The Resource Readings in the history of music in performance, selected, translated, and edited by Carol MacClintock

Readings in the history of music in performance, selected, translated, and edited by Carol MacClintock

Label
Readings in the history of music in performance
Title
Readings in the history of music in performance
Statement of responsibility
selected, translated, and edited by Carol MacClintock
Contributor
Compiler
Editor
Translator
Subject
Genre
Language
  • eng
  • und
  • eng
Cataloging source
DLC
Illustrations
music
Index
no index present
LC call number
ML457
LC item number
.R4
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1910-1989
http://library.link/vocab/relatedWorkOrContributorName
MacClintock, Carol
http://library.link/vocab/subjectName
  • Performance practice (Music)
  • Music
  • Musique
  • Musique
  • Music
  • Performance practice (Music)
  • Uitvoeringspraktijk
  • Geschiedbronnen
  • Musikalische Aufführungspraxis
  • Quelle
Label
Readings in the history of music in performance, selected, translated, and edited by Carol MacClintock
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Conrad von Zabern
  • Banquet of the oath of the pheasant
  • Olivier de la Marche
  • Part I,
  • Before 1500:
  • The late middle ages.
  • From Tractatus de musica
  • Jerome of Moravia
  • Treatise on discant
  • anonymous XIII
  • The early Renaissance. From De modo bene cantandi
  • Vincenzo Giustiniani
  • On singing and ornamentation.
  • From Compendium musices
  • Adrian Petit Coclico
  • Letter on singing
  • Giovanni Camillo Maffei
  • From Practica musica
  • Hermann Finck
  • From Prattica di musica
  • Ludovico Zacconi
  • Part II,
  • Rules for performers and composers.
  • From L'antica musica
  • Nicola Vicentino
  • From Istitutioni harmoniche
  • Gioseffo Zarlino
  • From Il transilvano
  • Girolamo Diruta
  • From A plaine and easie introduction to practicall musick
  • Thomas Morley
  • The Renaissance:
  • Music in daily life.
  • From The decameron
  • Giovanni Boccaccio
  • From The book of the courtier
  • Baldassare Castiglione
  • From Discorso sopra la musica
  • Roger North
  • Travelers' accounts of musical performances
  • From Coryat's crudities
  • Thomas Coryat
  • Response to an inquisitive person on the Italian feeling about music
  • André Maugars
  • On organ playing.
  • From Conclusioni nel suono dell' organo
  • Adriano Banchieri
  • Letter on style in organ playing
  • Part III,
  • Agostino Agazzari
  • Three prefaces
  • Girolamo Frescobaldi
  • The performance of sacred music.
  • From Parasceve ad solemnitatem evangelicam
  • Matthias Hoe von Hoenegg
  • Preface to Historia der Auferstehung Jesu Christi
  • Heinrich Schütz
  • From Syntagma musicum, On arranging choirs
  • Michael Praetorius
  • The seventeenth century:
  • Tempo, tactus, and musical terms.
  • From Syntagma musicum, On choral music, On musical terms
  • Michael Praetorius
  • From Harmonie universelle, On beating the measure
  • Marin Mersenne
  • From A choice collection of lessons
  • Henry Purcell
  • On singing.
  • From Andreas Ornithoparcus his micrologus
  • John Dowland
  • Music a gentleman's recreation.
  • From Syntagma musicum, Instruction for singers
  • Michael Praetorius
  • From Harmonie universelle, How to train voices
  • Marin Mersenne
  • Music for the theater.
  • Four letters
  • Claudio Monteverdi
  • From Rappresentazione di anima, et di corpo
  • Emilio de' Cavalieri
  • Preface to Dafne
  • From The compleat gentleman
  • Marco da Gagliano
  • From The description of a maske
  • Thomas Campion
  • From "Trattato della musica scenica"
  • Giovanni Battista Doni
  • On ballet.
  • From Idées des spectacles anciens et nouveaux
  • Michel Depure
  • Henry Peacham
  • From The life of George Herbert
  • Izaak Walton
  • From Memoirs of music
  • Jean Philippe Rameau
  • Opera : pro and con.
  • From Histoire de la musique et de ses effets
  • Jacques Bonnet-Bourdelot
  • Letter on the opera
  • Charles de Saint-Évremond
  • From A general history of music
  • Charles Burney
  • From Lettres familières
  • Charles de Brosses
  • Part IV,
  • The violin.
  • From Musicall grammarian and Other memoirs
  • Roger North
  • From The art of playing on the violin
  • Francesco Geminiani
  • From Florilegium secundum
  • Georg Muffat
  • The new instruction methods.
  • From Essay on the true art of playing the clavier
  • Carl Philipp Emanuel Bach
  • The eighteenth and early nineteenth centuries:
  • From Versuch einer Anweisung die Flöte
  • Johann Joachim Quantz
  • From Versuch einer gründliche Violinschule
  • Leopold Mozart
  • From Clavierschule
  • Daniel Gottlob Türk
  • The dance.
  • From Letters on the dance
  • Jean-Georges Noverre
  • On vocal music.
  • Instructions for playing the clavecin.
  • From Observations on the florid song
  • Pier. Francesco Tosi
  • From Versuch einer Answeisung die Flöte : requirements of a good singer
  • Johann Joachim Quantz
  • Travelers' reports.
  • From Lettres familières
  • Charles de Brosses
  • From The present state of music in France and Italy and The present state of music in Germany, the Netherlands and the United Provinces
  • Charles Burney
  • On the performance of famous men.
  • From Les principes du clavecin
  • From "Bach the clavier player"
  • Johann Nikolaus Forkel
  • From A general history of the science and practice of music (Handel)
  • Sir John Hawkins
  • Four letters
  • Wolfgang Amadeus Mozart
  • From "Recollections from my life" (Beethoven)
  • Carl Czerny
  • From The life of Beethoven and Biographie von Ludwig van Beethoven
  • Anton Schindler
  • Michel de Saint-Lambert
  • Opinion and criticism.
  • From An essay on musical expression
  • Charles Avison
  • From Observations on the present state of music, in London
  • William Jackson
  • From Vertraute Briefe aus Paris
  • Johann Friedrich Reichardt
  • From Voyage musical and À travers chants
  • Hector Berlioz
  • From L'art de toucher le clavecin
  • François Couperin
  • From Pièces de clavecin
Dimensions
25 cm
Dimensions
25 cm
Extent
xii, 432 pages
Isbn
9780253144959
Lccn
78009511
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
music
System control number
(OCoLC)4495533
Label
Readings in the history of music in performance, selected, translated, and edited by Carol MacClintock
Publication
Copyright
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Conrad von Zabern
  • Banquet of the oath of the pheasant
  • Olivier de la Marche
  • Part I,
  • Before 1500:
  • The late middle ages.
  • From Tractatus de musica
  • Jerome of Moravia
  • Treatise on discant
  • anonymous XIII
  • The early Renaissance. From De modo bene cantandi
  • Vincenzo Giustiniani
  • On singing and ornamentation.
  • From Compendium musices
  • Adrian Petit Coclico
  • Letter on singing
  • Giovanni Camillo Maffei
  • From Practica musica
  • Hermann Finck
  • From Prattica di musica
  • Ludovico Zacconi
  • Part II,
  • Rules for performers and composers.
  • From L'antica musica
  • Nicola Vicentino
  • From Istitutioni harmoniche
  • Gioseffo Zarlino
  • From Il transilvano
  • Girolamo Diruta
  • From A plaine and easie introduction to practicall musick
  • Thomas Morley
  • The Renaissance:
  • Music in daily life.
  • From The decameron
  • Giovanni Boccaccio
  • From The book of the courtier
  • Baldassare Castiglione
  • From Discorso sopra la musica
  • Roger North
  • Travelers' accounts of musical performances
  • From Coryat's crudities
  • Thomas Coryat
  • Response to an inquisitive person on the Italian feeling about music
  • André Maugars
  • On organ playing.
  • From Conclusioni nel suono dell' organo
  • Adriano Banchieri
  • Letter on style in organ playing
  • Part III,
  • Agostino Agazzari
  • Three prefaces
  • Girolamo Frescobaldi
  • The performance of sacred music.
  • From Parasceve ad solemnitatem evangelicam
  • Matthias Hoe von Hoenegg
  • Preface to Historia der Auferstehung Jesu Christi
  • Heinrich Schütz
  • From Syntagma musicum, On arranging choirs
  • Michael Praetorius
  • The seventeenth century:
  • Tempo, tactus, and musical terms.
  • From Syntagma musicum, On choral music, On musical terms
  • Michael Praetorius
  • From Harmonie universelle, On beating the measure
  • Marin Mersenne
  • From A choice collection of lessons
  • Henry Purcell
  • On singing.
  • From Andreas Ornithoparcus his micrologus
  • John Dowland
  • Music a gentleman's recreation.
  • From Syntagma musicum, Instruction for singers
  • Michael Praetorius
  • From Harmonie universelle, How to train voices
  • Marin Mersenne
  • Music for the theater.
  • Four letters
  • Claudio Monteverdi
  • From Rappresentazione di anima, et di corpo
  • Emilio de' Cavalieri
  • Preface to Dafne
  • From The compleat gentleman
  • Marco da Gagliano
  • From The description of a maske
  • Thomas Campion
  • From "Trattato della musica scenica"
  • Giovanni Battista Doni
  • On ballet.
  • From Idées des spectacles anciens et nouveaux
  • Michel Depure
  • Henry Peacham
  • From The life of George Herbert
  • Izaak Walton
  • From Memoirs of music
  • Jean Philippe Rameau
  • Opera : pro and con.
  • From Histoire de la musique et de ses effets
  • Jacques Bonnet-Bourdelot
  • Letter on the opera
  • Charles de Saint-Évremond
  • From A general history of music
  • Charles Burney
  • From Lettres familières
  • Charles de Brosses
  • Part IV,
  • The violin.
  • From Musicall grammarian and Other memoirs
  • Roger North
  • From The art of playing on the violin
  • Francesco Geminiani
  • From Florilegium secundum
  • Georg Muffat
  • The new instruction methods.
  • From Essay on the true art of playing the clavier
  • Carl Philipp Emanuel Bach
  • The eighteenth and early nineteenth centuries:
  • From Versuch einer Anweisung die Flöte
  • Johann Joachim Quantz
  • From Versuch einer gründliche Violinschule
  • Leopold Mozart
  • From Clavierschule
  • Daniel Gottlob Türk
  • The dance.
  • From Letters on the dance
  • Jean-Georges Noverre
  • On vocal music.
  • Instructions for playing the clavecin.
  • From Observations on the florid song
  • Pier. Francesco Tosi
  • From Versuch einer Answeisung die Flöte : requirements of a good singer
  • Johann Joachim Quantz
  • Travelers' reports.
  • From Lettres familières
  • Charles de Brosses
  • From The present state of music in France and Italy and The present state of music in Germany, the Netherlands and the United Provinces
  • Charles Burney
  • On the performance of famous men.
  • From Les principes du clavecin
  • From "Bach the clavier player"
  • Johann Nikolaus Forkel
  • From A general history of the science and practice of music (Handel)
  • Sir John Hawkins
  • Four letters
  • Wolfgang Amadeus Mozart
  • From "Recollections from my life" (Beethoven)
  • Carl Czerny
  • From The life of Beethoven and Biographie von Ludwig van Beethoven
  • Anton Schindler
  • Michel de Saint-Lambert
  • Opinion and criticism.
  • From An essay on musical expression
  • Charles Avison
  • From Observations on the present state of music, in London
  • William Jackson
  • From Vertraute Briefe aus Paris
  • Johann Friedrich Reichardt
  • From Voyage musical and À travers chants
  • Hector Berlioz
  • From L'art de toucher le clavecin
  • François Couperin
  • From Pièces de clavecin
Dimensions
25 cm
Dimensions
25 cm
Extent
xii, 432 pages
Isbn
9780253144959
Lccn
78009511
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
music
System control number
(OCoLC)4495533

Library Locations

  • African Studies LibraryBorrow it
    771 Commonwealth Avenue, 6th Floor, Boston, MA, 02215, US
    42.350723 -71.108227
  • Alumni Medical LibraryBorrow it
    72 East Concord Street, Boston, MA, 02118, US
    42.336388 -71.072393
  • Astronomy LibraryBorrow it
    725 Commonwealth Avenue, 6th Floor, Boston, MA, 02445, US
    42.350259 -71.105717
  • Fineman and Pappas Law LibrariesBorrow it
    765 Commonwealth Avenue, Boston, MA, 02215, US
    42.350979 -71.107023
  • Frederick S. Pardee Management LibraryBorrow it
    595 Commonwealth Avenue, Boston, MA, 02215, US
    42.349626 -71.099547
  • Howard Gotlieb Archival Research CenterBorrow it
    771 Commonwealth Avenue, 5th Floor, Boston, MA, 02215, US
    42.350723 -71.108227
  • Mugar Memorial LibraryBorrow it
    771 Commonwealth Avenue, Boston, MA, 02215, US
    42.350723 -71.108227
  • Music LibraryBorrow it
    771 Commonwealth Avenue, 2nd Floor, Boston, MA, 02215, US
    42.350723 -71.108227
  • Pikering Educational Resources LibraryBorrow it
    2 Silber Way, Boston, MA, 02215, US
    42.349804 -71.101425
  • School of Theology LibraryBorrow it
    745 Commonwealth Avenue, 2nd Floor, Boston, MA, 02215, US
    42.350494 -71.107235
  • Science & Engineering LibraryBorrow it
    38 Cummington Mall, Boston, MA, 02215, US
    42.348472 -71.102257
  • Stone Science LibraryBorrow it
    675 Commonwealth Avenue, Boston, MA, 02445, US
    42.350103 -71.103784
Processing Feedback ...