The Resource Classical music : the era of Haydn, Mozart, and Beethoven, Philip G Downs

Classical music : the era of Haydn, Mozart, and Beethoven, Philip G Downs

Label
Classical music : the era of Haydn, Mozart, and Beethoven
Title
Classical music
Title remainder
the era of Haydn, Mozart, and Beethoven
Statement of responsibility
Philip G Downs
Creator
Subject
Genre
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Downs, Philip G
Illustrations
illustrations
Index
index present
LC call number
ML195
LC item number
.D68 1992
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Haydn, Joseph
  • Mozart, Wolfgang Amadeus
  • Beethoven, Ludwig van
  • Haydn, Joseph
  • Mozart, Wolfgang Amadeus
  • Beethoven, Ludwig van
  • Haydn, Joseph
  • Beethoven, Ludwig van
  • Haydn, Joseph
  • Mozart, Wolfgang Amadeus
  • Music
  • Music
  • Musique
  • Musique
  • Music
Label
Classical music : the era of Haydn, Mozart, and Beethoven, Philip G Downs
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 669-677) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The Beginnings of the Public Concert
  • Instructional Literature
  • Music for Private Performance
  • The Style Galant
  • Solo Sonata with Basso Continuo
  • The Trio Sonata
  • The Solo Keyboard Sonata
  • The Empfindsamer Stil
  • Other Keyboard Forms
  • The Song
  • The Transition from Baroque: Music to 1760
  • Music for Public Performance
  • The Symphony
  • The Concerto
  • Words and Music on the Stage
  • The Theater as a Social Center
  • The Singers
  • The Dramatic Conventions
  • Italian Opera Seria
  • Recitative and Aria
  • Pastiche
  • The Background to Eighteenth-Century Thought
  • Italian Opera Buffa
  • French Opera
  • Opera in Italy
  • Opera in German-Speaking Countries
  • Opera in London
  • Opera in Paris
  • Embracing the New Style: Music 1760-80
  • The Social and Philosophical Milieu
  • The Beautiful and the Sublime
  • Literary Antiquarianism
  • Art and the Philosopher
  • Sturm und Drang
  • The Concept of "Classical" and its Opposites
  • The Musician's Livelihood
  • Concert Organizations
  • Music Publishing
  • Writings about Music
  • Music in the Home
  • Further Evolution of the Sonata with Continuo
  • The Keyboard Sonata
  • The Keyboard Sonata with Optional Accompaniment
  • The Musician as Philosopher
  • The String Trio
  • The String Quartet
  • The String Quintet
  • Vocal Music
  • Concert and Church Music
  • The Emergence of the "Classical" Symphony
  • The Symphonie Concertante
  • The Importance of "Taste" in the Eighteenth Century
  • The Musician in Society
  • The System of Patronage
  • Printing and Publishing
Dimensions
25 cm.
Extent
xvi, 697 pages
Isbn
9780393951912
Lccn
92005037
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)25317243
  • (OCoLC)ocm25317243
Label
Classical music : the era of Haydn, Mozart, and Beethoven, Philip G Downs
Publication
Bibliography note
Includes bibliographical references (p. 669-677) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The Beginnings of the Public Concert
  • Instructional Literature
  • Music for Private Performance
  • The Style Galant
  • Solo Sonata with Basso Continuo
  • The Trio Sonata
  • The Solo Keyboard Sonata
  • The Empfindsamer Stil
  • Other Keyboard Forms
  • The Song
  • The Transition from Baroque: Music to 1760
  • Music for Public Performance
  • The Symphony
  • The Concerto
  • Words and Music on the Stage
  • The Theater as a Social Center
  • The Singers
  • The Dramatic Conventions
  • Italian Opera Seria
  • Recitative and Aria
  • Pastiche
  • The Background to Eighteenth-Century Thought
  • Italian Opera Buffa
  • French Opera
  • Opera in Italy
  • Opera in German-Speaking Countries
  • Opera in London
  • Opera in Paris
  • Embracing the New Style: Music 1760-80
  • The Social and Philosophical Milieu
  • The Beautiful and the Sublime
  • Literary Antiquarianism
  • Art and the Philosopher
  • Sturm und Drang
  • The Concept of "Classical" and its Opposites
  • The Musician's Livelihood
  • Concert Organizations
  • Music Publishing
  • Writings about Music
  • Music in the Home
  • Further Evolution of the Sonata with Continuo
  • The Keyboard Sonata
  • The Keyboard Sonata with Optional Accompaniment
  • The Musician as Philosopher
  • The String Trio
  • The String Quartet
  • The String Quintet
  • Vocal Music
  • Concert and Church Music
  • The Emergence of the "Classical" Symphony
  • The Symphonie Concertante
  • The Importance of "Taste" in the Eighteenth Century
  • The Musician in Society
  • The System of Patronage
  • Printing and Publishing
Dimensions
25 cm.
Extent
xvi, 697 pages
Isbn
9780393951912
Lccn
92005037
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)25317243
  • (OCoLC)ocm25317243

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