The Resource Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner

Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner

Label
Music and its referential systems
Title
Music and its referential systems
Statement of responsibility
edited by Matjaž Barbo, Thomas Hochradner
Creator
Contributor
Provider
Subject
Language
eng
Summary
How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views. The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music
Member of
Cataloging source
EBLCP
http://library.link/vocab/creatorName
Barbo, Matjaz
Index
no index present
LC call number
ML3854 .B384 2012
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Hochradner, Thomas
  • JSTOR
Series statement
Specula Spectacula - Band 3
http://library.link/vocab/subjectName
  • Music
  • Music
  • Music
  • Music
  • Music
  • Music
Label
Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner
Instantiates
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
PREFACE; MUSICAL AUTONOMY AS A REFERENTIAL SYSTEM (Mário Vieira de Carvalho); SYSTEMS OF VALUES IN DIVERSE AESTHETIC REALITIES (Matjaž Barbo); THE HUMAN PERCEPTION OF MUSIC: THE MOST INTRICATE AND COMPLEX REFERENTIAL SYSTEM (Karmen Salmič-Kovačič); MAX WEBER'S THEORY OF MUSIC DEVELOPMENT: EVOLUTION AND RATIONALIZATION OF MUSIC (Ana Petrov); EDUCATION OF THE MASSES, OR THE PATIENT CONTINUITY OF A REFERENTIAL SYSTEM: EBERHARD PREUSSNER'S WRITINGS ON MUSIC HISTORY (Thomas Hochradner); BETWEEN NATURE AND CULTURE: A NOTE ON DAVID HURON'S "MUSICOLOGICAL REPERCUSSION" (Leon Stefanija); THE REFERENTIAL IN ACOUSMATIC MUSIC (Robert J. Dow)THE CHANGE FROM CULTURAL PRACTICE TO AESTHETIC PRACTICE: GREGORIAN CHANT AS AN EXAMPLE (Michael Walter); THE ESCHATOLOGICAL MEANING OF MUSIC AND THE ESCHATOLOGICAL FUNCTION OF LITURGY: ERNST BLOCH'S PHILOSOPHY AND THE ESCHATOLOGY OF ORTHODOX CHRISTIANITY (Olga Jokić); THE MUSICAL-HISTORICAL CONCEPT OF ROMANTICISM: A SCIENTIFICALLY APPLICABLE LABEL? (Katarina Bogunović Hočevar); THE QUESTION OF REFERENTIAL FRAMEWORKS IN WAGNER'S MUSIC DRAMAS (Gregor Pompe); SCHOENBERG AND THE OVERTONES: EVOLVING THE EAR, SHAPING THE HISTORY (Srđan Atanasovski); YESTERDAY'S ART, TOMORROW'S WORLD (Lubomír Spurný)THE MUSIC OF HANNING SCHRÖDER (1896-1987): BETWEEN AUTONOMY AD FUNCTION AND BETWEEN TWELVE-TONE TECHNIQUE AND NEW OBJECTIVITY (Nico Schüler); CULTURE AS REFERENCE IN THE "GAGAKU" OF MESSIAEN'S SEPT HAIKAI (1962) (Cheong Wai Ling); SYMBOLS OF FAITH IN METALITURGICAL DISCOURSE: THE CASE OF MESSIAEN (Igor Radeta); "SPECTRAL" ASPECTS IN NEVILLE HALL'S COMPOSITIONAL THINKING (Larisa Vrhunc); FILM MUSIC BEYOND STIGMATIZATION WITH EFFECTS (Anna Gadzinski); HOW NOT TO TURN FILM MUSIC INTO A MUSICAL WORK: TOWARDS A SOCIOLOGICAL APPROACH TO FILM MUSIC (Maja Vasiljević)RTV SLOVENIA SYMPHONY ORCHESTRA'S MANAGEMENT FROM 1955 TO 1963 (Tjaša Ribizel); FOLK MUSIC ON RADIO BELGRADE: A TURNING POINT IN THE RECORDING PRACTICE AND PROMOTION OF VILLAGE FOLK SINGING (Milica Simić); ROCK MUSIC AS AN ALTERNATIVE SPACE IN SERBIA DURING THE SIXTIES: THE CASE OF RADIO BELGRADE (Jelena Arnautović); ALTERNATIVE MUSIC IN YUGOSLAVIA IN THE 1980S AND THE CONCEPT OF ITS IDEOLOGY (Julijana Zhabeva-Papazova); INDEX; Names and Works; Places; CURRICULAE VITAE
Dimensions
unknown
Extent
1 online resource (338 pages).
Form of item
online
Isbn
9783990120057
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctv6hzxr9
System control number
  • (OCoLC)818819829
  • (OCoLC)ocn818819829
Label
Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
PREFACE; MUSICAL AUTONOMY AS A REFERENTIAL SYSTEM (Mário Vieira de Carvalho); SYSTEMS OF VALUES IN DIVERSE AESTHETIC REALITIES (Matjaž Barbo); THE HUMAN PERCEPTION OF MUSIC: THE MOST INTRICATE AND COMPLEX REFERENTIAL SYSTEM (Karmen Salmič-Kovačič); MAX WEBER'S THEORY OF MUSIC DEVELOPMENT: EVOLUTION AND RATIONALIZATION OF MUSIC (Ana Petrov); EDUCATION OF THE MASSES, OR THE PATIENT CONTINUITY OF A REFERENTIAL SYSTEM: EBERHARD PREUSSNER'S WRITINGS ON MUSIC HISTORY (Thomas Hochradner); BETWEEN NATURE AND CULTURE: A NOTE ON DAVID HURON'S "MUSICOLOGICAL REPERCUSSION" (Leon Stefanija); THE REFERENTIAL IN ACOUSMATIC MUSIC (Robert J. Dow)THE CHANGE FROM CULTURAL PRACTICE TO AESTHETIC PRACTICE: GREGORIAN CHANT AS AN EXAMPLE (Michael Walter); THE ESCHATOLOGICAL MEANING OF MUSIC AND THE ESCHATOLOGICAL FUNCTION OF LITURGY: ERNST BLOCH'S PHILOSOPHY AND THE ESCHATOLOGY OF ORTHODOX CHRISTIANITY (Olga Jokić); THE MUSICAL-HISTORICAL CONCEPT OF ROMANTICISM: A SCIENTIFICALLY APPLICABLE LABEL? (Katarina Bogunović Hočevar); THE QUESTION OF REFERENTIAL FRAMEWORKS IN WAGNER'S MUSIC DRAMAS (Gregor Pompe); SCHOENBERG AND THE OVERTONES: EVOLVING THE EAR, SHAPING THE HISTORY (Srđan Atanasovski); YESTERDAY'S ART, TOMORROW'S WORLD (Lubomír Spurný)THE MUSIC OF HANNING SCHRÖDER (1896-1987): BETWEEN AUTONOMY AD FUNCTION AND BETWEEN TWELVE-TONE TECHNIQUE AND NEW OBJECTIVITY (Nico Schüler); CULTURE AS REFERENCE IN THE "GAGAKU" OF MESSIAEN'S SEPT HAIKAI (1962) (Cheong Wai Ling); SYMBOLS OF FAITH IN METALITURGICAL DISCOURSE: THE CASE OF MESSIAEN (Igor Radeta); "SPECTRAL" ASPECTS IN NEVILLE HALL'S COMPOSITIONAL THINKING (Larisa Vrhunc); FILM MUSIC BEYOND STIGMATIZATION WITH EFFECTS (Anna Gadzinski); HOW NOT TO TURN FILM MUSIC INTO A MUSICAL WORK: TOWARDS A SOCIOLOGICAL APPROACH TO FILM MUSIC (Maja Vasiljević)RTV SLOVENIA SYMPHONY ORCHESTRA'S MANAGEMENT FROM 1955 TO 1963 (Tjaša Ribizel); FOLK MUSIC ON RADIO BELGRADE: A TURNING POINT IN THE RECORDING PRACTICE AND PROMOTION OF VILLAGE FOLK SINGING (Milica Simić); ROCK MUSIC AS AN ALTERNATIVE SPACE IN SERBIA DURING THE SIXTIES: THE CASE OF RADIO BELGRADE (Jelena Arnautović); ALTERNATIVE MUSIC IN YUGOSLAVIA IN THE 1980S AND THE CONCEPT OF ITS IDEOLOGY (Julijana Zhabeva-Papazova); INDEX; Names and Works; Places; CURRICULAE VITAE
Dimensions
unknown
Extent
1 online resource (338 pages).
Form of item
online
Isbn
9783990120057
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctv6hzxr9
System control number
  • (OCoLC)818819829
  • (OCoLC)ocn818819829

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