The Resource Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson

Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson

Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
Title
Bulldaggers, pansies, and chocolate babies
Title remainder
performance, race, and sexuality in the Harlem Renaissance
Statement of responsibility
James F. Wilson
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Wilson, James F
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PS338.N4
LC item number
W555 2010
Literary form
non fiction
Nature of contents
bibliography
Series statement
Triangulations: lesbian/gay/queer theater/drama/performance
http://library.link/vocab/subjectName
  • American drama
  • American drama
  • African Americans in the performing arts
  • Theater
  • African Americans
  • Harlem (New York, N.Y.)
  • Harlem Renaissance
  • African Americans in literature
  • Race in literature
  • Sex in the theater
Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best"
Dimensions
24 cm.
Extent
ix, 260 p.
Isbn
9780472117253
Isbn Type
(cloth : alk. paper)
Lccn
20090503 44
Other physical details
ill.
System control number
  • (OCoLC)466344607
  • (OCoLC)466344607
Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson
Publication
Bibliography note
Includes bibliographical references and index
Contents
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best"
Dimensions
24 cm.
Extent
ix, 260 p.
Isbn
9780472117253
Isbn Type
(cloth : alk. paper)
Lccn
20090503 44
Other physical details
ill.
System control number
  • (OCoLC)466344607
  • (OCoLC)466344607

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