The Resource Horror international, edited by Steven Jay Schneider and Tony Williams

Horror international, edited by Steven Jay Schneider and Tony Williams

Label
Horror international
Title
Horror international
Statement of responsibility
edited by Steven Jay Schneider and Tony Williams
Contributor
Subject
Language
eng
Cataloging source
DLC
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.H6
LC item number
H73 2005
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1974-
  • 1946 January 11-
http://library.link/vocab/relatedWorkOrContributorName
  • Schneider, Steven Jay
  • Williams, Tony
Series statement
Contemporary approaches to film and television series.
http://library.link/vocab/subjectName
Horror films
Label
Horror international, edited by Steven Jay Schneider and Tony Williams
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • The return of history as horror: Qnibaba and the atomic bomb
  • Jyotsna Kapur
  • "Terror Australis": areas of horror in the Australian cinema
  • Jonathan Rayner
  • Kiwi gothic: New Zealand's cinema of a perilous paradise
  • Ian Conrich
  • Irish horror: Neil Jordan and the Anglo-Irish gothic
  • Brian McIlroy
  • Thailand haunted: the power of the past in the contemporary Thai horror film
  • Adam Knee
  • I. THE DYNAMICS OF CROSS-CULTURAL HORROR EXCHANGE
  • III. HORROR IN THE SOCIAL REALM
  • The Spanish horror film as subversive text: Eloy de la Iglesia's La semana del asesino
  • Andrew Willis
  • Genre bending and gender bonding: masculinity and repression in Dutch "thriller" cinema
  • Steven Jay Schneider, Kevin W. Sweeney
  • Hong Kong social horror: tragedy and farce in Category 3
  • Tony Williams
  • Beyond Dracula and Ceausescu: phenomenology of horror in Romanian cinema
  • Christina Stojanova
  • Snapping up schoolgirls: legitimation crisis in recent Canadian horror
  • Blood and black gloves on shiny discs: new media, old tastes, and the remediation of Italian horror films in the United States
  • Suzie Young
  • IV. CONTESTED HORROR TRADITIONS
  • Beyond the genre formula: implicit horror in the films of Jan ┼ávankmajer
  • Jan Uhde
  • Egypt: a cinema without horror?
  • Viola Shafik
  • Burn, witch, burn: a first look at the Scandinavian horror film
  • Rebecca A. Umland, Samuel J. Umland
  • Man bites dog and the critical reception of Belgian horror (in) cinema
  • Ernest Mathijs
  • Raiford Guins
  • Exorcising the devil: Russian cinema and horror
  • Josephine Woll
  • Importation/mexploitation, or, How a crime-fighting, vampire-slaying Mexican wrestler almost found himself in an Italian sword-and-sandals epic
  • Andrew Syder, Dolores Tierney
  • The dialogue with American popular culture in two German films about the serial killer
  • Steffen Hantke
  • II. HAUNTING HISTORIES AND REGIONAL GOTHICS
Dimensions
23 cm.
Extent
xi, 384 p.
Isbn
9780814331002
Isbn Type
(alk. paper)
Lccn
20040173 52
Other physical details
ill.
System control number
(OCoLC)56058097
Label
Horror international, edited by Steven Jay Schneider and Tony Williams
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • The return of history as horror: Qnibaba and the atomic bomb
  • Jyotsna Kapur
  • "Terror Australis": areas of horror in the Australian cinema
  • Jonathan Rayner
  • Kiwi gothic: New Zealand's cinema of a perilous paradise
  • Ian Conrich
  • Irish horror: Neil Jordan and the Anglo-Irish gothic
  • Brian McIlroy
  • Thailand haunted: the power of the past in the contemporary Thai horror film
  • Adam Knee
  • I. THE DYNAMICS OF CROSS-CULTURAL HORROR EXCHANGE
  • III. HORROR IN THE SOCIAL REALM
  • The Spanish horror film as subversive text: Eloy de la Iglesia's La semana del asesino
  • Andrew Willis
  • Genre bending and gender bonding: masculinity and repression in Dutch "thriller" cinema
  • Steven Jay Schneider, Kevin W. Sweeney
  • Hong Kong social horror: tragedy and farce in Category 3
  • Tony Williams
  • Beyond Dracula and Ceausescu: phenomenology of horror in Romanian cinema
  • Christina Stojanova
  • Snapping up schoolgirls: legitimation crisis in recent Canadian horror
  • Blood and black gloves on shiny discs: new media, old tastes, and the remediation of Italian horror films in the United States
  • Suzie Young
  • IV. CONTESTED HORROR TRADITIONS
  • Beyond the genre formula: implicit horror in the films of Jan ┼ávankmajer
  • Jan Uhde
  • Egypt: a cinema without horror?
  • Viola Shafik
  • Burn, witch, burn: a first look at the Scandinavian horror film
  • Rebecca A. Umland, Samuel J. Umland
  • Man bites dog and the critical reception of Belgian horror (in) cinema
  • Ernest Mathijs
  • Raiford Guins
  • Exorcising the devil: Russian cinema and horror
  • Josephine Woll
  • Importation/mexploitation, or, How a crime-fighting, vampire-slaying Mexican wrestler almost found himself in an Italian sword-and-sandals epic
  • Andrew Syder, Dolores Tierney
  • The dialogue with American popular culture in two German films about the serial killer
  • Steffen Hantke
  • II. HAUNTING HISTORIES AND REGIONAL GOTHICS
Dimensions
23 cm.
Extent
xi, 384 p.
Isbn
9780814331002
Isbn Type
(alk. paper)
Lccn
20040173 52
Other physical details
ill.
System control number
(OCoLC)56058097

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