The Resource German film & literature : adaptations and transformations, edited by Eric Rentschler

German film & literature : adaptations and transformations, edited by Eric Rentschler

Label
German film & literature : adaptations and transformations
Title
German film & literature
Title remainder
adaptations and transformations
Statement of responsibility
edited by Eric Rentschler
Title variation
German film and literature
Contributor
Subject
Genre
Language
eng
Related
Cataloging source
DLC
Illustrations
illustrations
Index
index present
LC call number
PN1993.5.G3
LC item number
G36 1986
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Rentschler, Eric
http://library.link/vocab/subjectName
  • Motion pictures
  • German literature
  • Cinéma
  • Littérature allemande
  • German literature
  • Motion pictures
  • Letterkunde
  • Verfilmingen
  • Duits
  • Germany
Label
German film & literature : adaptations and transformations, edited by Eric Rentschler
Instantiates
Publication
Note
Includes index
Bibliography note
Bibliography: p. [366]-378
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Thomas Elsaesser
  • Between two worlds : von Sternberg's The Blue Angel (1930)
  • Gertrud Koch
  • Reading Ophüls reading Schnitzler : Liebelei (1933)
  • Alan Williams
  • Kleist in the Third Reich : Ucicky's The Broken Jug (1937)
  • Marc Silberman
  • How Nazi cinema mobilizes the classics : Schweikart's Das Fräulein von Barnhelm (1940)
  • Karsten Witte
  • The other Germany in Zinnemann's The Seventh Cross (1944)
  • Introduction :
  • Postwar traumas in Klaren's Wozzeck (1947)
  • Jan-Christopher Horak
  • Semper fidelis : Staudte's The Subject (1951)
  • Marc Silberman
  • A return to arms : Käutner's The Captain of Köpenick (1956)
  • Russell A. Berman
  • Specularity and spectacle in Schlöndorff's Young Törless (1966)
  • Eric Rentschler
  • Space of history, language of time : Kluge's Yesterday Girl (1966)
  • Miriam Hansen
  • theoretical and historical considerations
  • The invalidation of Arnim : Herzog's Signs of Life (1968)
  • Brigitte Peucker
  • Textuality and theatricality in Brecht and Straub/Huillet : History Lessons (1972)
  • Maureen Turim
  • A recast Goethe : Günther's Lotte in Weimar (1975)
  • Dennis F. Mahoney
  • The tension of translation : Handke's The Left-Handed Woman (1977)
  • Timothy Corrigan
  • History, fiction, memory : Fassbinder's The Marriage of Maria Braun (1979)
  • Anton Kaes
  • Eric Rentschler
  • The search for the Mother/Land in Sanders-Brahms's Germany, Pale Mother (1980)
  • E. Ann Kaplan
  • Terms of dismemberment : the body in/and/of Fassbinder's Berlin Alexanderplatz (1980)
  • Eric Rentschler
  • The first German art film : Rye's The Student of Prague (1913)
  • Heide Schlüpmann
  • Dracula in the twilight : Murnau's Nosferatu (1922)
  • Judith Mayne
  • Lulu and the meter man : Pabst's Pandora's Box (1929)
Dimensions
24 cm
Extent
x, 385 pages
Isbn
9780416603316
Lccn
85025903
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)12810899
  • (OCoLC)ocm12810899
Label
German film & literature : adaptations and transformations, edited by Eric Rentschler
Publication
Note
Includes index
Bibliography note
Bibliography: p. [366]-378
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Thomas Elsaesser
  • Between two worlds : von Sternberg's The Blue Angel (1930)
  • Gertrud Koch
  • Reading Ophüls reading Schnitzler : Liebelei (1933)
  • Alan Williams
  • Kleist in the Third Reich : Ucicky's The Broken Jug (1937)
  • Marc Silberman
  • How Nazi cinema mobilizes the classics : Schweikart's Das Fräulein von Barnhelm (1940)
  • Karsten Witte
  • The other Germany in Zinnemann's The Seventh Cross (1944)
  • Introduction :
  • Postwar traumas in Klaren's Wozzeck (1947)
  • Jan-Christopher Horak
  • Semper fidelis : Staudte's The Subject (1951)
  • Marc Silberman
  • A return to arms : Käutner's The Captain of Köpenick (1956)
  • Russell A. Berman
  • Specularity and spectacle in Schlöndorff's Young Törless (1966)
  • Eric Rentschler
  • Space of history, language of time : Kluge's Yesterday Girl (1966)
  • Miriam Hansen
  • theoretical and historical considerations
  • The invalidation of Arnim : Herzog's Signs of Life (1968)
  • Brigitte Peucker
  • Textuality and theatricality in Brecht and Straub/Huillet : History Lessons (1972)
  • Maureen Turim
  • A recast Goethe : Günther's Lotte in Weimar (1975)
  • Dennis F. Mahoney
  • The tension of translation : Handke's The Left-Handed Woman (1977)
  • Timothy Corrigan
  • History, fiction, memory : Fassbinder's The Marriage of Maria Braun (1979)
  • Anton Kaes
  • Eric Rentschler
  • The search for the Mother/Land in Sanders-Brahms's Germany, Pale Mother (1980)
  • E. Ann Kaplan
  • Terms of dismemberment : the body in/and/of Fassbinder's Berlin Alexanderplatz (1980)
  • Eric Rentschler
  • The first German art film : Rye's The Student of Prague (1913)
  • Heide Schlüpmann
  • Dracula in the twilight : Murnau's Nosferatu (1922)
  • Judith Mayne
  • Lulu and the meter man : Pabst's Pandora's Box (1929)
Dimensions
24 cm
Extent
x, 385 pages
Isbn
9780416603316
Lccn
85025903
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)12810899
  • (OCoLC)ocm12810899

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