The Resource Film architecture and the transnational imagination : set design in 1930s European cinema, Tim Bergfelder, Sue Harris, Sarah Street

Film architecture and the transnational imagination : set design in 1930s European cinema, Tim Bergfelder, Sue Harris, Sarah Street

Label
Film architecture and the transnational imagination : set design in 1930s European cinema
Title
Film architecture and the transnational imagination
Title remainder
set design in 1930s European cinema
Statement of responsibility
Tim Bergfelder, Sue Harris, Sarah Street
Creator
Contributor
Provider
Subject
Language
eng
Member of
Action
digitized
Cataloging source
N$T
http://library.link/vocab/creatorName
Bergfelder, Tim
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.S4
LC item number
B47 2007eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Harris, Sue
  • Harris, Sue
  • Street, Sarah
  • JSTOR Open Access
Series statement
Film culture in transition
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures
  • Group work in art
  • Transnationalism
  • ART
  • PERFORMING ARTS
  • The arts
  • Film, TV and radio
  • Society and social sciences
  • Society and culture: general
  • Group work in art
  • Motion pictures
  • Motion pictures
  • Transnationalism
  • Europe
  • Filmarchitektur
  • Europa
Label
Film architecture and the transnational imagination : set design in 1930s European cinema, Tim Bergfelder, Sue Harris, Sarah Street
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 297-304) and indexes
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Introduction: understanding and interpreting set design in cinema
  • European set design in the 1920s and 1930s: cultural contexts and professional practices
  • Imagining space in late Weimar Cinema
  • French cinema in the 1930s: space, place and national identity
  • Set design, style, and genre in 1930s British Cinema
Dimensions
unknown
Extent
1 online resource (316 pages)
File format
unknown
Form of item
online
Isbn
9789048501793
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.5117/9789053569801
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)231640465
  • (OCoLC)ocn231640465
Label
Film architecture and the transnational imagination : set design in 1930s European cinema, Tim Bergfelder, Sue Harris, Sarah Street
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 297-304) and indexes
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Introduction: understanding and interpreting set design in cinema
  • European set design in the 1920s and 1930s: cultural contexts and professional practices
  • Imagining space in late Weimar Cinema
  • French cinema in the 1930s: space, place and national identity
  • Set design, style, and genre in 1930s British Cinema
Dimensions
unknown
Extent
1 online resource (316 pages)
File format
unknown
Form of item
online
Isbn
9789048501793
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.5117/9789053569801
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)231640465
  • (OCoLC)ocn231640465

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