The Resource The music of Béla Bartók : a study of tonality and progression in twentieth-century music, Elliott Antokoletz

The music of Béla Bartók : a study of tonality and progression in twentieth-century music, Elliott Antokoletz

Label
The music of Béla Bartók : a study of tonality and progression in twentieth-century music
Title
The music of Béla Bartók
Title remainder
a study of tonality and progression in twentieth-century music
Statement of responsibility
Elliott Antokoletz
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Antokoletz, Elliott
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML410.B26
LC item number
A58 1984
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Bartók, Béla
  • Bartók, Béla
  • Bartók, Béla
  • Bartók, Béla
  • Tonality
  • Musical intervals and scales
  • Tonalité
  • Musique
  • Musical intervals and scales
  • Tonality
Label
The music of Béla Bartók : a study of tonality and progression in twentieth-century music, Elliott Antokoletz
Instantiates
Publication
Note
Includes indexes
Bibliography note
Includes bibliographical references and indexes
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
The musical language of Bartók : historical backgrounds. Folk- and art-music sources ; Orientation toward French, Russian, and Folk-music sources : nonfunctional bases in pentatonic, modal, and whole-tone constructions ; Use of symmetrical pitch collections by Russian, French, and Hungarian composers ; Russian nationalists : symmetrical properties of the dominant-ninth chord ; Russian nationalists, Debussy, and Stravinsky : symmetrical properties of nontraditional as well as traditional (pentatonic and modal) pitch constructions ; Russian nationalists, Scriabin, and Kodaly : symmetrical partitions of the octatonic scale ; Late nineteenth- and early twentieth-century Germanic influences : symmetrical organization of chromatically related keys ; The Schoenberg school : symmetrical formations as the basis of progression in free-atonal compositions ; Berg and Webern : total systematization of the concepts of the interval cycle and inversional symmetry in dodecaphonic serial compositions -- Harmonization of authentic folk tunes -- Symmetrical transformation of the folk modes -- Basic principles of symmetrical pitch construction -- Construction, development, and interaction of intervallic cells -- Tonal centricity based on axes of symmetry -- Interaction of diantonic, octatonic, and whole-tone formations -- Generation of interval cycles
Dimensions
26 cm
Extent
xviii, 342 pages
Isbn
9780520046047
Lccn
82017352
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, music
System control number
  • (OCoLC)08826649
  • (OCoLC)ocm08826649
Label
The music of Béla Bartók : a study of tonality and progression in twentieth-century music, Elliott Antokoletz
Publication
Note
Includes indexes
Bibliography note
Includes bibliographical references and indexes
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
The musical language of Bartók : historical backgrounds. Folk- and art-music sources ; Orientation toward French, Russian, and Folk-music sources : nonfunctional bases in pentatonic, modal, and whole-tone constructions ; Use of symmetrical pitch collections by Russian, French, and Hungarian composers ; Russian nationalists : symmetrical properties of the dominant-ninth chord ; Russian nationalists, Debussy, and Stravinsky : symmetrical properties of nontraditional as well as traditional (pentatonic and modal) pitch constructions ; Russian nationalists, Scriabin, and Kodaly : symmetrical partitions of the octatonic scale ; Late nineteenth- and early twentieth-century Germanic influences : symmetrical organization of chromatically related keys ; The Schoenberg school : symmetrical formations as the basis of progression in free-atonal compositions ; Berg and Webern : total systematization of the concepts of the interval cycle and inversional symmetry in dodecaphonic serial compositions -- Harmonization of authentic folk tunes -- Symmetrical transformation of the folk modes -- Basic principles of symmetrical pitch construction -- Construction, development, and interaction of intervallic cells -- Tonal centricity based on axes of symmetry -- Interaction of diantonic, octatonic, and whole-tone formations -- Generation of interval cycles
Dimensions
26 cm
Extent
xviii, 342 pages
Isbn
9780520046047
Lccn
82017352
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, music
System control number
  • (OCoLC)08826649
  • (OCoLC)ocm08826649

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