The Resource Beyond Orpheus : studies in musical structure, David Epstein

Beyond Orpheus : studies in musical structure, David Epstein

Label
Beyond Orpheus : studies in musical structure
Title
Beyond Orpheus
Title remainder
studies in musical structure
Statement of responsibility
David Epstein
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1930-2002
http://library.link/vocab/creatorName
Epstein, David
Illustrations
music
Index
index present
LC call number
MT58
LC item number
.E67
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Music theory
  • Musical form
  • Music
  • Théorie musicale
  • Formes musicales
  • Musique
  • Music
  • Music theory
  • Musical form
  • Théorie musicale
  • Formes musicales
  • Musique
  • Musikalische Analyse
  • Musikalische Form
Label
Beyond Orpheus : studies in musical structure, David Epstein
Instantiates
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
[Part] I : Musical structure. Introduction ; The concept of shape ; Schoenberg's Grundgestalt ; Total serialism ; Shape in classic-romantic music -- [Part] II : Musical domains. Pitch ; Thematic shapes ; Harmony and tonality ; Duration ; Musical time ; Temporal duality in music ; Rhythm and meter ; Toward a theory of tonal rhythm ; Rhythmic shape ; Tempo ; Phrasing and nuance -- [Part] III : The concept of unity : analyses. Unity in Beethoven's Eroica symphony (first movement) ; Unity in other works ; Mozart's Symphony no. 40 ; Haydn's Symphony no. 104 ; Schmann's Third symphony -- [Part] IV : Structure and premise : analyses. Ambiguity as premise ; Ambiguity in Brahms's Second symphony ; Ambiguity in Brahms's Intermezzo, op. 118, no. 2 ; Other examples of premise ; Local events as premise ; Procedure as premise -- [Part] V : Other perspectives. In search of the compositional dynamic ; Epilogue -- Appendix A : Schoenberg's studies of motive, motive-forms, and developing variation -- Appendix B : Middle-period Beethoven : motive form and tonal plan
Dimensions
26 cm
Extent
xiv, 244 pages
Isbn
9780262050166
Lccn
78000232
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
music
System control number
(OCoLC)3627831
Label
Beyond Orpheus : studies in musical structure, David Epstein
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
[Part] I : Musical structure. Introduction ; The concept of shape ; Schoenberg's Grundgestalt ; Total serialism ; Shape in classic-romantic music -- [Part] II : Musical domains. Pitch ; Thematic shapes ; Harmony and tonality ; Duration ; Musical time ; Temporal duality in music ; Rhythm and meter ; Toward a theory of tonal rhythm ; Rhythmic shape ; Tempo ; Phrasing and nuance -- [Part] III : The concept of unity : analyses. Unity in Beethoven's Eroica symphony (first movement) ; Unity in other works ; Mozart's Symphony no. 40 ; Haydn's Symphony no. 104 ; Schmann's Third symphony -- [Part] IV : Structure and premise : analyses. Ambiguity as premise ; Ambiguity in Brahms's Second symphony ; Ambiguity in Brahms's Intermezzo, op. 118, no. 2 ; Other examples of premise ; Local events as premise ; Procedure as premise -- [Part] V : Other perspectives. In search of the compositional dynamic ; Epilogue -- Appendix A : Schoenberg's studies of motive, motive-forms, and developing variation -- Appendix B : Middle-period Beethoven : motive form and tonal plan
Dimensions
26 cm
Extent
xiv, 244 pages
Isbn
9780262050166
Lccn
78000232
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
music
System control number
(OCoLC)3627831

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