The Resource The Harlem Renaissance revisited : politics, arts, and letters, edited by Jeffrey O.G. Ogbar

The Harlem Renaissance revisited : politics, arts, and letters, edited by Jeffrey O.G. Ogbar

Label
The Harlem Renaissance revisited : politics, arts, and letters
Title
The Harlem Renaissance revisited
Title remainder
politics, arts, and letters
Statement of responsibility
edited by Jeffrey O.G. Ogbar
Contributor
Subject
Language
eng
Cataloging source
DLC
Index
index present
LC call number
E185.89.I56
LC item number
H37 2010
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Ogbar, Jeffrey Ogbonna Green
http://library.link/vocab/subjectName
  • Harlem Renaissance
  • African Americans
  • African American arts
  • African Americans
  • African Americans
  • African Americans
  • African American arts
  • African Americans
  • African Americans
  • Harlem Renaissance
  • Intellectual life
  • Political science
  • Harlem renaissance
  • Harlem Renaissance
  • African Americans
  • African American arts
  • African Americans
  • African Americans
  • African Americans
  • Harlem (New York, N.Y.)
  • New York (N.Y.)
  • Harlem (New York, N.Y.)
  • New York (N.Y.)
  • New York (State)
  • New York (State)
  • Harlem (New York, N.Y.)
  • New York (N.Y.)
  • Harlem (New York, N.Y.)
  • New York (N.Y.)
Label
The Harlem Renaissance revisited : politics, arts, and letters, edited by Jeffrey O.G. Ogbar
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • pt. 2. Class and place in Harlem.
  • "So the girl marries" : class, the black press, and the Du Bois-Cullen wedding of 1928
  • Jacqueline C. Jones.
  • The meaning and significance of Southern tradition in Rudolph Fisher's stories
  • Aija Poikāne-Daumke.
  • Back to Harlem : abstract everyday labor during the Harlem Renaissance
  • Jacob S. Dorman
  • pt. 3. Literary icons reconsidered.
  • Jessie Redmon Fauset reconsidered
  • Claire Oberon Garcia.
  • Introduction
  • Speak it into existence : James Weldon Johnson's God's trombones and the power of self-definition in the new Negro Harlem Renaissance
  • McKinley Melton.
  • Border crossings : the diasporic travels of Claude McKay and Zora Neale Hurston
  • Myriam J.A. Chancy.
  • The search for self in Wallace Thurman's The blacker the berry : color, class, and community
  • Martha E. Cook
  • pt. 4. Gender constructions.
  • Jack Johnson, Paul Robeson, and the hypermasculine African American Übermensch
  • Paula Marie Seniors.
  • Between Black gay men : artistic collaboration and the Harlem Renaissance in Brother to brother
  • pt. 1. Aesthetics and the new Negro.
  • Shawn Anthony Christian
  • pt. 5. Politics and the new Negro.
  • Perspectives on interwar culture : remapping the new Negro era
  • Perry Hall.
  • "Harlem globe-trotters" : Black sojourners in Stalin's Soviet Union
  • Maxim Matusevich
  • Afterword
  • African American representations on stage : minstrel performances and Hurston's dream of a "real" Negro theatre
  • Mónica González Caldeiro.
  • No Negro Renaissance : Hubert H. Harrison and the role of the new Negro literary critic
  • Ousmane Kirumu Power-Greene.
  • It's all sacred music : Duke Ellington, from the Cotton Club to the cathedral
  • Frank A. Salamone
Dimensions
24 cm
Extent
vi, 264 pages
Isbn
9780801894619
Isbn Type
(pbk. : alk. paper)
Lccn
2009035578
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
  • (OCoLC)434745093
  • (OCoLC)ocn434745093
Label
The Harlem Renaissance revisited : politics, arts, and letters, edited by Jeffrey O.G. Ogbar
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • pt. 2. Class and place in Harlem.
  • "So the girl marries" : class, the black press, and the Du Bois-Cullen wedding of 1928
  • Jacqueline C. Jones.
  • The meaning and significance of Southern tradition in Rudolph Fisher's stories
  • Aija Poikāne-Daumke.
  • Back to Harlem : abstract everyday labor during the Harlem Renaissance
  • Jacob S. Dorman
  • pt. 3. Literary icons reconsidered.
  • Jessie Redmon Fauset reconsidered
  • Claire Oberon Garcia.
  • Introduction
  • Speak it into existence : James Weldon Johnson's God's trombones and the power of self-definition in the new Negro Harlem Renaissance
  • McKinley Melton.
  • Border crossings : the diasporic travels of Claude McKay and Zora Neale Hurston
  • Myriam J.A. Chancy.
  • The search for self in Wallace Thurman's The blacker the berry : color, class, and community
  • Martha E. Cook
  • pt. 4. Gender constructions.
  • Jack Johnson, Paul Robeson, and the hypermasculine African American Übermensch
  • Paula Marie Seniors.
  • Between Black gay men : artistic collaboration and the Harlem Renaissance in Brother to brother
  • pt. 1. Aesthetics and the new Negro.
  • Shawn Anthony Christian
  • pt. 5. Politics and the new Negro.
  • Perspectives on interwar culture : remapping the new Negro era
  • Perry Hall.
  • "Harlem globe-trotters" : Black sojourners in Stalin's Soviet Union
  • Maxim Matusevich
  • Afterword
  • African American representations on stage : minstrel performances and Hurston's dream of a "real" Negro theatre
  • Mónica González Caldeiro.
  • No Negro Renaissance : Hubert H. Harrison and the role of the new Negro literary critic
  • Ousmane Kirumu Power-Greene.
  • It's all sacred music : Duke Ellington, from the Cotton Club to the cathedral
  • Frank A. Salamone
Dimensions
24 cm
Extent
vi, 264 pages
Isbn
9780801894619
Isbn Type
(pbk. : alk. paper)
Lccn
2009035578
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
  • (OCoLC)434745093
  • (OCoLC)ocn434745093

Subject

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