The Resource Opera, state, and society in the Third Republic, 1875-1914, André Michael Spies

Opera, state, and society in the Third Republic, 1875-1914, André Michael Spies

Label
Opera, state, and society in the Third Republic, 1875-1914
Title
Opera, state, and society in the Third Republic, 1875-1914
Statement of responsibility
André Michael Spies
Creator
Subject
Genre
Language
eng
Summary
Before the Great War, the Opera was the most exclusive salon in Paris, rendezvous of the elites of the Belle Epoque. This work explores the social and political content of the Opera and Opera-Comique repertoires as they responded to the ideological requirements of aristocratic and bourgeois audiences, to the political interests of Third Republic politicians who subsidized and supervised the opera, and to the ideas of prominent composers and librettists
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1948-
http://library.link/vocab/creatorName
Spies, André Michael
Illustrations
illustrations
Index
index present
LC call number
ML1727.8.P2
LC item number
S78 1998
Literary form
non fiction
Nature of contents
bibliography
Series statement
Studies in modern European history,
Series volume
vol. 23
http://library.link/vocab/subjectName
  • Opéra-Comique (Paris, France)
  • Opéra de Paris
  • Opéra-Comique (Paris, France)
  • Opéra de Paris
  • Opéra-Comique (Paris, France)
  • Opéra de Paris
  • Operas
  • Operas
  • Operas
  • Operas
  • Music and state
  • Opéra
  • Opéra
  • Opéra
  • Opéra
  • Musique
  • Music and state
  • Opera
  • Opera
  • Opera's
  • Muziekleven
  • France
Label
Opera, state, and society in the Third Republic, 1875-1914, André Michael Spies
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [227]-258) and indexes
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Ch. V.
  • The Opera as Public Institution
  • Ch. VI.
  • Forming Public Opinion: Critics and Tout Paris
  • Ch. VII.
  • Opera and Cultural Hegemony
  • Ch. VIII.
  • Epilogue: Background and Impact of the Librettists
  • Ch. I.
  • Introduction
  • Ch. II.
  • The Administration of the Opera
  • Ch. III.
  • The State and the Ideology of the Opera: Carmen or Jeanne d'Arc?
  • Ch. IV.
  • The Audience and the Ideology of the Opera
Dimensions
24 cm.
Extent
viii, 264 pages
Isbn
9780820436968
Lccn
96035897
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (OCoLC)35548844
  • (OCoLC)ocm35548844
Label
Opera, state, and society in the Third Republic, 1875-1914, André Michael Spies
Publication
Bibliography note
Includes bibliographical references (p. [227]-258) and indexes
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Ch. V.
  • The Opera as Public Institution
  • Ch. VI.
  • Forming Public Opinion: Critics and Tout Paris
  • Ch. VII.
  • Opera and Cultural Hegemony
  • Ch. VIII.
  • Epilogue: Background and Impact of the Librettists
  • Ch. I.
  • Introduction
  • Ch. II.
  • The Administration of the Opera
  • Ch. III.
  • The State and the Ideology of the Opera: Carmen or Jeanne d'Arc?
  • Ch. IV.
  • The Audience and the Ideology of the Opera
Dimensions
24 cm.
Extent
viii, 264 pages
Isbn
9780820436968
Lccn
96035897
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (OCoLC)35548844
  • (OCoLC)ocm35548844

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