The Resource Renaissance music, edited by Kenneth Kreitner

Renaissance music, edited by Kenneth Kreitner

Label
Renaissance music
Title
Renaissance music
Statement of responsibility
edited by Kenneth Kreitner
Contributor
Subject
Genre
Language
eng
Member of
Cataloging source
YDXCP
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML457
LC item number
.R48 2011
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Kreitner, Kenneth
Series statement
The library of essays on music performance practice
http://library.link/vocab/subjectName
  • Performance practice (Music)
  • Performance practice (Music)
  • Music
  • Music
  • Performance practice (Music)
  • Musikalische Aufführungspraxis
  • Musikalische Aufführungspraxis
Label
Renaissance music, edited by Kenneth Kreitner
Instantiates
Publication
Note
Essays originally published 1946-2009, principally in the journal Early music
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Performance practices in the frottola
  • William F. Prizer.
  • The a cappella heresy in Spain : an inquisition into the performance of the cancionero repertory
  • Tess Knighton.
  • Tenorlied, Discantlied, polyphonic Lied : voices and instruments in German secular polyphony of the Renaissance
  • Stephen Keyl.
  • Performance practice in the seconda prattica madrigal
  • Rinaldo Alessandrini
  • pt. 3. Sacred music.
  • The performing ensembles in Josquin's sacred music
  • pt. 1. Method.
  • David Fallows.
  • Performance practice in the papal chapel during the 16th century
  • Richard Sherr.
  • The performance of Palestrina : some questions, but fewer answers
  • Graham Dixon.
  • The performance of Palestrina : some further questions
  • Noel O'Regan.
  • What can the organ partitura to Tomás Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 tell us about performance practice?
  • Noel O'Regan.
  • Minstrels in Spanish churches, 1400-1600 / Kenneth Kreitner
  • On "instrumental style" in early melody
  • pt. 4. Instrumental music.
  • Voices and instruments : soloists and ensembles in the 15th century
  • Keith Polk.
  • A cook's tour of Ferrara in 1529
  • Howard Mayer Brown.
  • Notes (and transposing notes) on the transverse flute in the early sixteenth century
  • Howard Mayer Brown
  • pt. 5. Notation.
  • Diatonic ficta
  • Margaret Bent.
  • Lloyd Hibberd.
  • "High" clefs in composition and performance
  • Andrew Johnstone
  • pt. 6. Perspective.
  • Sight-readings : notes on a cappella performance practice
  • Donald Grieg.
  • For whom do the singers sing?
  • Bonnie J. Blackburn
  • Specific information on the ensembles for composed polyphony, 1400-1474
  • David Fallows
  • pt. 2. Songs.
  • Going beyond the limits : experiments with vocalization in the French chanson, 1340-1440
  • Christopher Page.
Dimensions
25 cm.
Extent
xxiv, 444 pages
Isbn
9780754629634
Lccn
2010931200
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, music
System control number
  • (OCoLC)704526136
  • (OCoLC)ocn704526136
Label
Renaissance music, edited by Kenneth Kreitner
Publication
Note
Essays originally published 1946-2009, principally in the journal Early music
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Performance practices in the frottola
  • William F. Prizer.
  • The a cappella heresy in Spain : an inquisition into the performance of the cancionero repertory
  • Tess Knighton.
  • Tenorlied, Discantlied, polyphonic Lied : voices and instruments in German secular polyphony of the Renaissance
  • Stephen Keyl.
  • Performance practice in the seconda prattica madrigal
  • Rinaldo Alessandrini
  • pt. 3. Sacred music.
  • The performing ensembles in Josquin's sacred music
  • pt. 1. Method.
  • David Fallows.
  • Performance practice in the papal chapel during the 16th century
  • Richard Sherr.
  • The performance of Palestrina : some questions, but fewer answers
  • Graham Dixon.
  • The performance of Palestrina : some further questions
  • Noel O'Regan.
  • What can the organ partitura to Tomás Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 tell us about performance practice?
  • Noel O'Regan.
  • Minstrels in Spanish churches, 1400-1600 / Kenneth Kreitner
  • On "instrumental style" in early melody
  • pt. 4. Instrumental music.
  • Voices and instruments : soloists and ensembles in the 15th century
  • Keith Polk.
  • A cook's tour of Ferrara in 1529
  • Howard Mayer Brown.
  • Notes (and transposing notes) on the transverse flute in the early sixteenth century
  • Howard Mayer Brown
  • pt. 5. Notation.
  • Diatonic ficta
  • Margaret Bent.
  • Lloyd Hibberd.
  • "High" clefs in composition and performance
  • Andrew Johnstone
  • pt. 6. Perspective.
  • Sight-readings : notes on a cappella performance practice
  • Donald Grieg.
  • For whom do the singers sing?
  • Bonnie J. Blackburn
  • Specific information on the ensembles for composed polyphony, 1400-1474
  • David Fallows
  • pt. 2. Songs.
  • Going beyond the limits : experiments with vocalization in the French chanson, 1340-1440
  • Christopher Page.
Dimensions
25 cm.
Extent
xxiv, 444 pages
Isbn
9780754629634
Lccn
2010931200
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, music
System control number
  • (OCoLC)704526136
  • (OCoLC)ocn704526136

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