The Resource Shakespearean sensations : experiencing literature in early modern England, edited by Katharine A. Craik and Tanya Pollard

Shakespearean sensations : experiencing literature in early modern England, edited by Katharine A. Craik and Tanya Pollard

Label
Shakespearean sensations : experiencing literature in early modern England
Title
Shakespearean sensations
Title remainder
experiencing literature in early modern England
Statement of responsibility
edited by Katharine A. Craik and Tanya Pollard
Contributor
Subject
Language
eng
Summary
"This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--
Assigning source
Provided by publisher
Cataloging source
DLC
Index
index present
LC call number
PR428.P76
LC item number
S47 2013
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Craik, Katharine A
  • Pollard, Tanya
http://library.link/vocab/subjectName
  • Shakespeare, William
  • Shakespeare, William
  • English literature
  • English literature
  • Reading
  • Senses and sensation in literature
  • Reader-response criticism
  • Theater audiences
  • Theater audiences
  • Mind and body
  • LITERARY CRITICISM
  • Rezeption
  • Gefühl
Label
Shakespearean sensations : experiencing literature in early modern England, edited by Katharine A. Craik and Tanya Pollard
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith
Dimensions
24 cm
Extent
x, 244 pages
Isbn
9781107028005
Isbn Type
(hardback)
Lccn
2012029749
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other control number
40022149047
System control number
  • (OCoLC)805831478
  • (OCoLC)ocn805831478
Label
Shakespearean sensations : experiencing literature in early modern England, edited by Katharine A. Craik and Tanya Pollard
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith
Dimensions
24 cm
Extent
x, 244 pages
Isbn
9781107028005
Isbn Type
(hardback)
Lccn
2012029749
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other control number
40022149047
System control number
  • (OCoLC)805831478
  • (OCoLC)ocn805831478

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