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The Resource The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris
The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris
Resource Information
The item The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Summary
- In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs
- Language
- eng
- Extent
- xiv, 152 pages
- Contents
-
- Performing personae and Southern hospitality: Zora Neale Hurston in Mules and men
- The eye as voice and ear: African Southern orality and folklore in Gloria Naylor's Mama day
- Southern voices, Southern tales: Randall Kenan's "Clarence and the dead."
- Isbn
- 9780820318578
- Label
- The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan
- Title
- The power of the porch
- Title remainder
- the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan
- Statement of responsibility
- Trudier Harris
- Subject
-
- African American oral tradition
- African American oral tradition -- Southern States
- African Americans
- African Americans -- Intellectual life
- African Americans -- Intellectual life -- 20th century
- African Americans -- Southern States -- Folklore
- African Americans in literature
- African Americans in literature
- American fiction
- American fiction -- African American authors
- American fiction -- African American authors | History and criticism
- American fiction -- Southern States -- History and criticism
- Criticism, interpretation, etc
- Epik
- Folklore
- History
- Hurston, Zora Neale
- Hurston, Zora Neale
- Hurston, Zora Neale -- Criticism and interpretation
- Hurston, Zora Neale -- Critique et interprétation
- Hurston, Zora Neale, (1891-1960) -- Critique et interprétation
- Kenan, Randall
- Kenan, Randall
- Kenan, Randall -- Criticism and interpretation
- Kenan, Randall -- Critique et interprétation
- Kenan, Randall -- Critique et interprétation
- Literature
- Literature and folklore
- Literature and folklore -- Southern States -- History -- 20th century
- Littérature et folklore -- États-Unis (Sud)
- Littérature et folklore -- États-Unis (sud) -- Histoire -- 20e siècle
- Mündliche Erzählung
- Narration
- Narration (Rhetoric)
- Narration (Rhetoric) -- History -- 20th century
- Naylor, Gloria
- Naylor, Gloria
- Naylor, Gloria -- Criticism and interpretation
- Naylor, Gloria -- Critique et interprétation
- Naylor, Gloria, (1950- ...) -- Critique et interprétation
- Naylor, Gloria, 1950- -- Criticism and interpretation
- Noirs américains -- États-Unis (Sud) -- Folklore
- Noirs américains -- États-Unis (sud) -- Folklore
- Noirs américains -- États-Unis (sud) -- Folklore.
- Noirs américains dans la littérature
- Roman américain -- Auteurs noirs américains | Histoire et critique
- Roman américain -- Écrivains noirs américains | Histoire et critique
- 1900 - 1999
- Schwarze
- Southern States
- Southern States -- In literature
- Storytelling in literature
- Storytelling in literature
- Tradition orale -- États-Unis (Sud)
- USA -- Südstaaten
- États-Unis (Sud) dans la littérature
- États-Unis (sud) dans la littérature
- Roman américain -- États-Unis (Sud) -- Histoire et critique
- Language
- eng
- Summary
- In ways that are highly individual, says Harris, yet still within a shared oral tradition, Zora Neale Hurston, Gloria Naylor, and Randall Kenan skillfully use storytelling techniques to define their audiences, reach out and draw them in, and fill them with anticipation. Considering how such dynamics come into play in Hurston's Mules and Men, Naylor's Mama Day, and Kenan's Let the Dead Bury Their Dead, Harris shows how the "power of the porch" resides in readers as well, who, in giving themselves over to a story, confer it on the writer. Against this background of give and take, anticipation and fulfillment, Harris considers Zora Neale Hurston's special challenges as a black woman writer in the thirties, and how her various roles as an anthropologist, folklorist, and novelist intermingle in her work. In Gloria Naylor's writing, Harris finds particularly satisfying themes and characters. A New York native, Naylor came to a knowledge of the South through her parents and during her stay on the Sea Islands she wrote Mama Day. A southerner by birth, Randall Kenan is particularly adept in getting his readers to accept aspects of African American culture that their rational minds might have wanted to reject. Although Kenan is set apart from Hurston and Naylor by his alliances with a new generation of writers intent upon broaching certain taboo subjects (in his case gay life in small southern towns), Kenan's Tims Creek is as rife with the otherworldly and the fantastic as Hurston's New Orleans and Naylor's Willow Springs
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Harris, Trudier
- Government publication
- government publication of a state province territory dependency etc
- Index
- index present
- LC call number
- PS374.N4
- LC item number
- H35 1996
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Hurston, Zora Neale
- Naylor, Gloria
- Kenan, Randall
- Naylor, Gloria
- Hurston, Zora Neale
- Naylor, Gloria
- Kenan, Randall
- Hurston, Zora Neale
- Kenan, Randall
- Naylor, Gloria
- Naylor, Gloria
- Kenan, Randall
- Hurston, Zora Neale
- Naylor, Gloria
- Kenan, Randall
- Hurston, Zora Neale
- American fiction
- Literature and folklore
- American fiction
- African Americans
- African American oral tradition
- African Americans
- Narration (Rhetoric)
- African Americans in literature
- Storytelling in literature
- Roman américain
- Roman américain
- Noirs américains
- Littérature et folklore
- Tradition orale
- Noirs américains dans la littérature
- Narration
- États-Unis (Sud) dans la littérature
- African American oral tradition
- African Americans
- African Americans in literature
- African Americans
- American fiction
- American fiction
- Literature
- Literature and folklore
- Narration (Rhetoric)
- Storytelling in literature
- Roman américain
- Littérature et folklore
- Noirs américains
- Mündliche Erzählung
- Epik
- Southern States
- Southern States
- États-Unis (sud) dans la littérature
- USA
- Schwarze
- Label
- The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris
- Bibliography note
- Includes bibliographical references (p. 145-147) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Performing personae and Southern hospitality: Zora Neale Hurston in Mules and men -- The eye as voice and ear: African Southern orality and folklore in Gloria Naylor's Mama day -- Southern voices, Southern tales: Randall Kenan's "Clarence and the dead."
- Dimensions
- 21 cm.
- Extent
- xiv, 152 pages
- Isbn
- 9780820318578
- Isbn Type
- (alk. paper)
- Lccn
- 96003461
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)34192841
- (OCoLC)ocm34192841
- Label
- The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris
- Bibliography note
- Includes bibliographical references (p. 145-147) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Performing personae and Southern hospitality: Zora Neale Hurston in Mules and men -- The eye as voice and ear: African Southern orality and folklore in Gloria Naylor's Mama day -- Southern voices, Southern tales: Randall Kenan's "Clarence and the dead."
- Dimensions
- 21 cm.
- Extent
- xiv, 152 pages
- Isbn
- 9780820318578
- Isbn Type
- (alk. paper)
- Lccn
- 96003461
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)34192841
- (OCoLC)ocm34192841
Subject
- African American oral tradition
- African American oral tradition -- Southern States
- African Americans
- African Americans -- Intellectual life
- African Americans -- Intellectual life -- 20th century
- African Americans -- Southern States -- Folklore
- African Americans in literature
- African Americans in literature
- American fiction
- American fiction -- African American authors
- American fiction -- African American authors | History and criticism
- American fiction -- Southern States -- History and criticism
- Criticism, interpretation, etc
- Epik
- Folklore
- History
- Hurston, Zora Neale
- Hurston, Zora Neale
- Hurston, Zora Neale -- Criticism and interpretation
- Hurston, Zora Neale -- Critique et interprétation
- Hurston, Zora Neale, (1891-1960) -- Critique et interprétation
- Kenan, Randall
- Kenan, Randall
- Kenan, Randall -- Criticism and interpretation
- Kenan, Randall -- Critique et interprétation
- Kenan, Randall -- Critique et interprétation
- Literature
- Literature and folklore
- Literature and folklore -- Southern States -- History -- 20th century
- Littérature et folklore -- États-Unis (Sud)
- Littérature et folklore -- États-Unis (sud) -- Histoire -- 20e siècle
- Mündliche Erzählung
- Narration
- Narration (Rhetoric)
- Narration (Rhetoric) -- History -- 20th century
- Naylor, Gloria
- Naylor, Gloria
- Naylor, Gloria -- Criticism and interpretation
- Naylor, Gloria -- Critique et interprétation
- Naylor, Gloria, (1950- ...) -- Critique et interprétation
- Naylor, Gloria, 1950- -- Criticism and interpretation
- Noirs américains -- États-Unis (Sud) -- Folklore
- Noirs américains -- États-Unis (sud) -- Folklore
- Noirs américains -- États-Unis (sud) -- Folklore.
- Noirs américains dans la littérature
- Roman américain -- Auteurs noirs américains | Histoire et critique
- Roman américain -- Écrivains noirs américains | Histoire et critique
- 1900 - 1999
- Schwarze
- Southern States
- Southern States -- In literature
- Storytelling in literature
- Storytelling in literature
- Tradition orale -- États-Unis (Sud)
- USA -- Südstaaten
- États-Unis (Sud) dans la littérature
- États-Unis (sud) dans la littérature
- Roman américain -- États-Unis (Sud) -- Histoire et critique
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/The-power-of-the-porch--the-storytellers-craft/1_ipH8iyWCs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/The-power-of-the-porch--the-storytellers-craft/1_ipH8iyWCs/">The power of the porch : the storyteller's craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan, Trudier Harris</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>