The Resource Language, music, and the sign : a study in aesthetics, poetics, and poetic practice from Collins to Coleridge, Kevin Barry

Language, music, and the sign : a study in aesthetics, poetics, and poetic practice from Collins to Coleridge, Kevin Barry

Label
Language, music, and the sign : a study in aesthetics, poetics, and poetic practice from Collins to Coleridge
Title
Language, music, and the sign
Title remainder
a study in aesthetics, poetics, and poetic practice from Collins to Coleridge
Statement of responsibility
Kevin Barry
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1950-
http://library.link/vocab/creatorName
Barry, Kevin
Index
index present
LC call number
ML3849
LC item number
.B28 1987
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Music and literature
  • Music
  • Music
  • Music and literature
  • English poetry
  • Musique et littérature
  • Musique
  • Musique
  • Poésie
  • English poetry
  • Music and literature
  • Music
Label
Language, music, and the sign : a study in aesthetics, poetics, and poetic practice from Collins to Coleridge, Kevin Barry
Instantiates
Publication
Note
Includes index
Bibliography note
Includes bibliographies
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • David Hume and David Webb on impressions
  • Poetry and music: the 'Ode to evening'
  • 2.
  • William Blake and William Cowper:
  • James Usher: 'the impression of this obscure presence'
  • Autonomous song: Chabanon and Blake
  • The anxiety of portraiture: Cowper and Reynolds
  • 3.
  • William Wordsworth:
  • Responding to suggestion: Thomas Twining
  • Introduction:
  • Music as tabula rasa: Adam Smith
  • Reading empty signs: Campbell, Stewart, de Gérando
  • Interpreting suggestion: Stewart and Brown
  • The creative reader: Wordsworth's poetics
  • 4.
  • Samuel Taylor Coleridge:
  • Finding a place for music
  • Words and the 'tyranny of the visual'
  • The arts and the mediation of ideas
  • The sense of musical delight
  • Music and the sign in the eighteenth century
  • The hieroglyph
  • Finding a place for painting
  • Structure and texture: a poetics of music
  • Music and its audience in the eighteenth century
  • 1.
  • William Collins:
  • Anti-pictorialism: Harris, Hartley, Burke
  • Changing ideas of expression: Charles Avison
  • William Collins's 'The passions'
Dimensions
23 cm
Extent
xii, 244 pages
Isbn
9780521341752
Lccn
87008078
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)15517969
  • (OCoLC)ocm15517969
Label
Language, music, and the sign : a study in aesthetics, poetics, and poetic practice from Collins to Coleridge, Kevin Barry
Publication
Note
Includes index
Bibliography note
Includes bibliographies
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • David Hume and David Webb on impressions
  • Poetry and music: the 'Ode to evening'
  • 2.
  • William Blake and William Cowper:
  • James Usher: 'the impression of this obscure presence'
  • Autonomous song: Chabanon and Blake
  • The anxiety of portraiture: Cowper and Reynolds
  • 3.
  • William Wordsworth:
  • Responding to suggestion: Thomas Twining
  • Introduction:
  • Music as tabula rasa: Adam Smith
  • Reading empty signs: Campbell, Stewart, de Gérando
  • Interpreting suggestion: Stewart and Brown
  • The creative reader: Wordsworth's poetics
  • 4.
  • Samuel Taylor Coleridge:
  • Finding a place for music
  • Words and the 'tyranny of the visual'
  • The arts and the mediation of ideas
  • The sense of musical delight
  • Music and the sign in the eighteenth century
  • The hieroglyph
  • Finding a place for painting
  • Structure and texture: a poetics of music
  • Music and its audience in the eighteenth century
  • 1.
  • William Collins:
  • Anti-pictorialism: Harris, Hartley, Burke
  • Changing ideas of expression: Charles Avison
  • William Collins's 'The passions'
Dimensions
23 cm
Extent
xii, 244 pages
Isbn
9780521341752
Lccn
87008078
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)15517969
  • (OCoLC)ocm15517969

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