The Resource Disappearing acts : spectacles of gender and nationalism in Argentina's "dirty war", Diana Taylor

Disappearing acts : spectacles of gender and nationalism in Argentina's "dirty war", Diana Taylor

Label
Disappearing acts : spectacles of gender and nationalism in Argentina's "dirty war"
Title
Disappearing acts
Title remainder
spectacles of gender and nationalism in Argentina's "dirty war"
Statement of responsibility
Diana Taylor
Creator
Subject
Genre
Language
eng
Summary
  • In Disappearing Acts Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and relationship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were pitted against the Argentine people in that nation's "Dirty War." Combining feminism, cultural studies, and performance theory, Taylor analyzes the political spectacles that comprised the war - concentration camps, torture, "disappearances" - as well as the rise of theatrical productions, demonstrations, and other performative practices that attempted to resist and subvert the Argentine military
  • Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond
  • Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina's national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina's spectacle of terror
Cataloging source
DLC
http://library.link/vocab/creatorDate
1950-
http://library.link/vocab/creatorName
Taylor, Diana
Illustrations
illustrations
Index
index present
LC call number
PN2451
LC item number
.T28 1997
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Theater
  • Argentine drama
  • Violence
  • Disappeared persons
  • Argentine drama
  • Disappeared persons
  • Politics and government
  • Theater
  • Violence
  • Dictatuur
  • Nationalisme
  • Vrouwen
  • Beeldvorming
  • Personnes disparues
  • Violence
  • Théâtre (genre littéraire) argentin
  • Théâtre
  • Théâtre (genre littéraire) argentin
  • Politique et littérature
  • Théatre
  • Drama
  • Theater
  • Argentina
  • Argentina
  • Argentine
  • Argentinien
Label
Disappearing acts : spectacles of gender and nationalism in Argentina's "dirty war", Diana Taylor
Link
https://archive.org/details/disappearingacts00tayl
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [291]-303) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 5.
  • Percepticide
  • 6.
  • Disappearing Bodies: Writing Torture and Torture as Writing
  • 7.
  • Trapped in Bad Scripts: The Mothers of the Plaza de Mayo
  • 8.
  • Staging Battles of Gender and Nation-ness: Teatro Abierto 1981
  • 9.
  • Crossing the Line: Watching Violence in the "Other" Country
  • 1.
  • Caught in the Spectacle
  • 2.
  • Gendering the National "Self"
  • 3.
  • Military Males, "Bad" Women, and a Dirty, Dirty War
  • 4.
  • The Theatre of Operations: Performing Nation-ness in the Public Sphere
Dimensions
24 cm
Extent
xii, 309 pages
Isbn
9780822318774
Lccn
96022185
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (OCoLC)34996080
  • (OCoLC)ocm34996080
Label
Disappearing acts : spectacles of gender and nationalism in Argentina's "dirty war", Diana Taylor
Link
https://archive.org/details/disappearingacts00tayl
Publication
Bibliography note
Includes bibliographical references (p. [291]-303) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 5.
  • Percepticide
  • 6.
  • Disappearing Bodies: Writing Torture and Torture as Writing
  • 7.
  • Trapped in Bad Scripts: The Mothers of the Plaza de Mayo
  • 8.
  • Staging Battles of Gender and Nation-ness: Teatro Abierto 1981
  • 9.
  • Crossing the Line: Watching Violence in the "Other" Country
  • 1.
  • Caught in the Spectacle
  • 2.
  • Gendering the National "Self"
  • 3.
  • Military Males, "Bad" Women, and a Dirty, Dirty War
  • 4.
  • The Theatre of Operations: Performing Nation-ness in the Public Sphere
Dimensions
24 cm
Extent
xii, 309 pages
Isbn
9780822318774
Lccn
96022185
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (OCoLC)34996080
  • (OCoLC)ocm34996080

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