The Resource Reflexivity in film and literature : from Don Quixote to Jean-Luc Godard, by Robert Stam

Reflexivity in film and literature : from Don Quixote to Jean-Luc Godard, by Robert Stam

Label
Reflexivity in film and literature : from Don Quixote to Jean-Luc Godard
Title
Reflexivity in film and literature
Title remainder
from Don Quixote to Jean-Luc Godard
Statement of responsibility
by Robert Stam
Creator
Subject
Genre
Language
eng
Action
committed to retain for EAST
Cataloging source
DLC
http://library.link/vocab/creatorDate
1941-
http://library.link/vocab/creatorName
Stam, Robert
Illustrations
illustrations
Index
index present
LC call number
PN1995
LC item number
.S675 1992
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Motion picture plays
  • Motion pictures and literature
  • Motion pictures and theater
  • Literature, Modern
  • Theater
  • Cinéma
  • Cinéma et littérature
  • Cinéma et théâtre
  • Littérature
  • Théâtre
  • Literature, Modern
  • Motion picture plays
  • Motion pictures and literature
  • Motion pictures and theater
  • Theater
  • Filmkunst
  • Letterkunde
  • Reflexiviteit
  • Cinema
  • Literatura
  • Cinema (história e crítica)
  • Crítica cinematográfica
  • Cinema (teoria)
  • Film
  • Literatur
  • Selbstdarstellung
Label
Reflexivity in film and literature : from Don Quixote to Jean-Luc Godard, by Robert Stam
Instantiates
Publication
Note
Originally published: Ann Arbor, Mich. : UMI Research Press, c1985. With new pref
Bibliography note
Includes bibliographical references (p. [267]-280) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
1. Allegories of spectatorship. The complicity of the spectator -- Realism and the desiring spectator -- Film and dreams : Sherlock, Jr. -- Fiction and voyeurism -- A paradigmatic instance : Hitchcock's Rear Window -- Rear Window : the critique of voyeurism -- The shattering of distance -- Voyeurism and point-of-view -- Voyeurism and neighborliness -- Godard's erotic sabotage -- A Married Woman and Masculine, Feminine -- Feminist pornography -- Numero Deux and Every Man for Himself -- Obscure objects of desire -- 2. The process of production. Art and the culture industry : Balzac's Lost Illusions -- Hollywood on Hollywood : the silent period -- Film and productive labor : the man with the movie camera -- Hollywood reflexivity : the sound film -- Sunset Boulevard -- The musical and self-flaunting artifice -- Reflexivity and animation -- Auteurism and its discontents -- Fellini and 8 1/2 -- The new Hollywood : Peter Bogdanovich and Targets -- New German reflexivity : Beware of a Holy Whore -- Truffaut and Day for Night -- Filmmaking in the third world -- Andrzej Wajda and Man of Marble -- Declining stars : Fedora and Veronika Voss -- Into the eighties : Godard and Wenders -- 3. The genre of self-consciousness. The cameo appearance : from Cervantes to Woody Allen -- The self-conscious genre : summa, anatomy, carnival -- The centrality of parody -- The Quixotic theme -- The narrative strategies of reflexivity -- Story and discourse -- Tempo in film and novel -- Titles and intertitles -- The dialogue of author/reader/spectator -- The self-correcting style -- The indeterminate text -- The incorporation of criticism -- Reflexive adaptations : Tom Jones, Lolita, The French Lieutenant's Woman -- The multiplicity of styles -- 4. The carnival of modernism. A seminal instance : Ubu Roi -- Ubu's grandchild : the modernism of Jean-Luc Godard -- Godard and avant-garde theatre -- Carnival and the apocalypse -- The Exterminating Angel -- Ubu and Les Carabiniers -- Les Carabiniers : the war film intertext -- Carnival and Latin American culture -- Brazilian modernism and the cannibalist metaphor -- Mario de Andrade and the carnivalization of language -- Macunaima : from novel to film -- The politics of carnival -- 5. The pleasures of subversion. The lessons of Brecht -- The lessons applied : Tout Va Bien -- The politics of technique -- Further applications : Numero Deux -- The video subversion of language : split writing/split screen -- Realism, reflexivity, sexuality : Sauve Qui Peut/(la Vie) -- The politics of pleasure : Jonah Who Will be 25 in the Year 2000 -- Beyond deconstruction
Dimensions
24 cm
Extent
xxi, 285 pages
Isbn
9780231079457
Isbn Type
(pbk. : acid-free paper)
Lccn
92005630
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)25632301
  • (OCoLC)ocm25632301
Label
Reflexivity in film and literature : from Don Quixote to Jean-Luc Godard, by Robert Stam
Publication
Note
Originally published: Ann Arbor, Mich. : UMI Research Press, c1985. With new pref
Bibliography note
Includes bibliographical references (p. [267]-280) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
1. Allegories of spectatorship. The complicity of the spectator -- Realism and the desiring spectator -- Film and dreams : Sherlock, Jr. -- Fiction and voyeurism -- A paradigmatic instance : Hitchcock's Rear Window -- Rear Window : the critique of voyeurism -- The shattering of distance -- Voyeurism and point-of-view -- Voyeurism and neighborliness -- Godard's erotic sabotage -- A Married Woman and Masculine, Feminine -- Feminist pornography -- Numero Deux and Every Man for Himself -- Obscure objects of desire -- 2. The process of production. Art and the culture industry : Balzac's Lost Illusions -- Hollywood on Hollywood : the silent period -- Film and productive labor : the man with the movie camera -- Hollywood reflexivity : the sound film -- Sunset Boulevard -- The musical and self-flaunting artifice -- Reflexivity and animation -- Auteurism and its discontents -- Fellini and 8 1/2 -- The new Hollywood : Peter Bogdanovich and Targets -- New German reflexivity : Beware of a Holy Whore -- Truffaut and Day for Night -- Filmmaking in the third world -- Andrzej Wajda and Man of Marble -- Declining stars : Fedora and Veronika Voss -- Into the eighties : Godard and Wenders -- 3. The genre of self-consciousness. The cameo appearance : from Cervantes to Woody Allen -- The self-conscious genre : summa, anatomy, carnival -- The centrality of parody -- The Quixotic theme -- The narrative strategies of reflexivity -- Story and discourse -- Tempo in film and novel -- Titles and intertitles -- The dialogue of author/reader/spectator -- The self-correcting style -- The indeterminate text -- The incorporation of criticism -- Reflexive adaptations : Tom Jones, Lolita, The French Lieutenant's Woman -- The multiplicity of styles -- 4. The carnival of modernism. A seminal instance : Ubu Roi -- Ubu's grandchild : the modernism of Jean-Luc Godard -- Godard and avant-garde theatre -- Carnival and the apocalypse -- The Exterminating Angel -- Ubu and Les Carabiniers -- Les Carabiniers : the war film intertext -- Carnival and Latin American culture -- Brazilian modernism and the cannibalist metaphor -- Mario de Andrade and the carnivalization of language -- Macunaima : from novel to film -- The politics of carnival -- 5. The pleasures of subversion. The lessons of Brecht -- The lessons applied : Tout Va Bien -- The politics of technique -- Further applications : Numero Deux -- The video subversion of language : split writing/split screen -- Realism, reflexivity, sexuality : Sauve Qui Peut/(la Vie) -- The politics of pleasure : Jonah Who Will be 25 in the Year 2000 -- Beyond deconstruction
Dimensions
24 cm
Extent
xxi, 285 pages
Isbn
9780231079457
Isbn Type
(pbk. : acid-free paper)
Lccn
92005630
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)25632301
  • (OCoLC)ocm25632301

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