The Resource Fiction and the camera eye : visual consciousness in film and the modern novel, Alan Spiegel

Fiction and the camera eye : visual consciousness in film and the modern novel, Alan Spiegel

Label
Fiction and the camera eye : visual consciousness in film and the modern novel
Title
Fiction and the camera eye
Title remainder
visual consciousness in film and the modern novel
Statement of responsibility
Alan Spiegel
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Spiegel, Alan
Index
index present
LC call number
PN3491
LC item number
.S65
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Fiction
  • Motion pictures and literature
  • Visual perception in literature
  • Cinéma et littérature
  • Roman - Histoire et critique
  • Roman
  • Cinéma et littérature
  • Fiction
  • Motion pictures and literature
  • Visual perception in literature
  • Film
  • Fotoroman
  • Roman
  • Visuelle Wahrnehmung
  • Film
  • Roman
  • Photoroman
  • Visuelle Wahrnehmung
Label
Fiction and the camera eye : visual consciousness in film and the modern novel, Alan Spiegel
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Part 1: The origins of cinematographic form. I. Concretized form. The legacy of Flaubert ; Cervantes and narrative form ; Flaubert and concretized form -- II. The oval of vision. Flaubert and the camera eye ; The development of interior form Zola, Lawrence, Woolf ; The development of cinematographic form James, Conrad, Joyce -- Part 2: Film and the modern novel. III. Joyce and company. Joyce and the cinema ; The ontology of the camera -- IV. The adventitious detail -- V. The anatomy of motion -- VI. Depthlessness. Animation and dehumanization ; Black graphics -- VII. Montage -- Epilogue: Comment c'est
Dimensions
23 cm
Extent
xvi, 203 pages
Isbn
9780813905983
Lccn
75022353
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)1531849
Label
Fiction and the camera eye : visual consciousness in film and the modern novel, Alan Spiegel
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Part 1: The origins of cinematographic form. I. Concretized form. The legacy of Flaubert ; Cervantes and narrative form ; Flaubert and concretized form -- II. The oval of vision. Flaubert and the camera eye ; The development of interior form Zola, Lawrence, Woolf ; The development of cinematographic form James, Conrad, Joyce -- Part 2: Film and the modern novel. III. Joyce and company. Joyce and the cinema ; The ontology of the camera -- IV. The adventitious detail -- V. The anatomy of motion -- VI. Depthlessness. Animation and dehumanization ; Black graphics -- VII. Montage -- Epilogue: Comment c'est
Dimensions
23 cm
Extent
xvi, 203 pages
Isbn
9780813905983
Lccn
75022353
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)1531849

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