The Resource Sources of architectural form : a critical history of western design theory, Mark Gelernter

Sources of architectural form : a critical history of western design theory, Mark Gelernter

Label
Sources of architectural form : a critical history of western design theory
Title
Sources of architectural form
Title remainder
a critical history of western design theory
Statement of responsibility
Mark Gelernter
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1951-
http://library.link/vocab/creatorName
Gelernter, Mark
Credits note
Based on a thesis (doctoral)--Bartlett School of Architecture and Planning, University College London
Illustrations
illustrations
Index
index present
LC call number
NA2750
LC item number
.G435 1995
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Architectural design
  • Architectural design
  • Architectuurtheorieën
  • Inspiratie
  • Design architectural
Label
Sources of architectural form : a critical history of western design theory, Mark Gelernter
Instantiates
Publication
Note
Based on a thesis (doctoral)--Bartlett School of Architecture and Planning, University College, London
Bibliography note
Includes bibliographical references (p. 292-300) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
1. Introduction. The central problem of design theory. Theories of form. A paradox in western theories of design. The subject-object problem -- 2. The ancient world. The origins of design theory and education. The Greek revolution in philosophy. Greek art and architecture theory. Vitruvius -- 3. The Middle Ages. Shift from the secular to the divine. Medieval art and architecture theory. Scholasticism. Education in the guilds and universities -- 4. The Renaissance. The revival of ancient concepts. Art theory in the High Renaissance. The Mannerist extremes. The new art academies. The rise of Positivist science -- 5. The Baroque. The Baroque dualities. Rationalism and the priority of reason. Empiricism and the priority of sense. Art and architecture theory and the academies -- 6. The Enlightenment. Revolutionary foundations of the modern world. Positivism and the new deterministic sciences of man. The Romantic rebellion. Neoclassicism and the academies. Immanuel Kant and the synthesis of subject and object -- 7. The nineteenth century. Philosophical relativism and artistic eclecticism. Classicism and the Ecole des Beaux-Arts. German Idealism, Romanticism, and the Gothic Revival. Positivism and artistic determinism. The shift to abstraction in art -- 8. The twentieth century (I). The reaction to relativism in philosophy. The opposed sources of architectural form. The opposed sources of artistic form. The Bauhaus conflation. The Modern Movement -- 9. The twentieth century (II). Late Modernism. Positivism and environmental design. Structuralism. Post-Modernism and Post-Structuralism
Dimensions
25 cm.
Extent
xiii, 306 p.
Isbn
9780719041280
Isbn Type
(hardback)
Lccn
94012283
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
ill.
System control number
  • (OCoLC)30399334
  • (OCoLC)ocm30399334
Label
Sources of architectural form : a critical history of western design theory, Mark Gelernter
Publication
Note
Based on a thesis (doctoral)--Bartlett School of Architecture and Planning, University College, London
Bibliography note
Includes bibliographical references (p. 292-300) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
1. Introduction. The central problem of design theory. Theories of form. A paradox in western theories of design. The subject-object problem -- 2. The ancient world. The origins of design theory and education. The Greek revolution in philosophy. Greek art and architecture theory. Vitruvius -- 3. The Middle Ages. Shift from the secular to the divine. Medieval art and architecture theory. Scholasticism. Education in the guilds and universities -- 4. The Renaissance. The revival of ancient concepts. Art theory in the High Renaissance. The Mannerist extremes. The new art academies. The rise of Positivist science -- 5. The Baroque. The Baroque dualities. Rationalism and the priority of reason. Empiricism and the priority of sense. Art and architecture theory and the academies -- 6. The Enlightenment. Revolutionary foundations of the modern world. Positivism and the new deterministic sciences of man. The Romantic rebellion. Neoclassicism and the academies. Immanuel Kant and the synthesis of subject and object -- 7. The nineteenth century. Philosophical relativism and artistic eclecticism. Classicism and the Ecole des Beaux-Arts. German Idealism, Romanticism, and the Gothic Revival. Positivism and artistic determinism. The shift to abstraction in art -- 8. The twentieth century (I). The reaction to relativism in philosophy. The opposed sources of architectural form. The opposed sources of artistic form. The Bauhaus conflation. The Modern Movement -- 9. The twentieth century (II). Late Modernism. Positivism and environmental design. Structuralism. Post-Modernism and Post-Structuralism
Dimensions
25 cm.
Extent
xiii, 306 p.
Isbn
9780719041280
Isbn Type
(hardback)
Lccn
94012283
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
ill.
System control number
  • (OCoLC)30399334
  • (OCoLC)ocm30399334

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