The Resource China on film : a century of exploration, confrontation, and controversy, Paul G. Pickowicz

China on film : a century of exploration, confrontation, and controversy, Paul G. Pickowicz

Label
China on film : a century of exploration, confrontation, and controversy
Title
China on film
Title remainder
a century of exploration, confrontation, and controversy
Statement of responsibility
Paul G. Pickowicz
Creator
Author
Subject
Genre
Language
eng
Has edition
Cataloging source
ERL
http://library.link/vocab/creatorName
Pickowicz, Paul
Index
no index present
LC call number
PN1993.5.C4
LC item number
P53 2013
Literary form
non fiction
http://library.link/vocab/subjectName
  • Motion picture industry
  • Motion pictures
  • Motion pictures
  • Motion picture industry
  • Motion pictures
  • Motion pictures
  • Motion pictures
  • China
  • China
Label
China on film : a century of exploration, confrontation, and controversy, Paul G. Pickowicz
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
  • online resource
  • volume
Carrier category code
nc
Carrier MARC source
  • rdacarrier
  • rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction : The sorrows and joys of Chinese filmmaking: political and personal contexts -- Shanghai twenties: early Chinese cinematic explorations of the modern marriage -- The theme of spiritual pollution in Chinese films of the 1930s -- Melodramatic representation and the May Fourth tradition of Chinese cinema -- Never-ending controversies: the case of Remorse in Shanghai and occupation-era Chinese filmmaking -- Victory as defeat: postwar visualizations of China's war of resistance -- Acting like revolutionaries: Shi Hui, the Wenhua Studio, and private-sector filmmaking, 1949-1952 -- Zheng Junli, complicity, and the cultural history of Socialist China, 1949-1976 -- The limits of cultural thaw: Chinese cinema in the early 1960s -- Popular cinema and political thought in early post-Mao China: reflections on official pronouncements, film, and the film audience -- On the eve of Tiananmen: Huang Jianxin and the notion of postsocialism -- Velvet prisons and the political economy of Chinese filmmaking in the late 1980s and early 1990s -- Social and political dynamics of underground filmmaking in early twenty-first-century China
Dimensions
23 cm.
Dimensions
unknown
Edition
First paperback edition.
Extent
x, 365 pages
Isbn
9781442211797
Isbn Type
(paperback)
Media category
  • unmediated
  • computer
Media MARC source
  • rdamedia
  • rdamedia
Media type code
n
Other physical details
illustrations
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)890437891
  • (OCoLC)ocn890437891
Label
China on film : a century of exploration, confrontation, and controversy, Paul G. Pickowicz
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
  • online resource
  • volume
Carrier category code
nc
Carrier MARC source
  • rdacarrier
  • rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction : The sorrows and joys of Chinese filmmaking: political and personal contexts -- Shanghai twenties: early Chinese cinematic explorations of the modern marriage -- The theme of spiritual pollution in Chinese films of the 1930s -- Melodramatic representation and the May Fourth tradition of Chinese cinema -- Never-ending controversies: the case of Remorse in Shanghai and occupation-era Chinese filmmaking -- Victory as defeat: postwar visualizations of China's war of resistance -- Acting like revolutionaries: Shi Hui, the Wenhua Studio, and private-sector filmmaking, 1949-1952 -- Zheng Junli, complicity, and the cultural history of Socialist China, 1949-1976 -- The limits of cultural thaw: Chinese cinema in the early 1960s -- Popular cinema and political thought in early post-Mao China: reflections on official pronouncements, film, and the film audience -- On the eve of Tiananmen: Huang Jianxin and the notion of postsocialism -- Velvet prisons and the political economy of Chinese filmmaking in the late 1980s and early 1990s -- Social and political dynamics of underground filmmaking in early twenty-first-century China
Dimensions
23 cm.
Dimensions
unknown
Edition
First paperback edition.
Extent
x, 365 pages
Isbn
9781442211797
Isbn Type
(paperback)
Media category
  • unmediated
  • computer
Media MARC source
  • rdamedia
  • rdamedia
Media type code
n
Other physical details
illustrations
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)890437891
  • (OCoLC)ocn890437891

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