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The Resource Charles Dickens and the image of woman, David Holbrook
Charles Dickens and the image of woman, David Holbrook
Resource Information
The item Charles Dickens and the image of woman, David Holbrook represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item Charles Dickens and the image of woman, David Holbrook represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Summary
- How successful is Dickens in his portrayal of women? Dickens has been represented (along with William Blake and D.H. Lawrence) as one who championed the life of the emotions that belong to the "feminine." Yet some of his most important heroines are simply bearers of the household keys and the basket of domesticity or are totally submissive and docile. Dickens, of course, had to accept the conventions of his time. Clearly the Victorian problem - which was man's problem as much as it was woman's - was that of bringing the ideal woman and the libidinal woman together. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sister, but why? And why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems. Using recent developments in psychoanalytic object-relations theory, David Holbrook offers new insight into the way in which the novels of Dickens - particularly Bleak House, Little Dorrit, and Great Expectations - both uphold emotional needs and at the same time represent the limitations of this view of women and that of his time. Holbrook pays tribute to Stephen Marcus's observation that Dickens was haunted by the Primal Scene and expands this diagnosis, suggesting how Dickens's residual dread about sexual intercourse deformed all Dickens's dealings with female characters, despite his eminent goodwill and delight in the image of woman
- Language
- eng
- Label
- Charles Dickens and the image of woman
- Title
- Charles Dickens and the image of woman
- Statement of responsibility
- David Holbrook
- Subject
-
- Dickens, Charles
- Dickens, Charles, (1812-1870) -- Critique et interprétation
- Dickens, Charles, (1812-1870) -- Personnages
- Dickens, Charles, 1812-1870
- Dickens, Charles, 1812-1870
- Dickens, Charles, 1812-1870 -- Characters | Women
- Femmes -- Dans la littérature
- Frau
- Frau (Motiv)
- 1800 - 1899
- History
- Literature
- Littérature anglaise -- 19e siècle -- Thèmes, motifs
- Sexualität
- Vrouwen
- Women and literature
- Women and literature -- Great Britain -- History -- 19th century
- Women in literature
- Great Britain
- Language
- eng
- Summary
- How successful is Dickens in his portrayal of women? Dickens has been represented (along with William Blake and D.H. Lawrence) as one who championed the life of the emotions that belong to the "feminine." Yet some of his most important heroines are simply bearers of the household keys and the basket of domesticity or are totally submissive and docile. Dickens, of course, had to accept the conventions of his time. Clearly the Victorian problem - which was man's problem as much as it was woman's - was that of bringing the ideal woman and the libidinal woman together. It is obvious, argues Holbrook, that Dickens idealized the father-daughter relationship, and indeed, any such relationship that was unsexual, like that of Tom Pinch and his sister, but why? And why, for example, is the image of woman so often associated with death, as in Great Expectations? Dickens's own struggles over relationships with women have been documented, but much less has been said about the unconscious elements behind these problems. Using recent developments in psychoanalytic object-relations theory, David Holbrook offers new insight into the way in which the novels of Dickens - particularly Bleak House, Little Dorrit, and Great Expectations - both uphold emotional needs and at the same time represent the limitations of this view of women and that of his time. Holbrook pays tribute to Stephen Marcus's observation that Dickens was haunted by the Primal Scene and expands this diagnosis, suggesting how Dickens's residual dread about sexual intercourse deformed all Dickens's dealings with female characters, despite his eminent goodwill and delight in the image of woman
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1923-2011
- http://library.link/vocab/creatorName
- Holbrook, David
- Index
- index present
- LC call number
- PR4592.W6
- LC item number
- H63 1993
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Dickens, Charles
- Dickens, Charles
- Dickens, Charles
- Dickens, Charles
- Dickens, Charles
- Dickens, Charles
- Women and literature
- Women and literature
- Women in literature
- Vrouwen
- Femmes
- Littérature anglaise
- Frau
- Sexualität
- Frau (Motiv)
- Great Britain
- Label
- Charles Dickens and the image of woman, David Holbrook
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Dimensions
- 24 cm
- Extent
- 194 pages
- Isbn
- 9780814734834
- Lccn
- 92033074
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)26673174
- (OCoLC)ocm26673174
- Label
- Charles Dickens and the image of woman, David Holbrook
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Dimensions
- 24 cm
- Extent
- 194 pages
- Isbn
- 9780814734834
- Lccn
- 92033074
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)26673174
- (OCoLC)ocm26673174
Subject
- Dickens, Charles
- Dickens, Charles, (1812-1870) -- Critique et interprétation
- Dickens, Charles, (1812-1870) -- Personnages
- Dickens, Charles, 1812-1870
- Dickens, Charles, 1812-1870
- Dickens, Charles, 1812-1870 -- Characters | Women
- Femmes -- Dans la littérature
- Frau
- Frau (Motiv)
- 1800 - 1899
- History
- Literature
- Littérature anglaise -- 19e siècle -- Thèmes, motifs
- Sexualität
- Vrouwen
- Women and literature
- Women and literature -- Great Britain -- History -- 19th century
- Women in literature
- Great Britain
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/Charles-Dickens-and-the-image-of-woman-David/rDpErMxBm-E/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/Charles-Dickens-and-the-image-of-woman-David/rDpErMxBm-E/">Charles Dickens and the image of woman, David Holbrook</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>