The Resource Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson

Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson

Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
Title
Bulldaggers, pansies, and chocolate babies
Title remainder
performance, race, and sexuality in the Harlem Renaissance
Statement of responsibility
James F. Wilson
Creator
Contributor
Provider
Subject
Language
eng
Member of
Cataloging source
CN8ML
http://library.link/vocab/creatorName
Wilson, James F
Illustrations
illustrations
Index
index present
LC call number
PS338.N4
LC item number
W555 2010
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
JSTOR
http://library.link/vocab/subjectName
  • Sex in the theater
  • Race in literature
  • African Americans in literature
  • Harlem Renaissance
  • Harlem (New York, N.Y.)
  • African Americans
  • Theater
  • African Americans in the performing arts
  • American drama
  • American drama
  • SOCIAL SCIENCE
Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
Instantiates
Publication
Antecedent source
not applicable
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
Extent
1 online resource (ix, 260 pages)
Form of item
online
Isbn
9780472026968
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
  • (OCoLC)794700528
  • (OCoLC)ocn794700528
Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
Publication
Antecedent source
not applicable
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
Extent
1 online resource (ix, 260 pages)
Form of item
online
Isbn
9780472026968
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
  • (OCoLC)794700528
  • (OCoLC)ocn794700528

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