The Resource Musica sacra, : or, Springfield and Utica collections united : consisting of psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices ... with a figured bass for the organ or piano forte, by Thomas Hastings and Solomon Warriner

Musica sacra, : or, Springfield and Utica collections united : consisting of psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices ... with a figured bass for the organ or piano forte, by Thomas Hastings and Solomon Warriner

Label
Musica sacra, : or, Springfield and Utica collections united : consisting of psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices ... with a figured bass for the organ or piano forte
Title
Musica sacra,
Title remainder
or, Springfield and Utica collections united : consisting of psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices ... with a figured bass for the organ or piano forte
Statement of responsibility
by Thomas Hastings and Solomon Warriner
Creator
Contributor
Subject
Genre
Language
eng
Member of
Accompanying matter
libretto or text
Cataloging source
TYC
http://bibfra.me/vocab/lite/collectionName
Springfield and Utica collections united
http://library.link/vocab/creatorDate
1784-1872
http://library.link/vocab/creatorName
Hastings, Thomas
Form of composition
hymns
Format of music
unknown
Literary text for sound recordings
not applicable
http://library.link/vocab/relatedWorkOrContributorDate
  • 1778-1860
  • 1740-1802
  • 1792-1872
  • 1592?-1635?
  • 1717-1799
  • 1670-1747
  • 1735-1807
  • 1678-1727
  • 1716-1796
  • (ca.)1505-1585
  • 1698-1768
  • 1767-1822
  • 1755-1824
  • 1740-1816
  • 1708-1777
  • 1669-1707
  • active 1775-1800
  • 1748-1829
  • 1747-1825
  • 1707-1787
  • 1760-1825
  • 1740-1802
  • 1711-1779
  • 1710-1778
  • 1687?-1743
  • 1726-1790
  • 1737-1806
  • 1759-1829
  • 1748-1810
  • 1794-1849
  • 1539 or 1540-1623
  • 1865-1945
  • 1756-1808
http://library.link/vocab/relatedWorkOrContributorName
  • Warriner, Solomon
  • Arnold, Samuel
  • Mason, Lowell
  • Ravenscroft, Thomas
  • Randall, John
  • Buononcini, Giovanni
  • Miller, Edward
  • Croft, William
  • Giardini, Felice
  • Tallis, Thomas
  • Knapp, William
  • Stanley
  • Viotti, Giovanni Battista
  • Burney, William
  • Webbe, Samuel
  • Hayes, William
  • Clarke, Jeremiah
  • Costellow, T.
  • Shield, William
  • Taylor, R.
  • Harwood,Edward
  • Husband, John J.
  • Arnold, Samuel
  • Boyce, William
  • Lockhart, C.
  • Arne, Thomas Augustine
  • Carey, Henry
  • Madan, Martin
  • Haydn, Michael
  • Shrubsole, W.
  • Levesque
  • Cecil, Richard
  • Tappan, William B.
  • Byrd, William
  • Metcalf, Frank J.
  • Mather, William
http://library.link/vocab/subjectName
  • Hymns, English
  • Sacred vocal music
  • Anthems
  • Chants
  • Tune-books
  • Choruses, sacred (Mixed voices)
  • Music
  • Music theory
  • Hymns
Label
Musica sacra, : or, Springfield and Utica collections united : consisting of psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices ... with a figured bass for the organ or piano forte, by Thomas Hastings and Solomon Warriner
Instantiates
Publication
Note
  • Combines the "Springfield collection", edited by Warriner (Springfield, 1813) and the "Musica sacra", published for the Oneida Musical Society (Utica, 1816)
  • ca. 220 hymn tunes and anthems and ca. 10 chants arranged for SATB, ATB, TTB, and duets ; all include figured bass ; most include metrical indication and dynamics ; most include author or composer ; some with explanatory footnotes
  • Includes selections from Luther, Haydn, Handel, Mozart, Beethoven, Pleyel, Purcell, and Corelli as well as selections from The Harmonia sacra and Arnold and Callcott's collection
  • Signatures : [A]-[2A]6 [2B]2, lacking remaining signatures ; wove paper
  • Preface : "The last three editions of this work have preserved almost an entire uniformity of appearance. The present edition ... embraces numerous improvements .... In arranging musicfor the church, a most delicate medium between vulgarity, on the one hand, and undue refinement on the other, should be preserved. Chaste simplicity connected with obvious design -- this is the thing to be attained .... How they have succeeded will be left to the candid decision of the public ... the arrangement which we have made, has been the result of long personal experience .... We have endeavored all along to keep steadily in view the great purpose of presentabililty ..."--p. [v]
  • Preface (cont.) : "The present edition has been prepared with much labor, study, and expense ... and, on the whole, we cannot but hope that it will prove more acceptable than any of its predecessors"--p. vi
  • "Rudiments of vocal music : arranged in a familiar manner for the use of schools ": "Part first : Notation" : includes five numbered lessons : "Notation" ; "Of the duration of sounds" ; "Of time" ; "Of beating, accent, and syncopation" ; "Of the remaining musical characters" ; "Part second : Execution" : includes four numbered lessons : "Of tuning the voice" ; "Practical lessons"[solfege] ; "Of modulation" ; "Concluding remarks"--p. [v]-xxiii
  • Copyright statement : "Be it rememberd that on the nineteenth day of September, on the fifty-fourth year of the Independence of the United Sttes of America, A.D. 1829, William Williams and Thomas Hastings, of the said district, have deposited in this office the title of a book, the right whereof they claim as proprietors .... Richard R. Lansing, Clerk of the district of New York"--t.p. verso
  • Defective : lacking p. 251-252 ; p. 269-272 ; [4] p. (indexes)
  • Boards of soft plywood with blue paper covers ; spine of brown leather
Dimensions
14 x 24 cm.
Edition
8th rev. ed., with additions and improvements.
Extent
1 score (272, [4] p.)
Note
  • Inscriptions : Frank Metcalf's bookplate on front pastedown.
  • Boards slightly warped; cover soiled and with losses ; hinges broken and boards nearly detached ; loss at head of spine ; multiple creases, stains, tears, losses to textblock.
System control number
(OCoLC)7243726
Label
Musica sacra, : or, Springfield and Utica collections united : consisting of psalm and hymn tunes, anthems, and chants, arranged for two, three, or four voices ... with a figured bass for the organ or piano forte, by Thomas Hastings and Solomon Warriner
Publication
Note
  • Combines the "Springfield collection", edited by Warriner (Springfield, 1813) and the "Musica sacra", published for the Oneida Musical Society (Utica, 1816)
  • ca. 220 hymn tunes and anthems and ca. 10 chants arranged for SATB, ATB, TTB, and duets ; all include figured bass ; most include metrical indication and dynamics ; most include author or composer ; some with explanatory footnotes
  • Includes selections from Luther, Haydn, Handel, Mozart, Beethoven, Pleyel, Purcell, and Corelli as well as selections from The Harmonia sacra and Arnold and Callcott's collection
  • Signatures : [A]-[2A]6 [2B]2, lacking remaining signatures ; wove paper
  • Preface : "The last three editions of this work have preserved almost an entire uniformity of appearance. The present edition ... embraces numerous improvements .... In arranging musicfor the church, a most delicate medium between vulgarity, on the one hand, and undue refinement on the other, should be preserved. Chaste simplicity connected with obvious design -- this is the thing to be attained .... How they have succeeded will be left to the candid decision of the public ... the arrangement which we have made, has been the result of long personal experience .... We have endeavored all along to keep steadily in view the great purpose of presentabililty ..."--p. [v]
  • Preface (cont.) : "The present edition has been prepared with much labor, study, and expense ... and, on the whole, we cannot but hope that it will prove more acceptable than any of its predecessors"--p. vi
  • "Rudiments of vocal music : arranged in a familiar manner for the use of schools ": "Part first : Notation" : includes five numbered lessons : "Notation" ; "Of the duration of sounds" ; "Of time" ; "Of beating, accent, and syncopation" ; "Of the remaining musical characters" ; "Part second : Execution" : includes four numbered lessons : "Of tuning the voice" ; "Practical lessons"[solfege] ; "Of modulation" ; "Concluding remarks"--p. [v]-xxiii
  • Copyright statement : "Be it rememberd that on the nineteenth day of September, on the fifty-fourth year of the Independence of the United Sttes of America, A.D. 1829, William Williams and Thomas Hastings, of the said district, have deposited in this office the title of a book, the right whereof they claim as proprietors .... Richard R. Lansing, Clerk of the district of New York"--t.p. verso
  • Defective : lacking p. 251-252 ; p. 269-272 ; [4] p. (indexes)
  • Boards of soft plywood with blue paper covers ; spine of brown leather
Dimensions
14 x 24 cm.
Edition
8th rev. ed., with additions and improvements.
Extent
1 score (272, [4] p.)
Note
  • Inscriptions : Frank Metcalf's bookplate on front pastedown.
  • Boards slightly warped; cover soiled and with losses ; hinges broken and boards nearly detached ; loss at head of spine ; multiple creases, stains, tears, losses to textblock.
System control number
(OCoLC)7243726

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