The Resource Classical and romantic music, edited by David Milsom

Classical and romantic music, edited by David Milsom

Label
Classical and romantic music
Title
Classical and romantic music
Statement of responsibility
edited by David Milsom
Contributor
Editor
Subject
Genre
Language
eng
Member of
Cataloging source
BTCTA
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML457
LC item number
.C63 2011
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1974-
http://library.link/vocab/relatedWorkOrContributorName
Milsom, David
Series statement
The library of essays on music performance practice
http://library.link/vocab/subjectName
  • Performance practice (Music)
  • Performance practice (Music)
  • Music
  • Music
  • Music
  • Performance practice (Music)
Label
Classical and romantic music, edited by David Milsom
Instantiates
Publication
Note
Essays originally published 1973-2010
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 3.
  • Listening and responding to the evidence of early twentieth-century performance
  • Daniel Leech-Wilkinson
  • Pt. II.
  • Studies in historical sources.
  • 4.
  • Mathis Lussy's Traite de l'expressione musicale as a window into performance practice
  • Michael D. Green
  • 5.
  • Quantz's unegal: implications for the performance of 18th-century music
  • Pt. I.
  • Claire A. Fontijn
  • 6.
  • The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics
  • Dorottya Fabian
  • Pt. III.
  • Instruments, ensembles and conducting.
  • 7.
  • Towards a Verdian ideal of singing: emancipation from modern orthodoxy
  • Roger Freitas
  • 8.
  • Style and purpose: appraising eighteenth and nineteenth century aesthetics.
  • Brahms's pianos and the performance of his late piano works
  • Camilla Cai
  • 9.
  • The orchestra in Beethoven's Vienna
  • Clive Brown
  • 10.
  • Mozart's Viennese orchestras
  • Dexter Edge
  • 11.
  • Rejected traditions: ensemble placement in nineteenth-century Paris
  • 1.
  • Donna M. Di Grazia
  • 12.
  • Style and sonority in Wagner string performance
  • David Milsom
  • 13.
  • The origins of the ideology of authenticity in interpretation: Mendelssohn, Berlioz and Wagner and conductors
  • Jośe Antonio Bowen
  • Pt. IV.
  • Tempo and rhythm.
  • 14.
  • Performing classical repertoire: the unbridgeable gulf between contemporary practice and historical reality
  • Historical performance, metronome marks and tempo in Beethoven's symphonies
  • Clive Brown
  • 15.
  • The case of compensating rubato
  • Sarah Martin
  • 16.
  • Tempo as an expressive element in the late Romantic Lied
  • Edward F. Kravitt
  • 17.
  • New light on late eighteenth-century tempo: William Crotch's pendulum markings
  • Clive Brown
  • Emanuel Rubin
  • Pt. V.
  • Aspects of notation.
  • 18.
  • Dots and strokes in late 18th- and 19th-century music
  • Clive Brown
  • 19.
  • The expressive pause: punctuation, rests and breathing in England 1770-1850
  • Robert Toft
  • 20.
  • 2.
  • Beggar at the door: the rise and fall of portamento in singing
  • John Potter
  • 21.
  • Bowing styles, vibrato and portamento in nineteenth-century violin playing
  • Clive Brown
  • 22.
  • Portamento and the phonograph effect
  • Mark Katz
  • Mozart as early music: a romantic antidote
  • Laurence Dreyfus
Dimensions
25 cm.
Extent
xxxii, 495 pages
Isbn
9780754628590
Lccn
2010940357
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
System control number
  • (OCoLC)709673851
  • (OCoLC)ocn709673851
Label
Classical and romantic music, edited by David Milsom
Publication
Note
Essays originally published 1973-2010
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 3.
  • Listening and responding to the evidence of early twentieth-century performance
  • Daniel Leech-Wilkinson
  • Pt. II.
  • Studies in historical sources.
  • 4.
  • Mathis Lussy's Traite de l'expressione musicale as a window into performance practice
  • Michael D. Green
  • 5.
  • Quantz's unegal: implications for the performance of 18th-century music
  • Pt. I.
  • Claire A. Fontijn
  • 6.
  • The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics
  • Dorottya Fabian
  • Pt. III.
  • Instruments, ensembles and conducting.
  • 7.
  • Towards a Verdian ideal of singing: emancipation from modern orthodoxy
  • Roger Freitas
  • 8.
  • Style and purpose: appraising eighteenth and nineteenth century aesthetics.
  • Brahms's pianos and the performance of his late piano works
  • Camilla Cai
  • 9.
  • The orchestra in Beethoven's Vienna
  • Clive Brown
  • 10.
  • Mozart's Viennese orchestras
  • Dexter Edge
  • 11.
  • Rejected traditions: ensemble placement in nineteenth-century Paris
  • 1.
  • Donna M. Di Grazia
  • 12.
  • Style and sonority in Wagner string performance
  • David Milsom
  • 13.
  • The origins of the ideology of authenticity in interpretation: Mendelssohn, Berlioz and Wagner and conductors
  • Jośe Antonio Bowen
  • Pt. IV.
  • Tempo and rhythm.
  • 14.
  • Performing classical repertoire: the unbridgeable gulf between contemporary practice and historical reality
  • Historical performance, metronome marks and tempo in Beethoven's symphonies
  • Clive Brown
  • 15.
  • The case of compensating rubato
  • Sarah Martin
  • 16.
  • Tempo as an expressive element in the late Romantic Lied
  • Edward F. Kravitt
  • 17.
  • New light on late eighteenth-century tempo: William Crotch's pendulum markings
  • Clive Brown
  • Emanuel Rubin
  • Pt. V.
  • Aspects of notation.
  • 18.
  • Dots and strokes in late 18th- and 19th-century music
  • Clive Brown
  • 19.
  • The expressive pause: punctuation, rests and breathing in England 1770-1850
  • Robert Toft
  • 20.
  • 2.
  • Beggar at the door: the rise and fall of portamento in singing
  • John Potter
  • 21.
  • Bowing styles, vibrato and portamento in nineteenth-century violin playing
  • Clive Brown
  • 22.
  • Portamento and the phonograph effect
  • Mark Katz
  • Mozart as early music: a romantic antidote
  • Laurence Dreyfus
Dimensions
25 cm.
Extent
xxxii, 495 pages
Isbn
9780754628590
Lccn
2010940357
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
System control number
  • (OCoLC)709673851
  • (OCoLC)ocn709673851

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