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The Resource The Gothic, edited by Gilda Williams
The Gothic, edited by Gilda Williams
Resource Information
The item The Gothic, edited by Gilda Williams represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item The Gothic, edited by Gilda Williams represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Summary
- This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use "the Gothic" to group together dissimilar artists but rather to shed light on a particular understanding of their practice. Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread's House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham's Kammerspell; Hal Foster considers Robert Gober's recent work--laden with Christian symbolism, criticism of America as a nexus of power, and fragmented bodies--as an updated American Gothic, and Kobena Mercer examines the Gothic's depiction of the Other in relation to Michael Jackson's pop video Thriller. Texts by artists including Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese, and Catherine Sullivan are complemented by extracts from Walpole's genre-establishing gothic novel The Castle of Otranto, William Gibson, Bret Easton Ellis, and Stephen King, among others, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner, and Slavoj Zizek. The Gothic provides the first comprehensive overview of the uses of Gothic in contemporary visual culture. -- publisher diecription
- Language
- eng
- Extent
- 237 p.
- Contents
-
- Robert Louis Stevenson
- Art of darkness: a poetics of Gothic, 1995
- Anne Williams
- Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997
- Mark Edmundson
- This year's Goth: A short history of the Gothic in contemporary art
- Urban Gothic, 1985
- Mike Kelley
- Gothic: transmutations of horror in late twentieth century art, 1997
- Christoph Grünenberg
- A thematic framework
- The new Gothic: scary monsters and super creeps, 2003
- Michael Cohen
- Modern Gothic, 2004
- Jerry Saltz
- Beneath the remains: what magic in myth?, 2004
- Shamin M. Momin
- Insubstantial pageants, 2006
- Marina Warner
- Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006
- Gianni Jetzer
- A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757
- Modern Gothic: death, excess and terror
- The transparency of evil, 1990
- Jean Baudrillard
- Skin shows: Gothic horror and the technology of monsters, 1995
- Judith Halberstam
- Interview with the vampire, 1976
- Anne Rice
- American psycho, 1991
- Bret Easton Ellis
- Skulls: on Andy Warhol, 2004
- Edmund Burke
- Trevor Fairbrother
- Skullduggery: on Steven Gregory, 2005
- Damien Hirst
- Gothic: four hundred years of excess, horror, evil and ruin, 1998
- Richard Davenport-Hines
- Human dignity shall be palpable: on Teresa Margolles, 2006
- Nike Bätzner
- Different strokes: on Richard Hawkins, 2006
- Alex Farquharson
- 'The creature': alien beings and alien bodies
- Frankenstein, 1818
- Discipline and punish, 1975
- Michel Foucault
- The coherence of Gothic conventions, 1980
- Eve Kosofsky Sedgwick
- Three women's texts and a critique of imperialism, 1985
- Gayatri Chakravorty Spivak
- Monster metaphors. notes on Michael Jackon's Thriller, 1986
- Kobena Mercer
- Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988
- Richard Dyer
- Mary Shelley
- Strange weather: culture, science and technology in the age of limits, 1991
- Andrew Ross
- Neuromancer, 1984
- William Gibson
- The other self of the imagination: Cindy Sherman's Hysterical performance, 1995
- Elisabeth Bronfen
- The macabre museum: on Mark Dion, 1997
- James Meyer --
- The fall of the house of Usher, 1839
- Edgar Allan Poe
- The strange case of Dr Jeckyll and Mr Hyde, 1886
- Robert Louis Stevenson
- Art of darkness: a poetics of Gothic, 1995
- Anne Williams
- Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997
- Mark Edmundson
- This year's Goth: A short history of the Gothic in contemporary art
- Urban Gothic, 1985
- Mike Kelley
- Gothic: transmutations of horror in late twentieth century art, 1997
- Christoph Grünenberg
- A thematic framework
- The new Gothic: scary monsters and super creeps, 2003
- Michael Cohen
- Modern Gothic, 2004
- Jerry Saltz
- Beneath the remains: what magic in myth?, 2004
- Shamin M. Momin
- Insubstantial pageants, 2006
- Marina Warner
- Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006
- Gianni Jetzer
- A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757
- Modern Gothic: death, excess and terror
- The transparency of evil, 1990
- Jean Baudrillard
- Skin shows: Gothic horror and the technology of monsters, 1995
- Judith Halberstam
- Interview with the vampire, 1976
- Anne Rice
- American psycho, 1991
- Bret Easton Ellis
- Skulls: on Andy Warhol, 2004
- Edmund Burke
- Trevor Fairbrother
- Skullduggery: on Steven Gregory, 2005
- Damien Hirst
- Gothic: four hundred years of excess, horror, evil and ruin, 1998
- Richard Davenport-Hines
- Human dignity shall be palpable: on Teresa Margolles, 2006
- Nike Bätzner
- Different strokes: on Richard Hawkins, 2006
- Alex Farquharson
- 'The creature': alien beings and alien bodies
- Frankenstein, 1818
- Discipline and punish, 1975
- Michel Foucault
- The coherence of Gothic conventions, 1980
- Eve Kosofsky Sedgwick
- Three women's texts and a critique of imperialism, 1985
- Gayatri Chakravorty Spivak
- Monster metaphors. notes on Michael Jackon's Thriller, 1986
- Kobena Mercer
- Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988
- Richard Dyer
- Mary Shelley
- Strange weather: culture, science and technology in the age of limits, 1991
- Andrew Ross
- Neuromancer, 1984
- William Gibson
- The other self of the imagination: Cindy Sherman's Hysterical performance, 1995
- Elisabeth Bronfen
- The macabre museum: on Mark Dion, 1997
- James Meyer --
- The fall of the house of Usher, 1839
- Edgar Allan Poe
- The strange case of Dr Jeckyll and Mr Hyde, 1886
- Isbn
- 9780262731867
- Label
- The Gothic
- Title
- The Gothic
- Statement of responsibility
- edited by Gilda Williams
- Subject
-
- 1900 - 2099
- Art
- Arts, Modern -- 20th century -- Psychological aspects
- Arts, Modern -- 20th century | Psychological aspects
- Arts, Modern -- 21st century -- Psychological aspects
- Arts, Modern -- 21st century | Psychological aspects
- Arts, Modern -- 21st century | Psychological aspects
- Arts, Modern -- Psychological aspects
- Horror
- Horror in art
- Horror in art
- Language
- eng
- Summary
- This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use "the Gothic" to group together dissimilar artists but rather to shed light on a particular understanding of their practice. Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread's House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham's Kammerspell; Hal Foster considers Robert Gober's recent work--laden with Christian symbolism, criticism of America as a nexus of power, and fragmented bodies--as an updated American Gothic, and Kobena Mercer examines the Gothic's depiction of the Other in relation to Michael Jackson's pop video Thriller. Texts by artists including Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese, and Catherine Sullivan are complemented by extracts from Walpole's genre-establishing gothic novel The Castle of Otranto, William Gibson, Bret Easton Ellis, and Stephen King, among others, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner, and Slavoj Zizek. The Gothic provides the first comprehensive overview of the uses of Gothic in contemporary visual culture. -- publisher diecription
- Cataloging source
- DLC
- Index
- index present
- LC call number
- NX650.H67
- LC item number
- G68 2007
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
- Williams, Gilda
- Series statement
- Documents of contemporary art
- http://library.link/vocab/subjectName
-
- Horror in art
- Arts, Modern
- Arts, Modern
- Arts, Modern
- Horror in art
- Arts, Modern
- Arts, Modern
- Art
- Arts, Modern
- Horror
- Label
- The Gothic, edited by Gilda Williams
- Bibliography note
- Includes bibliographical references (p. 230-233) and index
- Contents
-
- Robert Louis Stevenson
- Art of darkness: a poetics of Gothic, 1995
- Anne Williams
- Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997
- Mark Edmundson
- This year's Goth: A short history of the Gothic in contemporary art
- Urban Gothic, 1985
- Mike Kelley
- Gothic: transmutations of horror in late twentieth century art, 1997
- Christoph Grünenberg
- A thematic framework
- The new Gothic: scary monsters and super creeps, 2003
- Michael Cohen
- Modern Gothic, 2004
- Jerry Saltz
- Beneath the remains: what magic in myth?, 2004
- Shamin M. Momin
- Insubstantial pageants, 2006
- Marina Warner
- Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006
- Gianni Jetzer
- A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757
- Modern Gothic: death, excess and terror
- The transparency of evil, 1990
- Jean Baudrillard
- Skin shows: Gothic horror and the technology of monsters, 1995
- Judith Halberstam
- Interview with the vampire, 1976
- Anne Rice
- American psycho, 1991
- Bret Easton Ellis
- Skulls: on Andy Warhol, 2004
- Edmund Burke
- Trevor Fairbrother
- Skullduggery: on Steven Gregory, 2005
- Damien Hirst
- Gothic: four hundred years of excess, horror, evil and ruin, 1998
- Richard Davenport-Hines
- Human dignity shall be palpable: on Teresa Margolles, 2006
- Nike Bätzner
- Different strokes: on Richard Hawkins, 2006
- Alex Farquharson
- 'The creature': alien beings and alien bodies
- Frankenstein, 1818
- Discipline and punish, 1975
- Michel Foucault
- The coherence of Gothic conventions, 1980
- Eve Kosofsky Sedgwick
- Three women's texts and a critique of imperialism, 1985
- Gayatri Chakravorty Spivak
- Monster metaphors. notes on Michael Jackon's Thriller, 1986
- Kobena Mercer
- Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988
- Richard Dyer
- Mary Shelley
- Strange weather: culture, science and technology in the age of limits, 1991
- Andrew Ross
- Neuromancer, 1984
- William Gibson
- The other self of the imagination: Cindy Sherman's Hysterical performance, 1995
- Elisabeth Bronfen
- The macabre museum: on Mark Dion, 1997
- James Meyer --
- The fall of the house of Usher, 1839
- Edgar Allan Poe
- The strange case of Dr Jeckyll and Mr Hyde, 1886
- Robert Louis Stevenson
- Art of darkness: a poetics of Gothic, 1995
- Anne Williams
- Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997
- Mark Edmundson
- This year's Goth: A short history of the Gothic in contemporary art
- Urban Gothic, 1985
- Mike Kelley
- Gothic: transmutations of horror in late twentieth century art, 1997
- Christoph Grünenberg
- A thematic framework
- The new Gothic: scary monsters and super creeps, 2003
- Michael Cohen
- Modern Gothic, 2004
- Jerry Saltz
- Beneath the remains: what magic in myth?, 2004
- Shamin M. Momin
- Insubstantial pageants, 2006
- Marina Warner
- Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006
- Gianni Jetzer
- A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757
- Modern Gothic: death, excess and terror
- The transparency of evil, 1990
- Jean Baudrillard
- Skin shows: Gothic horror and the technology of monsters, 1995
- Judith Halberstam
- Interview with the vampire, 1976
- Anne Rice
- American psycho, 1991
- Bret Easton Ellis
- Skulls: on Andy Warhol, 2004
- Edmund Burke
- Trevor Fairbrother
- Skullduggery: on Steven Gregory, 2005
- Damien Hirst
- Gothic: four hundred years of excess, horror, evil and ruin, 1998
- Richard Davenport-Hines
- Human dignity shall be palpable: on Teresa Margolles, 2006
- Nike Bätzner
- Different strokes: on Richard Hawkins, 2006
- Alex Farquharson
- 'The creature': alien beings and alien bodies
- Frankenstein, 1818
- Discipline and punish, 1975
- Michel Foucault
- The coherence of Gothic conventions, 1980
- Eve Kosofsky Sedgwick
- Three women's texts and a critique of imperialism, 1985
- Gayatri Chakravorty Spivak
- Monster metaphors. notes on Michael Jackon's Thriller, 1986
- Kobena Mercer
- Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988
- Richard Dyer
- Mary Shelley
- Strange weather: culture, science and technology in the age of limits, 1991
- Andrew Ross
- Neuromancer, 1984
- William Gibson
- The other self of the imagination: Cindy Sherman's Hysterical performance, 1995
- Elisabeth Bronfen
- The macabre museum: on Mark Dion, 1997
- James Meyer --
- The fall of the house of Usher, 1839
- Edgar Allan Poe
- The strange case of Dr Jeckyll and Mr Hyde, 1886
- Dimensions
- 21 cm.
- Extent
- 237 p.
- Isbn
- 9780262731867
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2007010339
- Stock number
- 99957706279
- System control number
-
- (OCoLC)86038291
- (OCoLC)ocm86038291
- Label
- The Gothic, edited by Gilda Williams
- Bibliography note
- Includes bibliographical references (p. 230-233) and index
- Contents
-
- Robert Louis Stevenson
- Art of darkness: a poetics of Gothic, 1995
- Anne Williams
- Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997
- Mark Edmundson
- This year's Goth: A short history of the Gothic in contemporary art
- Urban Gothic, 1985
- Mike Kelley
- Gothic: transmutations of horror in late twentieth century art, 1997
- Christoph Grünenberg
- A thematic framework
- The new Gothic: scary monsters and super creeps, 2003
- Michael Cohen
- Modern Gothic, 2004
- Jerry Saltz
- Beneath the remains: what magic in myth?, 2004
- Shamin M. Momin
- Insubstantial pageants, 2006
- Marina Warner
- Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006
- Gianni Jetzer
- A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757
- Modern Gothic: death, excess and terror
- The transparency of evil, 1990
- Jean Baudrillard
- Skin shows: Gothic horror and the technology of monsters, 1995
- Judith Halberstam
- Interview with the vampire, 1976
- Anne Rice
- American psycho, 1991
- Bret Easton Ellis
- Skulls: on Andy Warhol, 2004
- Edmund Burke
- Trevor Fairbrother
- Skullduggery: on Steven Gregory, 2005
- Damien Hirst
- Gothic: four hundred years of excess, horror, evil and ruin, 1998
- Richard Davenport-Hines
- Human dignity shall be palpable: on Teresa Margolles, 2006
- Nike Bätzner
- Different strokes: on Richard Hawkins, 2006
- Alex Farquharson
- 'The creature': alien beings and alien bodies
- Frankenstein, 1818
- Discipline and punish, 1975
- Michel Foucault
- The coherence of Gothic conventions, 1980
- Eve Kosofsky Sedgwick
- Three women's texts and a critique of imperialism, 1985
- Gayatri Chakravorty Spivak
- Monster metaphors. notes on Michael Jackon's Thriller, 1986
- Kobena Mercer
- Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988
- Richard Dyer
- Mary Shelley
- Strange weather: culture, science and technology in the age of limits, 1991
- Andrew Ross
- Neuromancer, 1984
- William Gibson
- The other self of the imagination: Cindy Sherman's Hysterical performance, 1995
- Elisabeth Bronfen
- The macabre museum: on Mark Dion, 1997
- James Meyer --
- The fall of the house of Usher, 1839
- Edgar Allan Poe
- The strange case of Dr Jeckyll and Mr Hyde, 1886
- Robert Louis Stevenson
- Art of darkness: a poetics of Gothic, 1995
- Anne Williams
- Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997
- Mark Edmundson
- This year's Goth: A short history of the Gothic in contemporary art
- Urban Gothic, 1985
- Mike Kelley
- Gothic: transmutations of horror in late twentieth century art, 1997
- Christoph Grünenberg
- A thematic framework
- The new Gothic: scary monsters and super creeps, 2003
- Michael Cohen
- Modern Gothic, 2004
- Jerry Saltz
- Beneath the remains: what magic in myth?, 2004
- Shamin M. Momin
- Insubstantial pageants, 2006
- Marina Warner
- Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006
- Gianni Jetzer
- A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757
- Modern Gothic: death, excess and terror
- The transparency of evil, 1990
- Jean Baudrillard
- Skin shows: Gothic horror and the technology of monsters, 1995
- Judith Halberstam
- Interview with the vampire, 1976
- Anne Rice
- American psycho, 1991
- Bret Easton Ellis
- Skulls: on Andy Warhol, 2004
- Edmund Burke
- Trevor Fairbrother
- Skullduggery: on Steven Gregory, 2005
- Damien Hirst
- Gothic: four hundred years of excess, horror, evil and ruin, 1998
- Richard Davenport-Hines
- Human dignity shall be palpable: on Teresa Margolles, 2006
- Nike Bätzner
- Different strokes: on Richard Hawkins, 2006
- Alex Farquharson
- 'The creature': alien beings and alien bodies
- Frankenstein, 1818
- Discipline and punish, 1975
- Michel Foucault
- The coherence of Gothic conventions, 1980
- Eve Kosofsky Sedgwick
- Three women's texts and a critique of imperialism, 1985
- Gayatri Chakravorty Spivak
- Monster metaphors. notes on Michael Jackon's Thriller, 1986
- Kobena Mercer
- Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988
- Richard Dyer
- Mary Shelley
- Strange weather: culture, science and technology in the age of limits, 1991
- Andrew Ross
- Neuromancer, 1984
- William Gibson
- The other self of the imagination: Cindy Sherman's Hysterical performance, 1995
- Elisabeth Bronfen
- The macabre museum: on Mark Dion, 1997
- James Meyer --
- The fall of the house of Usher, 1839
- Edgar Allan Poe
- The strange case of Dr Jeckyll and Mr Hyde, 1886
- Dimensions
- 21 cm.
- Extent
- 237 p.
- Isbn
- 9780262731867
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2007010339
- Stock number
- 99957706279
- System control number
-
- (OCoLC)86038291
- (OCoLC)ocm86038291
Subject
- 1900 - 2099
- Art
- Arts, Modern -- 20th century -- Psychological aspects
- Arts, Modern -- 20th century | Psychological aspects
- Arts, Modern -- 21st century -- Psychological aspects
- Arts, Modern -- 21st century | Psychological aspects
- Arts, Modern -- 21st century | Psychological aspects
- Arts, Modern -- Psychological aspects
- Horror
- Horror in art
- Horror in art
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/The-Gothic-edited-by-Gilda-Williams/DpSScuqzXxc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/The-Gothic-edited-by-Gilda-Williams/DpSScuqzXxc/">The Gothic, edited by Gilda Williams</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/The-Gothic-edited-by-Gilda-Williams/DpSScuqzXxc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/The-Gothic-edited-by-Gilda-Williams/DpSScuqzXxc/">The Gothic, edited by Gilda Williams</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>