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The Resource Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner
Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner
Resource Information
The item Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Summary
- How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views. The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music
- Language
- eng
- Extent
- 1 online resource (338 pages).
- Contents
-
- PREFACE; MUSICAL AUTONOMY AS A REFERENTIAL SYSTEM (Mário Vieira de Carvalho); SYSTEMS OF VALUES IN DIVERSE AESTHETIC REALITIES (Matjaž Barbo); THE HUMAN PERCEPTION OF MUSIC: THE MOST INTRICATE AND COMPLEX REFERENTIAL SYSTEM (Karmen Salmič-Kovačič); MAX WEBER'S THEORY OF MUSIC DEVELOPMENT: EVOLUTION AND RATIONALIZATION OF MUSIC (Ana Petrov); EDUCATION OF THE MASSES, OR THE PATIENT CONTINUITY OF A REFERENTIAL SYSTEM: EBERHARD PREUSSNER'S WRITINGS ON MUSIC HISTORY (Thomas Hochradner); BETWEEN NATURE AND CULTURE: A NOTE ON DAVID HURON'S "MUSICOLOGICAL REPERCUSSION" (Leon Stefanija); THE REFERENTIAL IN ACOUSMATIC MUSIC (Robert J. Dow)THE CHANGE FROM CULTURAL PRACTICE TO AESTHETIC PRACTICE: GREGORIAN CHANT AS AN EXAMPLE (Michael Walter); THE ESCHATOLOGICAL MEANING OF MUSIC AND THE ESCHATOLOGICAL FUNCTION OF LITURGY: ERNST BLOCH'S PHILOSOPHY AND THE ESCHATOLOGY OF ORTHODOX CHRISTIANITY (Olga Jokić); THE MUSICAL-HISTORICAL CONCEPT OF ROMANTICISM: A SCIENTIFICALLY APPLICABLE LABEL? (Katarina Bogunović Hočevar); THE QUESTION OF REFERENTIAL FRAMEWORKS IN WAGNER'S MUSIC DRAMAS (Gregor Pompe); SCHOENBERG AND THE OVERTONES: EVOLVING THE EAR, SHAPING THE HISTORY (Srđan Atanasovski); YESTERDAY'S ART, TOMORROW'S WORLD (Lubomír Spurný)THE MUSIC OF HANNING SCHRÖDER (1896-1987): BETWEEN AUTONOMY AD FUNCTION AND BETWEEN TWELVE-TONE TECHNIQUE AND NEW OBJECTIVITY (Nico Schüler); CULTURE AS REFERENCE IN THE "GAGAKU" OF MESSIAEN'S SEPT HAIKAI (1962) (Cheong Wai Ling); SYMBOLS OF FAITH IN METALITURGICAL DISCOURSE: THE CASE OF MESSIAEN (Igor Radeta); "SPECTRAL" ASPECTS IN NEVILLE HALL'S COMPOSITIONAL THINKING (Larisa Vrhunc); FILM MUSIC BEYOND STIGMATIZATION WITH EFFECTS (Anna Gadzinski); HOW NOT TO TURN FILM MUSIC INTO A MUSICAL WORK: TOWARDS A SOCIOLOGICAL APPROACH TO FILM MUSIC (Maja Vasiljević)RTV SLOVENIA SYMPHONY ORCHESTRA'S MANAGEMENT FROM 1955 TO 1963 (Tjaša Ribizel); FOLK MUSIC ON RADIO BELGRADE: A TURNING POINT IN THE RECORDING PRACTICE AND PROMOTION OF VILLAGE FOLK SINGING (Milica Simić); ROCK MUSIC AS AN ALTERNATIVE SPACE IN SERBIA DURING THE SIXTIES: THE CASE OF RADIO BELGRADE (Jelena Arnautović); ALTERNATIVE MUSIC IN YUGOSLAVIA IN THE 1980S AND THE CONCEPT OF ITS IDEOLOGY (Julijana Zhabeva-Papazova); INDEX; Names and Works; Places; CURRICULAE VITAE
- Isbn
- 9783990120057
- Label
- Music and its referential systems
- Title
- Music and its referential systems
- Statement of responsibility
- edited by Matjaž Barbo, Thomas Hochradner
- Language
- eng
- Summary
- How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views. The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music
- Cataloging source
- EBLCP
- http://library.link/vocab/creatorName
- Barbo, Matjaz
- Index
- no index present
- LC call number
- ML3854 .B384 2012
- Literary form
- non fiction
- Nature of contents
- dictionaries
- http://library.link/vocab/relatedWorkOrContributorName
-
- Hochradner, Thomas
- JSTOR
- Series statement
- Specula Spectacula - Band 3
- http://library.link/vocab/subjectName
-
- Music
- Music
- Music
- Music
- Music
- Music
- Label
- Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- PREFACE; MUSICAL AUTONOMY AS A REFERENTIAL SYSTEM (Mário Vieira de Carvalho); SYSTEMS OF VALUES IN DIVERSE AESTHETIC REALITIES (Matjaž Barbo); THE HUMAN PERCEPTION OF MUSIC: THE MOST INTRICATE AND COMPLEX REFERENTIAL SYSTEM (Karmen Salmič-Kovačič); MAX WEBER'S THEORY OF MUSIC DEVELOPMENT: EVOLUTION AND RATIONALIZATION OF MUSIC (Ana Petrov); EDUCATION OF THE MASSES, OR THE PATIENT CONTINUITY OF A REFERENTIAL SYSTEM: EBERHARD PREUSSNER'S WRITINGS ON MUSIC HISTORY (Thomas Hochradner); BETWEEN NATURE AND CULTURE: A NOTE ON DAVID HURON'S "MUSICOLOGICAL REPERCUSSION" (Leon Stefanija); THE REFERENTIAL IN ACOUSMATIC MUSIC (Robert J. Dow)THE CHANGE FROM CULTURAL PRACTICE TO AESTHETIC PRACTICE: GREGORIAN CHANT AS AN EXAMPLE (Michael Walter); THE ESCHATOLOGICAL MEANING OF MUSIC AND THE ESCHATOLOGICAL FUNCTION OF LITURGY: ERNST BLOCH'S PHILOSOPHY AND THE ESCHATOLOGY OF ORTHODOX CHRISTIANITY (Olga Jokić); THE MUSICAL-HISTORICAL CONCEPT OF ROMANTICISM: A SCIENTIFICALLY APPLICABLE LABEL? (Katarina Bogunović Hočevar); THE QUESTION OF REFERENTIAL FRAMEWORKS IN WAGNER'S MUSIC DRAMAS (Gregor Pompe); SCHOENBERG AND THE OVERTONES: EVOLVING THE EAR, SHAPING THE HISTORY (Srđan Atanasovski); YESTERDAY'S ART, TOMORROW'S WORLD (Lubomír Spurný)THE MUSIC OF HANNING SCHRÖDER (1896-1987): BETWEEN AUTONOMY AD FUNCTION AND BETWEEN TWELVE-TONE TECHNIQUE AND NEW OBJECTIVITY (Nico Schüler); CULTURE AS REFERENCE IN THE "GAGAKU" OF MESSIAEN'S SEPT HAIKAI (1962) (Cheong Wai Ling); SYMBOLS OF FAITH IN METALITURGICAL DISCOURSE: THE CASE OF MESSIAEN (Igor Radeta); "SPECTRAL" ASPECTS IN NEVILLE HALL'S COMPOSITIONAL THINKING (Larisa Vrhunc); FILM MUSIC BEYOND STIGMATIZATION WITH EFFECTS (Anna Gadzinski); HOW NOT TO TURN FILM MUSIC INTO A MUSICAL WORK: TOWARDS A SOCIOLOGICAL APPROACH TO FILM MUSIC (Maja Vasiljević)RTV SLOVENIA SYMPHONY ORCHESTRA'S MANAGEMENT FROM 1955 TO 1963 (Tjaša Ribizel); FOLK MUSIC ON RADIO BELGRADE: A TURNING POINT IN THE RECORDING PRACTICE AND PROMOTION OF VILLAGE FOLK SINGING (Milica Simić); ROCK MUSIC AS AN ALTERNATIVE SPACE IN SERBIA DURING THE SIXTIES: THE CASE OF RADIO BELGRADE (Jelena Arnautović); ALTERNATIVE MUSIC IN YUGOSLAVIA IN THE 1980S AND THE CONCEPT OF ITS IDEOLOGY (Julijana Zhabeva-Papazova); INDEX; Names and Works; Places; CURRICULAE VITAE
- Dimensions
- unknown
- Extent
- 1 online resource (338 pages).
- Form of item
- online
- Isbn
- 9783990120057
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Sound
- unknown sound
- Specific material designation
- remote
- Stock number
- 22573/ctv6hzxr9
- System control number
-
- (OCoLC)818819829
- (OCoLC)ocn818819829
- Label
- Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- PREFACE; MUSICAL AUTONOMY AS A REFERENTIAL SYSTEM (Mário Vieira de Carvalho); SYSTEMS OF VALUES IN DIVERSE AESTHETIC REALITIES (Matjaž Barbo); THE HUMAN PERCEPTION OF MUSIC: THE MOST INTRICATE AND COMPLEX REFERENTIAL SYSTEM (Karmen Salmič-Kovačič); MAX WEBER'S THEORY OF MUSIC DEVELOPMENT: EVOLUTION AND RATIONALIZATION OF MUSIC (Ana Petrov); EDUCATION OF THE MASSES, OR THE PATIENT CONTINUITY OF A REFERENTIAL SYSTEM: EBERHARD PREUSSNER'S WRITINGS ON MUSIC HISTORY (Thomas Hochradner); BETWEEN NATURE AND CULTURE: A NOTE ON DAVID HURON'S "MUSICOLOGICAL REPERCUSSION" (Leon Stefanija); THE REFERENTIAL IN ACOUSMATIC MUSIC (Robert J. Dow)THE CHANGE FROM CULTURAL PRACTICE TO AESTHETIC PRACTICE: GREGORIAN CHANT AS AN EXAMPLE (Michael Walter); THE ESCHATOLOGICAL MEANING OF MUSIC AND THE ESCHATOLOGICAL FUNCTION OF LITURGY: ERNST BLOCH'S PHILOSOPHY AND THE ESCHATOLOGY OF ORTHODOX CHRISTIANITY (Olga Jokić); THE MUSICAL-HISTORICAL CONCEPT OF ROMANTICISM: A SCIENTIFICALLY APPLICABLE LABEL? (Katarina Bogunović Hočevar); THE QUESTION OF REFERENTIAL FRAMEWORKS IN WAGNER'S MUSIC DRAMAS (Gregor Pompe); SCHOENBERG AND THE OVERTONES: EVOLVING THE EAR, SHAPING THE HISTORY (Srđan Atanasovski); YESTERDAY'S ART, TOMORROW'S WORLD (Lubomír Spurný)THE MUSIC OF HANNING SCHRÖDER (1896-1987): BETWEEN AUTONOMY AD FUNCTION AND BETWEEN TWELVE-TONE TECHNIQUE AND NEW OBJECTIVITY (Nico Schüler); CULTURE AS REFERENCE IN THE "GAGAKU" OF MESSIAEN'S SEPT HAIKAI (1962) (Cheong Wai Ling); SYMBOLS OF FAITH IN METALITURGICAL DISCOURSE: THE CASE OF MESSIAEN (Igor Radeta); "SPECTRAL" ASPECTS IN NEVILLE HALL'S COMPOSITIONAL THINKING (Larisa Vrhunc); FILM MUSIC BEYOND STIGMATIZATION WITH EFFECTS (Anna Gadzinski); HOW NOT TO TURN FILM MUSIC INTO A MUSICAL WORK: TOWARDS A SOCIOLOGICAL APPROACH TO FILM MUSIC (Maja Vasiljević)RTV SLOVENIA SYMPHONY ORCHESTRA'S MANAGEMENT FROM 1955 TO 1963 (Tjaša Ribizel); FOLK MUSIC ON RADIO BELGRADE: A TURNING POINT IN THE RECORDING PRACTICE AND PROMOTION OF VILLAGE FOLK SINGING (Milica Simić); ROCK MUSIC AS AN ALTERNATIVE SPACE IN SERBIA DURING THE SIXTIES: THE CASE OF RADIO BELGRADE (Jelena Arnautović); ALTERNATIVE MUSIC IN YUGOSLAVIA IN THE 1980S AND THE CONCEPT OF ITS IDEOLOGY (Julijana Zhabeva-Papazova); INDEX; Names and Works; Places; CURRICULAE VITAE
- Dimensions
- unknown
- Extent
- 1 online resource (338 pages).
- Form of item
- online
- Isbn
- 9783990120057
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Sound
- unknown sound
- Specific material designation
- remote
- Stock number
- 22573/ctv6hzxr9
- System control number
-
- (OCoLC)818819829
- (OCoLC)ocn818819829
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/Music-and-its-referential-systems-edited-by/c-ISENrLaI8/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/Music-and-its-referential-systems-edited-by/c-ISENrLaI8/">Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/Music-and-its-referential-systems-edited-by/c-ISENrLaI8/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/Music-and-its-referential-systems-edited-by/c-ISENrLaI8/">Music and its referential systems, edited by Matjaž Barbo, Thomas Hochradner</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>
