The Resource The altarpiece in Renaissance Venice, Peter Humfrey

The altarpiece in Renaissance Venice, Peter Humfrey

Label
The altarpiece in Renaissance Venice
Title
The altarpiece in Renaissance Venice
Statement of responsibility
Peter Humfrey
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1947-
http://library.link/vocab/creatorName
Humfrey, Peter
Index
index present
LC call number
N6921.V5
LC item number
H85 1993
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Altarpieces, Renaissance
  • Altarpieces, Italian
  • Altarpieces, Italian
  • Altarpieces, Renaissance
  • Altaarstukken
  • Italy
Label
The altarpiece in Renaissance Venice, Peter Humfrey
Instantiates
Publication
Bibliography note
Includes bibliographical references (p.361-372) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
The altarpiece as a type. Venice as a centre. Changing formats. Questions of terminology -- pt. I. Contexts. 1. The Physical Environment. The church of San Marco. The Byzantine tradition. The Gothic tradition. The new architecture. Secular buildings. Accessories. Lights and Lighting. 2. Purposes and Uses. The religious life of the laity. The juspatronatus of altars. Subjects and dedications. The altarpiece and lay devotion. Lessons and reminders. Altarpieces and non-altarpieces. 3. Donors. The clergy. Individuals and families. Confraternities. Officers of state. The export market. 4. Business Practices. Decisions of form and content. Methods of construction. Painters and frame-makers. Costs and payments. Travel and transport. Imports -- pt. II. Objects. 5. Renaissance Beginnings (c. 1450-1475). The Gothic tradition. Development in Padua. The 'Paduan' format in Venice. The creation of the sacra conversazione. Two commissions for Pesaro. 6. Antonello and his Heritage (c. 1475-1500). Antonello's Venetian altarpiece. The sacra conversazione triumphant. Polytychs and triptychs 1475-1500. The emergence of the narrative altarpiece. 7. From Early to High Renaissance (c. 1500-1516). Continuity and change in the sacra conversazione. Developments in the narrative altarpiece. Polyptychs and triptychs 1500-c. 1520. The foreigners. 8. Sculpture (a. 1450-1530). Polyptychs and tabernacles. Reliefs. The bronze altarpiece. The architectural altarpiece -- Epilogue: Titian after Bellini. The Assunta. The transformation of the sacra conversazione. Two commissions for terraferma prelates. The Death of St Peter Martyr -- Appendix: Some Major Venetian Altarpieces 1450-1530
Dimensions
30 cm.
Extent
ix, 382 p.
Isbn
9780300053586
Lccn
92036349
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
ill. (some col.), maps
System control number
  • (OCoLC)26854464
  • (OCoLC)ocm26854464
Label
The altarpiece in Renaissance Venice, Peter Humfrey
Publication
Bibliography note
Includes bibliographical references (p.361-372) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
The altarpiece as a type. Venice as a centre. Changing formats. Questions of terminology -- pt. I. Contexts. 1. The Physical Environment. The church of San Marco. The Byzantine tradition. The Gothic tradition. The new architecture. Secular buildings. Accessories. Lights and Lighting. 2. Purposes and Uses. The religious life of the laity. The juspatronatus of altars. Subjects and dedications. The altarpiece and lay devotion. Lessons and reminders. Altarpieces and non-altarpieces. 3. Donors. The clergy. Individuals and families. Confraternities. Officers of state. The export market. 4. Business Practices. Decisions of form and content. Methods of construction. Painters and frame-makers. Costs and payments. Travel and transport. Imports -- pt. II. Objects. 5. Renaissance Beginnings (c. 1450-1475). The Gothic tradition. Development in Padua. The 'Paduan' format in Venice. The creation of the sacra conversazione. Two commissions for Pesaro. 6. Antonello and his Heritage (c. 1475-1500). Antonello's Venetian altarpiece. The sacra conversazione triumphant. Polytychs and triptychs 1475-1500. The emergence of the narrative altarpiece. 7. From Early to High Renaissance (c. 1500-1516). Continuity and change in the sacra conversazione. Developments in the narrative altarpiece. Polyptychs and triptychs 1500-c. 1520. The foreigners. 8. Sculpture (a. 1450-1530). Polyptychs and tabernacles. Reliefs. The bronze altarpiece. The architectural altarpiece -- Epilogue: Titian after Bellini. The Assunta. The transformation of the sacra conversazione. Two commissions for terraferma prelates. The Death of St Peter Martyr -- Appendix: Some Major Venetian Altarpieces 1450-1530
Dimensions
30 cm.
Extent
ix, 382 p.
Isbn
9780300053586
Lccn
92036349
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
ill. (some col.), maps
System control number
  • (OCoLC)26854464
  • (OCoLC)ocm26854464

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