The Resource The Mendelssohns : their music in history, edited by John Michael Cooper and Julie D. Prandi

The Mendelssohns : their music in history, edited by John Michael Cooper and Julie D. Prandi

Label
The Mendelssohns : their music in history
Title
The Mendelssohns
Title remainder
their music in history
Statement of responsibility
edited by John Michael Cooper and Julie D. Prandi
Contributor
Subject
Language
eng
Cataloging source
UKM
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML390
LC item number
.M46 2002
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1951-
http://library.link/vocab/relatedWorkOrContributorName
  • Cooper, John Michael
  • Prandi, Julie D.
http://library.link/vocab/subjectName
  • Mendelssohn-Bartholdy, Felix
  • Hensel, Fanny Mendelssohn
Label
The Mendelssohns : their music in history, edited by John Michael Cooper and Julie D. Prandi
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [353]-368) and index
Contents
  • Mendelssohn's first composition
  • Peter Ward Jones
  • Programme of Mendelssohn's 'reformation' symphony, op.107
  • Wolfgang Dinglinger
  • Kindred spirits: Mendelssohn and Goethe, Die erste Walpurgisnacht
  • Julie D. Prandi
  • Just how 'Scottish' is the 'Scottish' symphony? Thoughts on form and poetic content in Mendelssohn's Opus 56
  • Thomas Schmidt-Beste
  • Part III: Repertoires
  • 'Indessen wollte ich mich Ihnen gern gefällig beweisen': on some occasional works, with an unknown composition by Mendelssohn
  • Part I: Sources and source problems
  • Christoph Hellmundt
  • 'So kann ich es nicht componiren': Mendelssohn, opera, and the libretto problem
  • Monika Hennemann
  • Mendelssohn's cycles of songs
  • Douglass Seaton
  • Part IV: Felix and Fanny
  • Similarities and differences in the artistic development of Fanny and Felix Mendelssohn Bartholdy in a family context: observations based on the early Berlin autograph volumes
  • Hans-Günter Klein
  • On stylistic affinities in the works of Fanny Hensel and Felix Mendelssohn Bartholdy
  • R. Larry Todd
  • 'It seems to have been lost': on missing and recovered Mendelssohn sources
  • Virtuoso texture in Fanny Hensel's piano music
  • Camilla Cai
  • Felix Mendelssohn and Fanny Hensel: the search for perfection in opposing private and public worlds
  • Françoise Tillard
  • Part V: Reception history
  • Felix Mendelssohn and his place in the organ world of his time
  • Wm. A. Little
  • Epigones of an epigone? Concerning Mendelssohn's string quartets - and the consequences
  • Friedhelm Krummacher
  • Composer as other: gender and race in the biography of Felix Mendelssohn
  • Ralf Wehner
  • Marion Wilson Kimber
  • Editorial problems in Mendelssohn's organ preludes, op.37
  • Pietro Zappalà
  • Mendelssohn's two infelice arias: problems of sources and musical identity
  • John Michael Cooper
  • Part II: Individual works
Dimensions
24 cm.
Extent
xxii, 382 p.
Isbn
9780198167235
Lccn
20032750 59
Other physical details
ill., music
System control number
(OCoLC)50653862
Label
The Mendelssohns : their music in history, edited by John Michael Cooper and Julie D. Prandi
Publication
Bibliography note
Includes bibliographical references (p. [353]-368) and index
Contents
  • Mendelssohn's first composition
  • Peter Ward Jones
  • Programme of Mendelssohn's 'reformation' symphony, op.107
  • Wolfgang Dinglinger
  • Kindred spirits: Mendelssohn and Goethe, Die erste Walpurgisnacht
  • Julie D. Prandi
  • Just how 'Scottish' is the 'Scottish' symphony? Thoughts on form and poetic content in Mendelssohn's Opus 56
  • Thomas Schmidt-Beste
  • Part III: Repertoires
  • 'Indessen wollte ich mich Ihnen gern gefällig beweisen': on some occasional works, with an unknown composition by Mendelssohn
  • Part I: Sources and source problems
  • Christoph Hellmundt
  • 'So kann ich es nicht componiren': Mendelssohn, opera, and the libretto problem
  • Monika Hennemann
  • Mendelssohn's cycles of songs
  • Douglass Seaton
  • Part IV: Felix and Fanny
  • Similarities and differences in the artistic development of Fanny and Felix Mendelssohn Bartholdy in a family context: observations based on the early Berlin autograph volumes
  • Hans-Günter Klein
  • On stylistic affinities in the works of Fanny Hensel and Felix Mendelssohn Bartholdy
  • R. Larry Todd
  • 'It seems to have been lost': on missing and recovered Mendelssohn sources
  • Virtuoso texture in Fanny Hensel's piano music
  • Camilla Cai
  • Felix Mendelssohn and Fanny Hensel: the search for perfection in opposing private and public worlds
  • Françoise Tillard
  • Part V: Reception history
  • Felix Mendelssohn and his place in the organ world of his time
  • Wm. A. Little
  • Epigones of an epigone? Concerning Mendelssohn's string quartets - and the consequences
  • Friedhelm Krummacher
  • Composer as other: gender and race in the biography of Felix Mendelssohn
  • Ralf Wehner
  • Marion Wilson Kimber
  • Editorial problems in Mendelssohn's organ preludes, op.37
  • Pietro Zappalà
  • Mendelssohn's two infelice arias: problems of sources and musical identity
  • John Michael Cooper
  • Part II: Individual works
Dimensions
24 cm.
Extent
xxii, 382 p.
Isbn
9780198167235
Lccn
20032750 59
Other physical details
ill., music
System control number
(OCoLC)50653862

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