process, she greatly refines our understanding of the modernist tradition
Cataloging source
DLC
http://library.link/vocab/creatorDate
1955-
http://library.link/vocab/creatorName
Pitman, Dianne W.
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
ND553.B43
LC item number
P5 1998
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Bazille, Frédéric
  • Bazille, Frédéric
  • Bazille, Frédéric
  • Bazille, Frédéric
  • Bazille, Frédéric
  • Schilderijen
  • Bildband
  • Bildband
Label
Bazille : purity, pose, and painting in the 1860s, Dianne W. Pitman
Instantiates
Publication
Note
Originally presented as author's thesis (Ph. D.)--Johns Hopkins University, 1995
Bibliography note
Includes bibliographical references (p. [265]-269) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The Figure in the Landscape
  • 5.
  • Quotation, Pose, and Presence
  • 6.
  • Diverging Paths
  • Epilogue: Beyond Impressionism
  • App. I.
  • The Critical Response, 1866-1870
  • App. II.
  • Chronology
  • Introduction: From the Point of View of Painting
  • App. III.
  • Concordance of Bazille's Correspondence
  • 1.
  • Theatricality and Purity at the Salon of 1870
  • 2.
  • "As Simple a Subject as Possible"
  • 3.
  • The Photographic Pose
  • 4.
Dimensions
29 cm.
Extent
xvi, 275 p.
Isbn
9780271017006
Isbn Type
(acid-free paper)
Lccn
96049128
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
ill. (some col.)
System control number
  • (OCoLC)35969146
  • (OCoLC)ocm35969146
Label
Bazille : purity, pose, and painting in the 1860s, Dianne W. Pitman
Publication
Note
Originally presented as author's thesis (Ph. D.)--Johns Hopkins University, 1995
Bibliography note
Includes bibliographical references (p. [265]-269) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The Figure in the Landscape
  • 5.
  • Quotation, Pose, and Presence
  • 6.
  • Diverging Paths
  • Epilogue: Beyond Impressionism
  • App. I.
  • The Critical Response, 1866-1870
  • App. II.
  • Chronology
  • Introduction: From the Point of View of Painting
  • App. III.
  • Concordance of Bazille's Correspondence
  • 1.
  • Theatricality and Purity at the Salon of 1870
  • 2.
  • "As Simple a Subject as Possible"
  • 3.
  • The Photographic Pose
  • 4.
Dimensions
29 cm.
Extent
xvi, 275 p.
Isbn
9780271017006
Isbn Type
(acid-free paper)
Lccn
96049128
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
ill. (some col.)
System control number
  • (OCoLC)35969146
  • (OCoLC)ocm35969146

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