The Resource Music performance issues : 1600-1900, Beverly Jerold

Music performance issues : 1600-1900, Beverly Jerold

Label
Music performance issues : 1600-1900
Title
Music performance issues
Title remainder
1600-1900
Statement of responsibility
Beverly Jerold
Creator
Contributor
Author
Provider
Subject
Language
eng
Cataloging source
N$T
http://library.link/vocab/creatorDate
1938-
http://library.link/vocab/creatorName
Jerold, Beverly
Illustrations
  • illustrations
  • music
Index
no index present
LC call number
ML457
LC item number
.J47 2016eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
JSTOR
http://library.link/vocab/subjectName
  • Performance practice (Music)
  • Style, Musical
  • Performance practice (Music)
  • Style, Musical
  • Historische Musikpraxis
  • Musikalische Aufführungspraxis
  • MUSIC / Instruction & Study / Theory
Label
Music performance issues : 1600-1900, Beverly Jerold
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Dilettante and amateur : our evolving language -- Bach's lament about Leipzig's professional instrumentalists -- Choral singing before the era of recordings -- Why most a cappella music could not have been sung unaccompanied -- Fasch and the beginning of modern artistic choral singing -- What Handel's casting reveals about singers of the time -- Intonation standards and equal temperament -- Eighteenth-century stringed keyboard instruments from a performance perspective -- The tromba and corno in Bach's time -- Maelzel's role in Beethoven's symphonic metronome marks -- The French time devices revisited -- The notable significance of C and [cut C] in Bach's era -- Numbers and tempo, 1630-1800 -- Overdotting in Handel's overtures reconsidered -- Notes inégales : a definitive new parameter -- Distinguishing between artificial and natural vibrato in premodern music -- A solution for simple (secco) theater recitative -- How composers viewed performers' additions -- The varied reprise in eighteenth-century instrumental music : a reappraisal
Dimensions
unknown
Extent
1 online resource (xi, 348 pages)
File format
unknown
Form of item
online
Isbn
9781576472644
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, music.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctt1mr5dcx
System control number
  • (OCoLC)974947607
  • (OCoLC)ocn974947607
Label
Music performance issues : 1600-1900, Beverly Jerold
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Dilettante and amateur : our evolving language -- Bach's lament about Leipzig's professional instrumentalists -- Choral singing before the era of recordings -- Why most a cappella music could not have been sung unaccompanied -- Fasch and the beginning of modern artistic choral singing -- What Handel's casting reveals about singers of the time -- Intonation standards and equal temperament -- Eighteenth-century stringed keyboard instruments from a performance perspective -- The tromba and corno in Bach's time -- Maelzel's role in Beethoven's symphonic metronome marks -- The French time devices revisited -- The notable significance of C and [cut C] in Bach's era -- Numbers and tempo, 1630-1800 -- Overdotting in Handel's overtures reconsidered -- Notes inégales : a definitive new parameter -- Distinguishing between artificial and natural vibrato in premodern music -- A solution for simple (secco) theater recitative -- How composers viewed performers' additions -- The varied reprise in eighteenth-century instrumental music : a reappraisal
Dimensions
unknown
Extent
1 online resource (xi, 348 pages)
File format
unknown
Form of item
online
Isbn
9781576472644
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations, music.
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
Stock number
22573/ctt1mr5dcx
System control number
  • (OCoLC)974947607
  • (OCoLC)ocn974947607

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