The Resource New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas

New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas

Label
New Francophone African and Caribbean theatres
Title
New Francophone African and Caribbean theatres
Statement of responsibility
John Conteh-Morgan with Dominic Thomas
Creator
Contributor
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Conteh-Morgan, John
Government publication
government publication of a state province territory dependency etc
Index
index present
LC call number
PQ3983
LC item number
.C63 2010
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Thomas, Dominic Richard David
Series statement
African expressive cultures.
http://library.link/vocab/subjectName
  • African drama (French)
  • Theater
  • Theater
  • Caribbean drama (French)
  • Theater
Label
New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine
  • Conclusion : Francophone theatres in the age of globalization
  • Introduction : instrumentalizing performance and the Francophone postcolonial performative
  • Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire
  • The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate
  • The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes
  • Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse
  • Tradition instrumentalized : Elie Stephenson's O mayouri
  • Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga
  • From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha?
Dimensions
24 cm.
Extent
xviii, 208 p.
Isbn
9780253355133
Isbn Type
(cloth : alk. paper)
Lccn
20100006 38
System control number
  • (OCoLC)464581586
  • (OCoLC)464581586
Label
New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine
  • Conclusion : Francophone theatres in the age of globalization
  • Introduction : instrumentalizing performance and the Francophone postcolonial performative
  • Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire
  • The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate
  • The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes
  • Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse
  • Tradition instrumentalized : Elie Stephenson's O mayouri
  • Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga
  • From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha?
Dimensions
24 cm.
Extent
xviii, 208 p.
Isbn
9780253355133
Isbn Type
(cloth : alk. paper)
Lccn
20100006 38
System control number
  • (OCoLC)464581586
  • (OCoLC)464581586

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