The Resource Early film theories in Italy, 1896-1922, edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei

Early film theories in Italy, 1896-1922, edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei

Label
Early film theories in Italy, 1896-1922
Title
Early film theories in Italy, 1896-1922
Statement of responsibility
edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei
Contributor
Editor
Provider
Subject
Language
eng
Member of
Cataloging source
OAPEN
Index
index present
LC call number
PN1993.5.I88
LC item number
E27 2017eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1968-
http://library.link/vocab/relatedWorkOrContributorName
  • Casetti, Francesco
  • Alovisio, Silvio
  • Mazzei, Luca
  • JSTOR Open Access
Series statement
Film theory in media history
http://library.link/vocab/subjectName
  • Film theory and criticism
  • Film, TV and radio
  • Films, cinema
  • The arts
  • Motion pictures
  • Motion pictures
  • Motion pictures
  • Motion pictures
  • Motion pictures and the arts
  • Italy
  • PERFORMING ARTS / Reference
  • PERFORMING ARTS / Film & Video / General
  • Intellectual life
  • Motion pictures
  • Motion pictures
  • Motion pictures and the arts
  • Motion pictures
  • Motion pictures
  • Italy
Label
Early film theories in Italy, 1896-1922, edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 490-504) and indexes
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Giovanni Papini
  • Scenic Impressionism
  • Sebastiano Arturo Luciani
  • The Aesthetics of Cinema
  • Goffredo Bellonci
  • The Poetics of Cinema
  • Sebastiano Arturo Luciani
  • Manifesto for a Cinematic Revolution
  • Goffredo Bellonci
  • Theatre and the Cinema
  • Antonio Gramsci
  • Summertime Spectacles: The Cinema
  • The Futurist Cinematography
  • Remo Chiti
  • In the Beginning Was Sex
  • Antonio Gramsci
  • Rectangle-Film (25 x 19)
  • Emanuele Toddi
  • The Proscenium Arch of My Cinema
  • Anton Giulio Bragaglia
  • My Views on the Cinematograph
  • Lucio d'Ambra
  • Gaio
  • Meditations in the Dark
  • Michele Biancale
  • Section 7
  • Theory in a Narrative Form
  • Luca Mazzei
  • Colour Film
  • Roberto Tanfani
  • At the Cinema
  • Luigia Cortesi
  • A Phantom Pursued
  • Why I Love the Cinema
  • Alberto Lumbroso
  • Miopetti's Duel
  • Aldo Borelli
  • Pamela-Films
  • Guido Gozzano
  • Feature Film
  • Pio Vanzi
  • Me, Riri, and Love in Slippers
  • Luciano Doria
  • A Cinematic Performance
  • Maffio Maffii
  • Federigo Tozzi
  • Life, a Glass Theatre
  • Pier Maria Rosso di San Secondo
  • The Shears' Reflection
  • Guido Gozzano
  • The Movie Theatre Audience
  • Giovanni Fosse
  • The Art of Celluloid
  • Crainquebille
  • The Triumph of the Cinema
  • The Throb of the Cinematograph
  • Ricciotto Canudo
  • The Death of the Word
  • Fausto Maria Martini
  • Section 2
  • Film in Transition
  • Francesco Casetti
  • The Museum of the Fleeting Moment
  • Lucio d'Ambra
  • The Woman and the Cinema
  • Haydee
  • Francesco Casetti
  • Darkness and Intelligence
  • Emanuele Toddi
  • A Spectatrix is Speaking to You
  • Matilde Serao
  • Motion Pictures in Provincial Towns
  • Emilio Scaglione
  • Cinematic Psychology
  • Edoardo Coli
  • The Cinematograph Doesn't Exist
  • Silvio d'Amico
  • Section 1
  • The Cinema: School of the Will and of Energy
  • Giovanni Bertinetti
  • The Close-up
  • Alberto Orsi
  • The Soul of Titles
  • Ernesto Quadrone
  • Section 3
  • Cinema at War
  • Luca Mazzei
  • The War, from Up Close
  • Cinema and Modern Life
  • Nino Salvaneschi
  • That Poor Cinema
  • Renato Giovannetti
  • Families of Soldiers
  • Luigi Lucatelli
  • War for the Profit of Industry
  • Renato Giovannetti
  • The War and Cinematograph
  • g.pr.
  • Max Linder Dies in The War
  • Francesco Casetti
  • Lucio d'Ambra
  • Cinema of War
  • Saverio Procida
  • Section 4
  • Politics, Morality, Education
  • Silvio Alovisio
  • The Motion Pictures and Education
  • Domenico Orano
  • The Intuitive Method in Religious Education
  • Romano Costetti
  • Cinematography
  • The Cinema and Its Influence on the Education of the People
  • Giovanni Battista Avellone
  • The Cinematograph in the Schools
  • Francesco Orestano
  • Speech at the People's Theatre
  • Vittorio Emanuele Orlando
  • Cinema for the Cultivation of the Intellect
  • Angelina Buracci
  • Educational Cinema
  • Ettore Fabietti
  • Edipi
  • Section 5
  • Film, Body, Mind
  • Silvio Alovisio
  • Collective Psychology
  • Pasquale Rossi
  • About Some Psychological Observations Made During Film Screenings
  • Mario Ponzo
  • Concerning the Effects of Film Viewing on Neurotic Individuals
  • Giuseppe d'Abundo
  • The Ongoing Battle between Gesture and Word
  • The Philosophy of Cinematograph
  • Mariano Luigi Patrizi
  • The Cinematograph in the Field of Mental Illness and Criminality: Notes
  • Giuseppe Vidoni
  • Cinema and Juvenile Delinquency
  • Mario Ponzo
  • Section 6
  • The Aesthetic Side
  • Luca Mazzei
  • Problems of Art: Expression and Movement in Sculpture
  • Corrado Ricci
Dimensions
unknown
Extent
1 online resource (516 pages).
Form of item
online
Isbn
9789048527106
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.5117/9789089648556
Specific material designation
remote
Stock number
22573/ctv15120s
System control number
  • (OCoLC)1030821311
  • (OCoLC)on1030821311
Label
Early film theories in Italy, 1896-1922, edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei
Publication
Bibliography note
Includes bibliographical references (pages 490-504) and indexes
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Giovanni Papini
  • Scenic Impressionism
  • Sebastiano Arturo Luciani
  • The Aesthetics of Cinema
  • Goffredo Bellonci
  • The Poetics of Cinema
  • Sebastiano Arturo Luciani
  • Manifesto for a Cinematic Revolution
  • Goffredo Bellonci
  • Theatre and the Cinema
  • Antonio Gramsci
  • Summertime Spectacles: The Cinema
  • The Futurist Cinematography
  • Remo Chiti
  • In the Beginning Was Sex
  • Antonio Gramsci
  • Rectangle-Film (25 x 19)
  • Emanuele Toddi
  • The Proscenium Arch of My Cinema
  • Anton Giulio Bragaglia
  • My Views on the Cinematograph
  • Lucio d'Ambra
  • Gaio
  • Meditations in the Dark
  • Michele Biancale
  • Section 7
  • Theory in a Narrative Form
  • Luca Mazzei
  • Colour Film
  • Roberto Tanfani
  • At the Cinema
  • Luigia Cortesi
  • A Phantom Pursued
  • Why I Love the Cinema
  • Alberto Lumbroso
  • Miopetti's Duel
  • Aldo Borelli
  • Pamela-Films
  • Guido Gozzano
  • Feature Film
  • Pio Vanzi
  • Me, Riri, and Love in Slippers
  • Luciano Doria
  • A Cinematic Performance
  • Maffio Maffii
  • Federigo Tozzi
  • Life, a Glass Theatre
  • Pier Maria Rosso di San Secondo
  • The Shears' Reflection
  • Guido Gozzano
  • The Movie Theatre Audience
  • Giovanni Fosse
  • The Art of Celluloid
  • Crainquebille
  • The Triumph of the Cinema
  • The Throb of the Cinematograph
  • Ricciotto Canudo
  • The Death of the Word
  • Fausto Maria Martini
  • Section 2
  • Film in Transition
  • Francesco Casetti
  • The Museum of the Fleeting Moment
  • Lucio d'Ambra
  • The Woman and the Cinema
  • Haydee
  • Francesco Casetti
  • Darkness and Intelligence
  • Emanuele Toddi
  • A Spectatrix is Speaking to You
  • Matilde Serao
  • Motion Pictures in Provincial Towns
  • Emilio Scaglione
  • Cinematic Psychology
  • Edoardo Coli
  • The Cinematograph Doesn't Exist
  • Silvio d'Amico
  • Section 1
  • The Cinema: School of the Will and of Energy
  • Giovanni Bertinetti
  • The Close-up
  • Alberto Orsi
  • The Soul of Titles
  • Ernesto Quadrone
  • Section 3
  • Cinema at War
  • Luca Mazzei
  • The War, from Up Close
  • Cinema and Modern Life
  • Nino Salvaneschi
  • That Poor Cinema
  • Renato Giovannetti
  • Families of Soldiers
  • Luigi Lucatelli
  • War for the Profit of Industry
  • Renato Giovannetti
  • The War and Cinematograph
  • g.pr.
  • Max Linder Dies in The War
  • Francesco Casetti
  • Lucio d'Ambra
  • Cinema of War
  • Saverio Procida
  • Section 4
  • Politics, Morality, Education
  • Silvio Alovisio
  • The Motion Pictures and Education
  • Domenico Orano
  • The Intuitive Method in Religious Education
  • Romano Costetti
  • Cinematography
  • The Cinema and Its Influence on the Education of the People
  • Giovanni Battista Avellone
  • The Cinematograph in the Schools
  • Francesco Orestano
  • Speech at the People's Theatre
  • Vittorio Emanuele Orlando
  • Cinema for the Cultivation of the Intellect
  • Angelina Buracci
  • Educational Cinema
  • Ettore Fabietti
  • Edipi
  • Section 5
  • Film, Body, Mind
  • Silvio Alovisio
  • Collective Psychology
  • Pasquale Rossi
  • About Some Psychological Observations Made During Film Screenings
  • Mario Ponzo
  • Concerning the Effects of Film Viewing on Neurotic Individuals
  • Giuseppe d'Abundo
  • The Ongoing Battle between Gesture and Word
  • The Philosophy of Cinematograph
  • Mariano Luigi Patrizi
  • The Cinematograph in the Field of Mental Illness and Criminality: Notes
  • Giuseppe Vidoni
  • Cinema and Juvenile Delinquency
  • Mario Ponzo
  • Section 6
  • The Aesthetic Side
  • Luca Mazzei
  • Problems of Art: Expression and Movement in Sculpture
  • Corrado Ricci
Dimensions
unknown
Extent
1 online resource (516 pages).
Form of item
online
Isbn
9789048527106
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.5117/9789089648556
Specific material designation
remote
Stock number
22573/ctv15120s
System control number
  • (OCoLC)1030821311
  • (OCoLC)on1030821311

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