The Resource Hamline studies in musicology

Hamline studies in musicology

Label
Hamline studies in musicology
Title
Hamline studies in musicology
Creator
Contributor
Editor
Subject
Genre
Language
eng
Cataloging source
BOS
http://library.link/vocab/creatorDate
1900-1991
http://library.link/vocab/creatorName
Krenek, Ernst
Illustrations
music
Index
no index present
LC call number
ML184
LC item number
.K7M
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorName
Hamline University
http://library.link/vocab/subjectName
  • Music
  • Music
Label
Hamline studies in musicology
Instantiates
Publication
Note
  • Reprint of the 1945- ed. published by Burgess, Minneapolis
  • Errata slips inserted
  • Produced by microfilm--xerography
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
v. 1. An analysis of the design of the "Caput" masses by Dufay and Okeghem in their metric and rhythmic aspects, by R. G. Harris.--A contribution to the problem of mode in mediaeval music, by Virginia Seay.--A study of linear design in Gregorian chant and music written in the twelve-tone technique, by Martha Jonhson.--v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krenek. A study of conflicting key signatures in Francesco Landini's music, by Martha Johnson
Dimensions
26 cm
Extent
volumes
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
music, diagrams
System control number
(OCoLC)1332933
Label
Hamline studies in musicology
Publication
Note
  • Reprint of the 1945- ed. published by Burgess, Minneapolis
  • Errata slips inserted
  • Produced by microfilm--xerography
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
v. 1. An analysis of the design of the "Caput" masses by Dufay and Okeghem in their metric and rhythmic aspects, by R. G. Harris.--A contribution to the problem of mode in mediaeval music, by Virginia Seay.--A study of linear design in Gregorian chant and music written in the twelve-tone technique, by Martha Jonhson.--v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krenek. A study of conflicting key signatures in Francesco Landini's music, by Martha Johnson
Dimensions
26 cm
Extent
volumes
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
music, diagrams
System control number
(OCoLC)1332933

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