The Resource Being and becoming visible : women, performance, and visual culture, edited by Olga M. Mesropova and Stacey Weber-Fève

Being and becoming visible : women, performance, and visual culture, edited by Olga M. Mesropova and Stacey Weber-Fève

Label
Being and becoming visible : women, performance, and visual culture
Title
Being and becoming visible
Title remainder
women, performance, and visual culture
Statement of responsibility
edited by Olga M. Mesropova and Stacey Weber-Fève
Title variation
Women, performance, and visual culture
Contributor
Subject
Language
eng
Summary
Spanning geographical, cultural, and methodological boundaries, the essays in this title examine female representation in a variety of performative and visual media
Member of
Cataloging source
BTCTA
Illustrations
illustrations
Index
index present
LC call number
NX180.F4
LC item number
B45 2010
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1974-
  • 1977-
http://library.link/vocab/relatedWorkOrContributorName
  • Mesropova, Olga
  • Weber-Feve, Stacey
Series statement
Feminist formations reader.
http://library.link/vocab/subjectName
  • Feminism and the arts
  • Women in art
  • Popular culture
  • Visual communication
  • Vrouwen
  • Performances
  • Visualisatie
  • Kunst
  • Populaire cultuur
  • Alltagskultur
  • Frau
  • Künste
  • Personendarstellung
  • Visuelle Wahrnehmung
  • Massenkultur
  • Frau
  • Visuelle Kultur
  • Frau
  • Feminism and the arts
  • Popular culture
  • Visual communication
  • Women in art
Label
Being and becoming visible : women, performance, and visual culture, edited by Olga M. Mesropova and Stacey Weber-Fève
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Denise Bauer
  • Practical perfection :
  • the nanny negotiates gender, class, and family contradictions in 1960s popular culture
  • Anne McLeer
  • Millions "Love Lucy :
  • commodification and the Lucy phenomenon
  • Lori Landay
  • Explicit selves, explicit bodies.
  • Fractured borders :
  • women's cancer and feminist theater
  • Feminist exhibitionism :
  • Mary K. DeShazer
  • Representing domestic violence :
  • ambivalence and difference in What's love got to do with it
  • Diane Shoos
  • The missing story of ourselves :
  • poor women, power, and the politics of feminist representation
  • Vivyan C. Adair
  • Fashion photography and women's modernity in Weimar Germany :
  • the case of Yva
  • Mila Ganeva
  • when the women's studies professor is a curator
  • Iconographies of command identity.
  • Iconographies of gender, poverty, and power in contemporary South African visual culture
  • Kim Miller
  • Cultural trauma, memory, and gendered collective action :
  • the case of women of the storm following Hurricane Katrina
  • Emmanuel David
  • The representation of the indigenous other in Daughters of the dust and The piano
  • Caroline Brown
  • Margaret D. Stetz
  • Spectators, spectacles, and cultural icons.
  • Diana Doubled :
  • the fairytale princess and the photographer
  • Jill R. Chancey
  • Alice Neel's portraits of mother work
Dimensions
24 cm.
Extent
xv, 264 p.
Isbn
9780801894947
Isbn Type
(hbk. : alk. paper)
Lccn
2009940297
Other physical details
ill.
System control number
  • (OCoLC)613426124
  • (OCoLC)ocn613426124
Label
Being and becoming visible : women, performance, and visual culture, edited by Olga M. Mesropova and Stacey Weber-Fève
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Denise Bauer
  • Practical perfection :
  • the nanny negotiates gender, class, and family contradictions in 1960s popular culture
  • Anne McLeer
  • Millions "Love Lucy :
  • commodification and the Lucy phenomenon
  • Lori Landay
  • Explicit selves, explicit bodies.
  • Fractured borders :
  • women's cancer and feminist theater
  • Feminist exhibitionism :
  • Mary K. DeShazer
  • Representing domestic violence :
  • ambivalence and difference in What's love got to do with it
  • Diane Shoos
  • The missing story of ourselves :
  • poor women, power, and the politics of feminist representation
  • Vivyan C. Adair
  • Fashion photography and women's modernity in Weimar Germany :
  • the case of Yva
  • Mila Ganeva
  • when the women's studies professor is a curator
  • Iconographies of command identity.
  • Iconographies of gender, poverty, and power in contemporary South African visual culture
  • Kim Miller
  • Cultural trauma, memory, and gendered collective action :
  • the case of women of the storm following Hurricane Katrina
  • Emmanuel David
  • The representation of the indigenous other in Daughters of the dust and The piano
  • Caroline Brown
  • Margaret D. Stetz
  • Spectators, spectacles, and cultural icons.
  • Diana Doubled :
  • the fairytale princess and the photographer
  • Jill R. Chancey
  • Alice Neel's portraits of mother work
Dimensions
24 cm.
Extent
xv, 264 p.
Isbn
9780801894947
Isbn Type
(hbk. : alk. paper)
Lccn
2009940297
Other physical details
ill.
System control number
  • (OCoLC)613426124
  • (OCoLC)ocn613426124

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