The Resource City of darkness, city of light : émigré filmmakers in Paris 1929-1939, Alastair Phillips

City of darkness, city of light : émigré filmmakers in Paris 1929-1939, Alastair Phillips

Label
City of darkness, city of light : émigré filmmakers in Paris 1929-1939
Title
City of darkness, city of light
Title remainder
émigré filmmakers in Paris 1929-1939
Statement of responsibility
Alastair Phillips
Creator
Contributor
Provider
Subject
Language
eng
Summary
A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany
Member of
Action
digitized
Cataloging source
N$T
http://library.link/vocab/creatorName
Phillips, Alastair
Illustrations
  • illustrations
  • portraits
Index
index present
LC call number
PN1993.5.F7
LC item number
P45 2004eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
JSTOR Open Access
Series statement
Film culture in transition
http://library.link/vocab/subjectName
  • Motion picture producers and directors
  • Germans
  • Producteurs et réalisateurs de cinéma
  • Allemands
  • PERFORMING ARTS
  • The arts
  • Film, TV and radio
  • Germans
  • Motion picture producers and directors
  • France
  • Emigranten
  • Filmregisseurs
  • Filmschaffender
  • Exil
  • Film
  • Paris <Motiv>
  • Deutsche
  • Paris
Label
City of darkness, city of light : émigré filmmakers in Paris 1929-1939, Alastair Phillips
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 221-241) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • 2.
  • The City in Context.
  • An Historical Ambivalence
  • Modernity and the City
  • National Boundaries and Early European Sound Cinema
  • Paris as Staging Ground for the Early Sound Wars
  • Berlin as Prestige Model and Place of Work for French Film Industry Professionals
  • Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin
  • Trade and Economic Emigration from Berlin to Paris before 1933
  • Case Study One: Anatole Litvak
  • 1.
  • Case Study Two: Kurt Courant
  • The Rise of the Nazis in Berlin and the Politics of Departure
  • The Place of Jews in Paris
  • Reception: The Émigrés' Arrival in Paris
  • Reception: The French Film Industry
  • Case Study Three: Erich Pommer
  • Case Study Four: Robert Siodmak
  • 3.
  • City of Light.
  • Paris as Spectacle
  • Introduction.
  • Paris and the Spectacle of Entertainment
  • Parisian Journeys Across Time and Space
  • 4.
  • City of Darkness.
  • The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade'
  • Framing the Urban Decor -- The Émigrés and Poetic Realism
  • Spaces of Crime and Pleasure in the City of Darkness
  • Parisian Journeys Between the Past and the Present
  • 5.
  • Divided City.
  • Diversity and Exchange -- Rethinking the National in European Cinema
  • The Divided City in Context
  • Divided Characters, Divided City
  • Journeys Across the Divided City
  • 6.
  • Conclusion
  • Appendices.
  • Tobis In Paris Filmography 1929-1939
  • Osso Filmography 1930-1939
  • Anatole Litvak Filmography 1930-1936
  • Kurt Courant Filmography 1929-1939
  • Cinema and the City
  • Erich Pommer French-Language Filmography 1930-1934
  • Robert Siodmak French-Language Filmography 1931-1939
  • Nero Films Filmography 1930-1939
  • La Crise est finie
  • La Vie Parisienne
  • Mauvaise graine
  • Coeur de lilas
  • Dans les rues
  • Carrefour
  • Pièges
  • Paris and the 1930s
  • Liliom
  • Paris and French Cinema of the 1930s
  • France and the Émigrés
  • City of Darkness, City of Light
Dimensions
unknown
Extent
1 online resource (253 pages)
File format
unknown
Form of item
online
Isbn
9789048505258
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, portraits.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctt45s1dz
System control number
  • (OCoLC)54479711
  • (OCoLC)ocm54479711
Label
City of darkness, city of light : émigré filmmakers in Paris 1929-1939, Alastair Phillips
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 221-241) and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • 2.
  • The City in Context.
  • An Historical Ambivalence
  • Modernity and the City
  • National Boundaries and Early European Sound Cinema
  • Paris as Staging Ground for the Early Sound Wars
  • Berlin as Prestige Model and Place of Work for French Film Industry Professionals
  • Patterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin
  • Trade and Economic Emigration from Berlin to Paris before 1933
  • Case Study One: Anatole Litvak
  • 1.
  • Case Study Two: Kurt Courant
  • The Rise of the Nazis in Berlin and the Politics of Departure
  • The Place of Jews in Paris
  • Reception: The Émigrés' Arrival in Paris
  • Reception: The French Film Industry
  • Case Study Three: Erich Pommer
  • Case Study Four: Robert Siodmak
  • 3.
  • City of Light.
  • Paris as Spectacle
  • Introduction.
  • Paris and the Spectacle of Entertainment
  • Parisian Journeys Across Time and Space
  • 4.
  • City of Darkness.
  • The Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade'
  • Framing the Urban Decor -- The Émigrés and Poetic Realism
  • Spaces of Crime and Pleasure in the City of Darkness
  • Parisian Journeys Between the Past and the Present
  • 5.
  • Divided City.
  • Diversity and Exchange -- Rethinking the National in European Cinema
  • The Divided City in Context
  • Divided Characters, Divided City
  • Journeys Across the Divided City
  • 6.
  • Conclusion
  • Appendices.
  • Tobis In Paris Filmography 1929-1939
  • Osso Filmography 1930-1939
  • Anatole Litvak Filmography 1930-1936
  • Kurt Courant Filmography 1929-1939
  • Cinema and the City
  • Erich Pommer French-Language Filmography 1930-1934
  • Robert Siodmak French-Language Filmography 1931-1939
  • Nero Films Filmography 1930-1939
  • La Crise est finie
  • La Vie Parisienne
  • Mauvaise graine
  • Coeur de lilas
  • Dans les rues
  • Carrefour
  • Pièges
  • Paris and the 1930s
  • Liliom
  • Paris and French Cinema of the 1930s
  • France and the Émigrés
  • City of Darkness, City of Light
Dimensions
unknown
Extent
1 online resource (253 pages)
File format
unknown
Form of item
online
Isbn
9789048505258
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, portraits.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctt45s1dz
System control number
  • (OCoLC)54479711
  • (OCoLC)ocm54479711

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