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The Resource The eighteenth century French cantata, David Tunley
The eighteenth century French cantata, David Tunley
Resource Information
The item The eighteenth century French cantata, David Tunley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item The eighteenth century French cantata, David Tunley represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Summary
-
- This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles
- In uniting the two national styles the cantata was one of the major influences in transforming the seventeenth-century French classical tradition in music into a style that owed much to the Italian baroque, yet retained a distinctive Gallic expression. As well as its musical interest, the French cantata provides an arresting example of the influence of society upon music, and the book commences with a chapter that views the emergence of the form in its social setting
- Cantata texts enjoyed a vogue as poetry and this literary aspect is also dealt with in a separate chapter. This new edition incorporates research by the author and other scholars that has appeared during the twenty years since the first edition, reflecting today's growing interest in French baroque music. It also features a new chapter dealing with the French cantata in performance
- Language
- eng
- Edition
- 2nd ed.
- Extent
- xv, 278 pages
- Contents
-
- 5.
- The Early Cantata Composers (ii): Bernier and Battistin
- 6.
- The Early Cantata Composers (iii): Campra, Bourgeois, La Guerre, and Others
- 7.
- Louis-Nicolas Clerambault
- 8.
- The Zenith of the Cantata's Popularity
- 9.
- The Decline of the Cantata and Cultivation of the Cantatille
- 1.
- 10.
- Conclusion
- 11.
- The French Cantata in Performance
- A (i) The Repertoire of the French Cantata
- (ii) Facsimile and Performing Editions
- B Works Performed at Philidor's Concert francais at the Tuileries from 1727 to 1733
- C (i) An Index to the Cantata Texts by Jean-Baptiste Rousseau
- (ii) List of Cantata Texts Published in the Mercure de France from 1711 to 1771
- The Stimulus
- 2.
- Un Embarquement pour Cythere
- 3.
- Stylistic Traits in French and Italian Vocal Music of the Baroque Era
- 4.
- The Early Cantata Composers (i): Jean-Baptiste Morin and the Emergence of the Eighteenth-Century French Cantata
- Isbn
- 9780198164395
- Label
- The eighteenth century French cantata
- Title
- The eighteenth century French cantata
- Statement of responsibility
- David Tunley
- Language
- eng
- Summary
-
- This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles
- In uniting the two national styles the cantata was one of the major influences in transforming the seventeenth-century French classical tradition in music into a style that owed much to the Italian baroque, yet retained a distinctive Gallic expression. As well as its musical interest, the French cantata provides an arresting example of the influence of society upon music, and the book commences with a chapter that views the emergence of the form in its social setting
- Cantata texts enjoyed a vogue as poetry and this literary aspect is also dealt with in a separate chapter. This new edition incorporates research by the author and other scholars that has appeared during the twenty years since the first edition, reflecting today's growing interest in French baroque music. It also features a new chapter dealing with the French cantata in performance
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Tunley, David
- Index
- index present
- LC call number
- ML1427
- LC item number
- .T85 1997
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Cantatas
- Cantates
- Cantatas
- Cantates
- Solozang
- Barok
- Cantates
- France
- Label
- The eighteenth century French cantata, David Tunley
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 5.
- The Early Cantata Composers (ii): Bernier and Battistin
- 6.
- The Early Cantata Composers (iii): Campra, Bourgeois, La Guerre, and Others
- 7.
- Louis-Nicolas Clerambault
- 8.
- The Zenith of the Cantata's Popularity
- 9.
- The Decline of the Cantata and Cultivation of the Cantatille
- 1.
- 10.
- Conclusion
- 11.
- The French Cantata in Performance
- A (i) The Repertoire of the French Cantata
- (ii) Facsimile and Performing Editions
- B Works Performed at Philidor's Concert francais at the Tuileries from 1727 to 1733
- C (i) An Index to the Cantata Texts by Jean-Baptiste Rousseau
- (ii) List of Cantata Texts Published in the Mercure de France from 1711 to 1771
- The Stimulus
- 2.
- Un Embarquement pour Cythere
- 3.
- Stylistic Traits in French and Italian Vocal Music of the Baroque Era
- 4.
- The Early Cantata Composers (i): Jean-Baptiste Morin and the Emergence of the Eighteenth-Century French Cantata
- Dimensions
- 24 cm
- Edition
- 2nd ed.
- Extent
- xv, 278 pages
- Isbn
- 9780198164395
- Lccn
- 96043572
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
-
- (OCoLC)35559214
- (OCoLC)ocm35559214
- Label
- The eighteenth century French cantata, David Tunley
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 5.
- The Early Cantata Composers (ii): Bernier and Battistin
- 6.
- The Early Cantata Composers (iii): Campra, Bourgeois, La Guerre, and Others
- 7.
- Louis-Nicolas Clerambault
- 8.
- The Zenith of the Cantata's Popularity
- 9.
- The Decline of the Cantata and Cultivation of the Cantatille
- 1.
- 10.
- Conclusion
- 11.
- The French Cantata in Performance
- A (i) The Repertoire of the French Cantata
- (ii) Facsimile and Performing Editions
- B Works Performed at Philidor's Concert francais at the Tuileries from 1727 to 1733
- C (i) An Index to the Cantata Texts by Jean-Baptiste Rousseau
- (ii) List of Cantata Texts Published in the Mercure de France from 1711 to 1771
- The Stimulus
- 2.
- Un Embarquement pour Cythere
- 3.
- Stylistic Traits in French and Italian Vocal Music of the Baroque Era
- 4.
- The Early Cantata Composers (i): Jean-Baptiste Morin and the Emergence of the Eighteenth-Century French Cantata
- Dimensions
- 24 cm
- Edition
- 2nd ed.
- Extent
- xv, 278 pages
- Isbn
- 9780198164395
- Lccn
- 96043572
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
-
- (OCoLC)35559214
- (OCoLC)ocm35559214
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