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The Resource From modernism to postmodernism : between universal and local, Katarina Bogunović Hočevar, Gregor Pompe, Nejc Sukljan (eds.)

From modernism to postmodernism : between universal and local, Katarina Bogunović Hočevar, Gregor Pompe, Nejc Sukljan (eds.)

Editor
Contributor
Summary
The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar "universality" was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications
Language
eng
Work
Publication
Extent
402 pages
Contents
  • Nikša Gligo
  • From Modernism...
  • Mikalojus Konstantinas Čiurlionis' (1875 -- 1911) Musical Works as an Example of European Modernism in its Early Stages
  • Gražina Daunoravičienė
  • Modernism at Work in Pierre Boulez's Writings, 1948 -- 1952
  • Manuel Farolfi
  • Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata
  • Hei Yeung John Lai
  • Textual Permutation in Mauricio Kagel's Anagrama (1957 -- 1958): New Modes of Serial Thought
  • Ka-man Choi
  • Theoretical Basis
  • Postmodernism in Society and Art: An Overview
  • Gregor Pompe
  • Modernity -- Postmodernity. Controversial Core Structures of Musical Thinking
  • Helmut Loos
  • The Creative Practice (of Architecture): Insisting on the In-Between
  • Petra Čeferin
  • Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology?
  • Gregor Pompe
  • Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke
  • Jana Majerová
  • Wien Modern, Festival d'Automne à Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture?
  • Simone Heilgendorff
  • Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview
  • Cristina Scuderi
  • To Postmodernism
  • From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists
  • Jūlija Jonāne
  • Modernism, Postmodernism and Globalism: Takemitsu, November Steps
  • Moeko Hayashi
  • Bernd Alois Zimmermann's Requiem für einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism
  • Kamilė Rupeikaitė
  • Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdańsk Milieu
  • Joanna Schiller-Rydzewska
  • The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy
  • Tatiana Pirníková
  • Lojze Lebič: Modernism and the Vernacular
  • Niall O'Loughlin
  • Opera Mileva by Alexandra Vrebalov: A Tale of Woman's Otherness
  • Ira Prodanov Krajišnik
  • A Language-Based Approach to Music and Intertextuality
  • Alessandro Miani
  • Contemporary Music between History and Eschatology
  • Milena Bozhikova
  • Postmodernism in Eastern Europe
  • Pēteris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art
  • Jānis Kudin̨š
  • The Semantics of the Music of Anatolijus Šenderovas
Isbn
9783631671443
Instance
Label
From modernism to postmodernism : between universal and local
Title
From modernism to postmodernism
Title remainder
between universal and local
Statement of responsibility
Katarina Bogunović Hočevar, Gregor Pompe, Nejc Sukljan (eds.)
Contributor
Editor
Subject
Genre
Language
eng
Summary
The book explores two radical changes of cultural and social paradigm that determined the World after 1945 - Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar "universality" was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism - postmodernism - began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications
Cataloging source
DLC
Index
index present
LC call number
ML3845
LC item number
.F83 2016
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1976-
  • 1985-
http://library.link/vocab/relatedWorkOrContributorName
  • Bogunović Hočevar, Katarina
  • Pompe, Gregor
  • Sukljan, Nejc
http://library.link/vocab/subjectName
  • Music
  • Modernism (Music)
  • Postmodernism
  • Music
  • Modernism (Music)
  • Music
  • Music
  • Postmodernism
  • Moderne
  • Musik
  • Postmoderne
Label
From modernism to postmodernism : between universal and local, Katarina Bogunović Hočevar, Gregor Pompe, Nejc Sukljan (eds.)
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Nikša Gligo
  • From Modernism...
  • Mikalojus Konstantinas Čiurlionis' (1875 -- 1911) Musical Works as an Example of European Modernism in its Early Stages
  • Gražina Daunoravičienė
  • Modernism at Work in Pierre Boulez's Writings, 1948 -- 1952
  • Manuel Farolfi
  • Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata
  • Hei Yeung John Lai
  • Textual Permutation in Mauricio Kagel's Anagrama (1957 -- 1958): New Modes of Serial Thought
  • Ka-man Choi
  • Theoretical Basis
  • Postmodernism in Society and Art: An Overview
  • Gregor Pompe
  • Modernity -- Postmodernity. Controversial Core Structures of Musical Thinking
  • Helmut Loos
  • The Creative Practice (of Architecture): Insisting on the In-Between
  • Petra Čeferin
  • Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology?
  • Gregor Pompe
  • Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke
  • Jana Majerová
  • Wien Modern, Festival d'Automne à Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture?
  • Simone Heilgendorff
  • Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview
  • Cristina Scuderi
  • To Postmodernism
  • From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists
  • Jūlija Jonāne
  • Modernism, Postmodernism and Globalism: Takemitsu, November Steps
  • Moeko Hayashi
  • Bernd Alois Zimmermann's Requiem für einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism
  • Kamilė Rupeikaitė
  • Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdańsk Milieu
  • Joanna Schiller-Rydzewska
  • The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy
  • Tatiana Pirníková
  • Lojze Lebič: Modernism and the Vernacular
  • Niall O'Loughlin
  • Opera Mileva by Alexandra Vrebalov: A Tale of Woman's Otherness
  • Ira Prodanov Krajišnik
  • A Language-Based Approach to Music and Intertextuality
  • Alessandro Miani
  • Contemporary Music between History and Eschatology
  • Milena Bozhikova
  • Postmodernism in Eastern Europe
  • Pēteris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art
  • Jānis Kudin̨š
  • The Semantics of the Music of Anatolijus Šenderovas
Dimensions
22 cm
Extent
402 pages
Isbn
9783631671443
Lccn
2016017107
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
  • (OCoLC)946580053
  • (OCoLC)ocn946580053
Label
From modernism to postmodernism : between universal and local, Katarina Bogunović Hočevar, Gregor Pompe, Nejc Sukljan (eds.)
Publication
Copyright
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Nikša Gligo
  • From Modernism...
  • Mikalojus Konstantinas Čiurlionis' (1875 -- 1911) Musical Works as an Example of European Modernism in its Early Stages
  • Gražina Daunoravičienė
  • Modernism at Work in Pierre Boulez's Writings, 1948 -- 1952
  • Manuel Farolfi
  • Rethinking Form: A Structural Analysis of Constellation-Miroir, Formant 3 of Boulez's Third Piano Sonata
  • Hei Yeung John Lai
  • Textual Permutation in Mauricio Kagel's Anagrama (1957 -- 1958): New Modes of Serial Thought
  • Ka-man Choi
  • Theoretical Basis
  • Postmodernism in Society and Art: An Overview
  • Gregor Pompe
  • Modernity -- Postmodernity. Controversial Core Structures of Musical Thinking
  • Helmut Loos
  • The Creative Practice (of Architecture): Insisting on the In-Between
  • Petra Čeferin
  • Globalization and/or Pluralism: But What about Musics, Their Styles, Techniques and Musicology?
  • Gregor Pompe
  • Musical Quotation as a Fundamental Way for Expressing a Message in the Work of Alfred Schnittke
  • Jana Majerová
  • Wien Modern, Festival d'Automne à Paris, and Warsaw Autumn after the Year 2000 in a Comparative Perspective: European or National Forums for Contemporary Art Music and Culture?
  • Simone Heilgendorff
  • Contemporary Opera and Musical Theatre on Italian Stages Between the Second Postwar Period and the End of the 1960s: Notes for an Overview
  • Cristina Scuderi
  • To Postmodernism
  • From Modernism to Postmodernism: The Modulation and Correlation between Two Styles in the Context of Musical Works by Sacred Minimalists
  • Jūlija Jonāne
  • Modernism, Postmodernism and Globalism: Takemitsu, November Steps
  • Moeko Hayashi
  • Bernd Alois Zimmermann's Requiem für einen jungen Dichter and Leonard Bernstein's Mass: European and American postmodernism, or pluralism vs. eclecticism
  • Kamilė Rupeikaitė
  • Different Faces of Postmodernism in the Works of Contemporary Composers of the Gdańsk Milieu
  • Joanna Schiller-Rydzewska
  • The Way from Modernist Positions to the Intimate Lyrical Position of the Composer Oto Ferenczy
  • Tatiana Pirníková
  • Lojze Lebič: Modernism and the Vernacular
  • Niall O'Loughlin
  • Opera Mileva by Alexandra Vrebalov: A Tale of Woman's Otherness
  • Ira Prodanov Krajišnik
  • A Language-Based Approach to Music and Intertextuality
  • Alessandro Miani
  • Contemporary Music between History and Eschatology
  • Milena Bozhikova
  • Postmodernism in Eastern Europe
  • Pēteris Vasks as Neo-Romantic: Characteristic Style Signs of Latvian Composer Symphonic Music in the Context of Postmodern Culture and Art
  • Jānis Kudin̨š
  • The Semantics of the Music of Anatolijus Šenderovas
Dimensions
22 cm
Extent
402 pages
Isbn
9783631671443
Lccn
2016017107
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
  • (OCoLC)946580053
  • (OCoLC)ocn946580053

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