The Resource Hitchcock's motifs, Michael Walker

Hitchcock's motifs, Michael Walker

Label
Hitchcock's motifs
Title
Hitchcock's motifs
Statement of responsibility
Michael Walker
Creator
Contributor
Provider
Subject
Language
eng
Member of
Cataloging source
N$T
http://library.link/vocab/creatorName
Walker, Michael
Illustrations
illustrations
Index
index present
LC call number
PN1998.3.H58
LC item number
W35 2005eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
  • filmographies
http://library.link/vocab/relatedWorkOrContributorName
JSTOR Open Access
Series statement
Film culture in transition
http://library.link/vocab/subjectName
  • Hitchcock, Alfred
  • Hitchcock, Alfred
  • Motion pictures
  • PERFORMING ARTS
  • PERFORMING ARTS
  • The arts
  • Film, TV and radio
  • Films, cinema
  • Individual film directors, film-makers
  • Motion pictures
Label
Hitchcock's motifs, Michael Walker
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 421-429), filmography (p. 431-462) , and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • An elaborated motif: the Bed Scene in Rebecca and Marnie
  • Modern art
  • PAINTERS
  • Portraits, paintings and the police
  • PUBLIC DISTURBANCES
  • Public disturbances and the police
  • SPECTACLES
  • Spectacles and the police
  • STAIRCASES
  • Hitchcockian levels
  • Political variations
  • A melodramatic motif: hands
  • Sinister staircases
  • Freudian overtones
  • Couples and staircases
  • Staircases and the police
  • TRAINS AND BOATS / PLANES AND BUSES
  • TRAINS
  • BOATS
  • PLANES
  • BUSES
  • Trains and boats and the police
  • Diagrammatic representations
  • WATER AND RAIN
  • WATER
  • RAIN
  • Water and the police
  • Appendix I:
  • TV Episodes.
  • BED SCENE
  • CHILDREN
  • CONFINED SPACES
  • THE CORPSE
  • Overview of the key motifs
  • DOUBLES
  • FOOD AND MURDER / ENDINGS AND THE POLICE
  • LIGHTS
  • BOATS
  • Appendix II:
  • Articles on Hitchcock's motifs
  • Appendix III:
  • Definitions.
  • Diegesis
  • Point-of-view editing
  • Part II.
  • The Key Motifs.
  • BED SCENE
  • Couples and beds
  • Beds and the police
  • BLONDES AND BRUNETTES
  • Part I.
  • CAMEO APPEARANCES
  • Cameos and the police
  • CHILDREN
  • Children's cameos
  • Family members
  • Children and violence
  • Children and the police
  • CONFINED SPACES
  • Bathrooms and washrooms
  • Confinement and concealment
  • Hitchcock, Motifs and Melodrama.
  • Cages and bars: fears of imprisonment
  • Washrooms and the police
  • THE CORPSE
  • The heroines
  • The heroes
  • The villains
  • Corpses and the police
  • DOGS AND CATS
  • Dogs and the police
  • DOUBLES
  • Introduction
  • Doubles and the police
  • ENDINGS AND THE POLICE
  • ENTRY THROUGH A WINDOW
  • Entry through a window and the police
  • EXHIBITIONISM / VOYEURISM / THE LOOK
  • EXHIBITIONISM / VOYEURISM
  • SPY FILMS / THE LOOK
  • Exhibitionism, voyeurism and the police
  • FOOD AND MEALS
  • Food and marriage
  • Three motifs.
  • Food and sex
  • Food and murder
  • Food and guilt
  • Chickens and eggs
  • Table talk and fascism
  • Food and the police
  • GUILTAND CONFESSION
  • Catholic overtones
  • Guilt and Hitchcock's villains
  • Transference of guilt
  • Home movies
  • Guilt, confession and the police
  • HANDCUFFS AND BONDAGE
  • HANDS
  • Male hands/female hands
  • Held wrists
  • Damaged hands
  • Holding hands
  • Hands and the police
  • HEIGHTS AND FALLING
  • Heights, falling and the police
  • Cigarette case/lighter
  • HOMOSEXUALITY
  • Critical positions
  • Gay undercurrents
  • Espionage and the look
  • Ivor Novello
  • Homosexuality and the police
  • JEWELLERY
  • Greed
  • Status
  • Female desire
  • Milk
  • Female beauty/male power
  • Male murderousness
  • Jewellery and the police
  • KEYS AND HANDBAGS
  • KEYS
  • Keys and handbags
  • HANDBAGS
  • Handbags and keys
  • Keys, handbags and the police
  • LIGHT(S)
  • Melodrama and Hitchcock's motifs
  • Vampires and blinding
  • Murder and homosexuality
  • Lights and the police
  • THE MACGUFFIN
  • The MacGuffin and the police
  • MOTHERS AND HOUSES
  • Mothers and the police
  • PORTRAITS, PAINTINGS AND PAINTERS
  • PORTRAITS
  • PAINTINGS
Dimensions
unknown
Extent
1 online resource (490 pages)
File format
unknown
Form of item
online
Isbn
9781423746294
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctt45sg2z
System control number
  • (OCoLC)62868619
  • (OCoLC)ocm62868619
Label
Hitchcock's motifs, Michael Walker
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 421-429), filmography (p. 431-462) , and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • An elaborated motif: the Bed Scene in Rebecca and Marnie
  • Modern art
  • PAINTERS
  • Portraits, paintings and the police
  • PUBLIC DISTURBANCES
  • Public disturbances and the police
  • SPECTACLES
  • Spectacles and the police
  • STAIRCASES
  • Hitchcockian levels
  • Political variations
  • A melodramatic motif: hands
  • Sinister staircases
  • Freudian overtones
  • Couples and staircases
  • Staircases and the police
  • TRAINS AND BOATS / PLANES AND BUSES
  • TRAINS
  • BOATS
  • PLANES
  • BUSES
  • Trains and boats and the police
  • Diagrammatic representations
  • WATER AND RAIN
  • WATER
  • RAIN
  • Water and the police
  • Appendix I:
  • TV Episodes.
  • BED SCENE
  • CHILDREN
  • CONFINED SPACES
  • THE CORPSE
  • Overview of the key motifs
  • DOUBLES
  • FOOD AND MURDER / ENDINGS AND THE POLICE
  • LIGHTS
  • BOATS
  • Appendix II:
  • Articles on Hitchcock's motifs
  • Appendix III:
  • Definitions.
  • Diegesis
  • Point-of-view editing
  • Part II.
  • The Key Motifs.
  • BED SCENE
  • Couples and beds
  • Beds and the police
  • BLONDES AND BRUNETTES
  • Part I.
  • CAMEO APPEARANCES
  • Cameos and the police
  • CHILDREN
  • Children's cameos
  • Family members
  • Children and violence
  • Children and the police
  • CONFINED SPACES
  • Bathrooms and washrooms
  • Confinement and concealment
  • Hitchcock, Motifs and Melodrama.
  • Cages and bars: fears of imprisonment
  • Washrooms and the police
  • THE CORPSE
  • The heroines
  • The heroes
  • The villains
  • Corpses and the police
  • DOGS AND CATS
  • Dogs and the police
  • DOUBLES
  • Introduction
  • Doubles and the police
  • ENDINGS AND THE POLICE
  • ENTRY THROUGH A WINDOW
  • Entry through a window and the police
  • EXHIBITIONISM / VOYEURISM / THE LOOK
  • EXHIBITIONISM / VOYEURISM
  • SPY FILMS / THE LOOK
  • Exhibitionism, voyeurism and the police
  • FOOD AND MEALS
  • Food and marriage
  • Three motifs.
  • Food and sex
  • Food and murder
  • Food and guilt
  • Chickens and eggs
  • Table talk and fascism
  • Food and the police
  • GUILTAND CONFESSION
  • Catholic overtones
  • Guilt and Hitchcock's villains
  • Transference of guilt
  • Home movies
  • Guilt, confession and the police
  • HANDCUFFS AND BONDAGE
  • HANDS
  • Male hands/female hands
  • Held wrists
  • Damaged hands
  • Holding hands
  • Hands and the police
  • HEIGHTS AND FALLING
  • Heights, falling and the police
  • Cigarette case/lighter
  • HOMOSEXUALITY
  • Critical positions
  • Gay undercurrents
  • Espionage and the look
  • Ivor Novello
  • Homosexuality and the police
  • JEWELLERY
  • Greed
  • Status
  • Female desire
  • Milk
  • Female beauty/male power
  • Male murderousness
  • Jewellery and the police
  • KEYS AND HANDBAGS
  • KEYS
  • Keys and handbags
  • HANDBAGS
  • Handbags and keys
  • Keys, handbags and the police
  • LIGHT(S)
  • Melodrama and Hitchcock's motifs
  • Vampires and blinding
  • Murder and homosexuality
  • Lights and the police
  • THE MACGUFFIN
  • The MacGuffin and the police
  • MOTHERS AND HOUSES
  • Mothers and the police
  • PORTRAITS, PAINTINGS AND PAINTERS
  • PORTRAITS
  • PAINTINGS
Dimensions
unknown
Extent
1 online resource (490 pages)
File format
unknown
Form of item
online
Isbn
9781423746294
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctt45sg2z
System control number
  • (OCoLC)62868619
  • (OCoLC)ocm62868619

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