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The Resource The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić
The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić
Resource Information
The item The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Language
- eng
- Extent
- xii, 219 pages
- Contents
-
- 1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History
- 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida
- 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak
- 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time
- 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History
- Isbn
- 9780791432334
- Label
- The returns of history : Russian Nietzscheans after modernity
- Title
- The returns of history
- Title remainder
- Russian Nietzscheans after modernity
- Statement of responsibility
- Dragan Kujundžić
- Subject
-
- Criticism, interpretation, etc
- Formalism (Literary analysis)
- Formalism (Literary analysis) -- Soviet Union
- Formalism (Literary analysis) | Soviet Union
- Formalisme
- Formalismus <Literatur>
- History
- History -- History | Philosophy
- History -- Philosophy
- History | Soviet Union | Philosophy
- Influence (Literary, artistic, etc.)
- Literatur
- Moderne
- Nietzsche, Friedrich Wilhelm | 1844-1900 | Influence
- Nietzsche, Friedrich Wilhelm, 1844-1900
- Nietzsche, Friedrich Wilhelm, 1844-1900 -- Influence
- Nietzscheanismus
- Russian literature
- Russian literature -- 20th century -- History and criticism
- Russian literature | 20th century | History and criticism
- Russisch
- Soviet Union
- 1900 - 1999
- Language
- eng
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1959-
- http://library.link/vocab/creatorName
- Kujundzic, Dragan
- Index
- index present
- LC call number
- PG3026.F6
- LC item number
- K85 1997
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Nietzsche, Friedrich Wilhelm
- Nietzsche, Friedrich Wilhelm
- Russian literature
- Formalism (Literary analysis)
- History
- Formalism (Literary analysis)
- History
- Influence (Literary, artistic, etc.)
- Russian literature
- Formalisme
- Formalismus <Literatur>
- Nietzscheanismus
- Literatur
- Moderne
- Soviet Union
- Russisch
- Label
- The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić
- Bibliography note
- Includes bibliographical references (p. 205-214) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- 1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History -- 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida -- 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak -- 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time -- 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History
- Dimensions
- 24 cm.
- Extent
- xii, 219 pages
- Isbn
- 9780791432334
- Isbn Type
- (alk. paper)
- Lccn
- 96018584
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)34690710
- (OCoLC)ocm34690710
- Label
- The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić
- Bibliography note
- Includes bibliographical references (p. 205-214) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- 1. Nietzsche. A Knight's Move: Nietzsche and the Genealogy of Russian Formalism. Russian Modernism: A Merry Science. The Modernist Paradigm and the Digestion of History -- 2. Parody. History as a Form of Parody/Parody as a Form of History. Parody, Bodily Remains, and the Leftovers of History. Tynianov and Bakhtin: Parody as a Malfunctioning Gramophone of History. On DerRIDEOlogy: Nietzschean Laughter in Bakhtin and Derrida. Bakhtin and the Post-Structuralist Condition. Writing and Laughter: Bakhtin and Derrida -- 3. Interval. The Interval and the Structure of Temporality. Maiakovsky and the Remains of the Literary Canon. The Interval as the Origin of the Work of Art: Akhmatova. Mandel'stam, Pasternak -- 4. Genre. The Literary Fact and the Law of Genre. Genre: A Borderline of Literary Space. Genre: A Borderline of Literary Time -- 5. Mausoleum. The Mummy: "The Most Glorious Victory of Form" Maiakovsky and the Ventriloquism of History
- Dimensions
- 24 cm.
- Extent
- xii, 219 pages
- Isbn
- 9780791432334
- Isbn Type
- (alk. paper)
- Lccn
- 96018584
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)34690710
- (OCoLC)ocm34690710
Subject
- Criticism, interpretation, etc
- Formalism (Literary analysis)
- Formalism (Literary analysis) -- Soviet Union
- Formalism (Literary analysis) | Soviet Union
- Formalisme
- Formalismus <Literatur>
- History
- History -- History | Philosophy
- History -- Philosophy
- History | Soviet Union | Philosophy
- Influence (Literary, artistic, etc.)
- Literatur
- Moderne
- Nietzsche, Friedrich Wilhelm | 1844-1900 | Influence
- Nietzsche, Friedrich Wilhelm, 1844-1900
- Nietzsche, Friedrich Wilhelm, 1844-1900 -- Influence
- Nietzscheanismus
- Russian literature
- Russian literature -- 20th century -- History and criticism
- Russian literature | 20th century | History and criticism
- Russisch
- Soviet Union
- 1900 - 1999
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.bu.edu/portal/The-returns-of-history--Russian-Nietzscheans/B8UeCB9_aX4/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.bu.edu/portal/The-returns-of-history--Russian-Nietzscheans/B8UeCB9_aX4/">The returns of history : Russian Nietzscheans after modernity, Dragan Kujundžić</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.bu.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.bu.edu/">Boston University Libraries</a></span></span></span></span></div>
