The Resource Film moments : criticism, history, theory, edited by Tom Brown & James Walters

Film moments : criticism, history, theory, edited by Tom Brown & James Walters

Label
Film moments : criticism, history, theory
Title
Film moments
Title remainder
criticism, history, theory
Statement of responsibility
edited by Tom Brown & James Walters
Contributor
Subject
Genre
Language
eng
Cataloging source
EQO
Illustrations
illustrations
Index
index present
LC call number
PN1995
LC item number
.F4597 2010
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1978-
http://library.link/vocab/relatedWorkOrContributorName
  • Brown, Tom
  • Walters, James
  • British Film Institute
http://library.link/vocab/subjectName
  • Film criticism
  • Motion pictures
  • Film criticism
  • Motion pictures
  • Film
  • Moment
  • Filmästhetik
  • Filmtheorie
  • Filmkritik
  • Film
  • Filmästhetik
  • Filmtheorie
Label
Film moments : criticism, history, theory, edited by Tom Brown & James Walters
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Style and sincerity in Quentin Tarantino's Kill Bill vol. 2 (2004)
  • James Walters
  • The moves : Blood (1989)
  • Adrian Martin
  • The properties of images : Lust for life (1956)
  • Steve Neale
  • Two views over water : action and absorption in Ingmar Bergman's Wild strawberries (1957)
  • Edward Gallafent
  • Making an entrance : Bette Davis's first appearance in Jezebel (1938)
  • Martin Shingler
  • Shadow play and dripping teat : The night of the hunter (1955)
  • A narrative parenthesis in Life is beautiful (1997)
  • Deborah Thomas
  • The end of summer : Conte d'été (1996)
  • Jacob Leigh
  • Enter Lisa : Rear window (1954)
  • Douglas Pye
  • Opening up The secret garden (1993)
  • Susan Smith
  • A magnified meeting in Written on the wind (1956)
  • Steven Peacock
  • Tom Gunning
  • "Everything is connected, and everything matters" : relationships in I [heart] Huckabees (2004)
  • John Gibbs
  • The ending of 8 1/2 (1963)
  • Richard Dyer
  • Haptic vision and consumerism : a moment from Fritz Lang's Siegfried (1924)
  • Thomas Elsaesser
  • Visions of sound in City lights (1931)
  • Charles Barr
  • "Entertainment and dystopia" : Maurice Chevalier performs Avec le sourire (1936)
  • Tom Brown
  • Between melodrama and realism : Under the skin of the city (2001)
  • Music, crime and the gaze : La bête humaine (1938)
  • Ginette Vincendeau
  • Thunder and lightning : Gone with the wind (1939) and the logic of synchronisation
  • Rick Altman
  • Hearing, fearing : the sonic design of suspense in Cat people (1942)
  • Helen Hanson
  • "I've seen him take his knife -- " : The searchers (1956)
  • R.J. Ellis
  • Another story : myth and history in Bonnie and Clyde (1967)
  • Pam Cook
  • Laura Mulvey
  • A sculptural moment : the epilogue to Les deux anglaises et le continent (1971)
  • Mark Broughton
  • Star wars (1977) : back and forth in time and space
  • Jonathan Bignell
  • Between freedom and confinement : music in The world (2004)
  • Claudia Gorbman
  • Performance, with strings attached : Team America's (2004) snub to the actor
  • Alex Clayton
  • Éloge de l'amour (2001) : moments in time
  • Alison Butler
  • Internalising the musical : The band wagon (1953)
  • Contested endings : interpreting The piano's (1993) final scenes
  • Barbara Klinger
  • Mourning, loss and trauma, and the ambiguities of proper and improper desire in Exotica (1994)
  • Elizabeth Cowie
  • Stepping out of blockbuster mode :
  • the lighting of the beacons in The Lord of the Rings : The return of the King (2003)
  • Kristin Thompson
  • Dorothy's dream : mindscreen in The Wizard of Oz (1939)
  • Bruce F. Kawin
  • Looking on and looking the other way : Hotel Rwanda (2004) and the racialised ethics of spectatorship
  • Andrew Klevan
  • Michele Aaron
  • Working through the body : textual-corporeal strategies in United 93 (2006)
  • Lisa Purse
  • "I wasn't expecting that!" : cognition and shock in Alien's (1979) chestburster scene
  • Jonathan Frome
  • The inflection of a dream in Scarlet Street (1945)
  • George M. Wilson
  • Judy's plan : a reading of the "Flashback" sequence in Vertigo (1958)
  • William Rothman
  • The visitor's discarded clothes in Theorem (1968)
  • Stella Bruzzi
Dimensions
25 cm
Extent
xii, 178 pages
Isbn
9781844573363
Isbn Type
(hbk.)
Lccn
2011456748
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (OCoLC)701279145
  • (OCoLC)ocn701279145
Label
Film moments : criticism, history, theory, edited by Tom Brown & James Walters
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Style and sincerity in Quentin Tarantino's Kill Bill vol. 2 (2004)
  • James Walters
  • The moves : Blood (1989)
  • Adrian Martin
  • The properties of images : Lust for life (1956)
  • Steve Neale
  • Two views over water : action and absorption in Ingmar Bergman's Wild strawberries (1957)
  • Edward Gallafent
  • Making an entrance : Bette Davis's first appearance in Jezebel (1938)
  • Martin Shingler
  • Shadow play and dripping teat : The night of the hunter (1955)
  • A narrative parenthesis in Life is beautiful (1997)
  • Deborah Thomas
  • The end of summer : Conte d'été (1996)
  • Jacob Leigh
  • Enter Lisa : Rear window (1954)
  • Douglas Pye
  • Opening up The secret garden (1993)
  • Susan Smith
  • A magnified meeting in Written on the wind (1956)
  • Steven Peacock
  • Tom Gunning
  • "Everything is connected, and everything matters" : relationships in I [heart] Huckabees (2004)
  • John Gibbs
  • The ending of 8 1/2 (1963)
  • Richard Dyer
  • Haptic vision and consumerism : a moment from Fritz Lang's Siegfried (1924)
  • Thomas Elsaesser
  • Visions of sound in City lights (1931)
  • Charles Barr
  • "Entertainment and dystopia" : Maurice Chevalier performs Avec le sourire (1936)
  • Tom Brown
  • Between melodrama and realism : Under the skin of the city (2001)
  • Music, crime and the gaze : La bête humaine (1938)
  • Ginette Vincendeau
  • Thunder and lightning : Gone with the wind (1939) and the logic of synchronisation
  • Rick Altman
  • Hearing, fearing : the sonic design of suspense in Cat people (1942)
  • Helen Hanson
  • "I've seen him take his knife -- " : The searchers (1956)
  • R.J. Ellis
  • Another story : myth and history in Bonnie and Clyde (1967)
  • Pam Cook
  • Laura Mulvey
  • A sculptural moment : the epilogue to Les deux anglaises et le continent (1971)
  • Mark Broughton
  • Star wars (1977) : back and forth in time and space
  • Jonathan Bignell
  • Between freedom and confinement : music in The world (2004)
  • Claudia Gorbman
  • Performance, with strings attached : Team America's (2004) snub to the actor
  • Alex Clayton
  • Éloge de l'amour (2001) : moments in time
  • Alison Butler
  • Internalising the musical : The band wagon (1953)
  • Contested endings : interpreting The piano's (1993) final scenes
  • Barbara Klinger
  • Mourning, loss and trauma, and the ambiguities of proper and improper desire in Exotica (1994)
  • Elizabeth Cowie
  • Stepping out of blockbuster mode :
  • the lighting of the beacons in The Lord of the Rings : The return of the King (2003)
  • Kristin Thompson
  • Dorothy's dream : mindscreen in The Wizard of Oz (1939)
  • Bruce F. Kawin
  • Looking on and looking the other way : Hotel Rwanda (2004) and the racialised ethics of spectatorship
  • Andrew Klevan
  • Michele Aaron
  • Working through the body : textual-corporeal strategies in United 93 (2006)
  • Lisa Purse
  • "I wasn't expecting that!" : cognition and shock in Alien's (1979) chestburster scene
  • Jonathan Frome
  • The inflection of a dream in Scarlet Street (1945)
  • George M. Wilson
  • Judy's plan : a reading of the "Flashback" sequence in Vertigo (1958)
  • William Rothman
  • The visitor's discarded clothes in Theorem (1968)
  • Stella Bruzzi
Dimensions
25 cm
Extent
xii, 178 pages
Isbn
9781844573363
Isbn Type
(hbk.)
Lccn
2011456748
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (OCoLC)701279145
  • (OCoLC)ocn701279145

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