The Resource The sonic self : musical subjectivity and signification, Naomi Cumming

The sonic self : musical subjectivity and signification, Naomi Cumming

Label
The sonic self : musical subjectivity and signification
Title
The sonic self
Title remainder
musical subjectivity and signification
Statement of responsibility
Naomi Cumming
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Cumming, Naomi
Government publication
government publication of a state province territory dependency etc
Illustrations
music
Index
index present
LC call number
ML3845
LC item number
.C86 2000
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Music
  • Music
  • Musical analysis
  • Sémiotique et musique
  • Musique
  • Analyse musicale
  • Musikalische Semiotik
  • Interpretation
  • Subjektivität
  • Music
  • Music
  • Musical analysis
Label
The sonic self : musical subjectivity and signification, Naomi Cumming
Link
https://archive.org/details/sonicselfmusical00cumm
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 340-358) and index
Contents
  • 1.
  • Signs of Subjectivity.
  • 1.
  • Physical Disciplines and Signs ;
  • 2.
  • A Semiotic View of Musical Subjectivity ;
  • 3.
  • Expressive Individuation and Uncertainty
  • 2.
  • Listening Subjects and Semiotic Worlds.
  • Foreword
  • 1.
  • The Uncertainties of Musical Signification ;
  • 2.
  • Intentionality and Metaphor ;
  • 3.
  • Subjects and First-Person Authority ;
  • 4.
  • Regaining an Interpretive "I"
  • 3.
  • Musical Signs.
  • David Lidov.
  • 1.
  • Signs and Objects ;
  • 2.
  • Questions and Typologies
  • 4.
  • Naming Qualities: Hearing Signs.
  • 1.
  • Qualities and Qualities-as-Signs ;
  • 2.
  • Disciplinary Boundaries: How Does Semiotics Relate to Psychology? ;
  • 1.
  • 3.
  • Living Sounds and Virtualities ;
  • 4.
  • Worlds of Sound and Subjective Identifications
  • 5.
  • Gesturing.
  • 1.
  • Gesture as performance and convention ;
  • 2.To Perform or to Dissimulate? ;
  • 3.
  • Musical Initiations ;
  • Voice and Gesture as Virtualities
  • 6.
  • Framing Willfulness in Tonal Law.
  • 1.
  • Theorists: Giving Roles to Rules ;
  • 2.
  • The Dialectics of Tonal Semiosis
  • 7.
  • Complex Syntheses.
  • 1. Expressive Complexity and Musical "Personae" ;
  • 2.
  • 2.
  • Modes of Synthesis
  • 8.
  • Culturally Embedded Signs.
  • 1.
  • Emergent Qualities ;
  • 2.
  • Skeptical Issues
  • 9.
  • Values and Personal Categories.
  • Subjects and Subjectivity ;
  • 1.
  • Sound and Sensuality ;
  • 2.
  • Encounters ;
  • 3.
  • Rehabilitating the Subject -- Afterword / by Robert S. Hatten -- Appendix: Theorizing Generals.
  • 1.
  • Real of Nominal Rules? ;
  • 2.
  • Finding Constancies, Explaining What One Hears, or Seeking Enlightenment?
  • 3.
  • A Philosophical Outlook
Dimensions
25 cm.
Extent
xviii, 370 p.
Isbn
9780253337542
Isbn Type
(cl : alk. paper)
Lccn
00040917
Other physical details
music
System control number
  • (OCoLC)44267750
  • (OCoLC)ocm44267750
Label
The sonic self : musical subjectivity and signification, Naomi Cumming
Link
https://archive.org/details/sonicselfmusical00cumm
Publication
Bibliography note
Includes bibliographical references (p. 340-358) and index
Contents
  • 1.
  • Signs of Subjectivity.
  • 1.
  • Physical Disciplines and Signs ;
  • 2.
  • A Semiotic View of Musical Subjectivity ;
  • 3.
  • Expressive Individuation and Uncertainty
  • 2.
  • Listening Subjects and Semiotic Worlds.
  • Foreword
  • 1.
  • The Uncertainties of Musical Signification ;
  • 2.
  • Intentionality and Metaphor ;
  • 3.
  • Subjects and First-Person Authority ;
  • 4.
  • Regaining an Interpretive "I"
  • 3.
  • Musical Signs.
  • David Lidov.
  • 1.
  • Signs and Objects ;
  • 2.
  • Questions and Typologies
  • 4.
  • Naming Qualities: Hearing Signs.
  • 1.
  • Qualities and Qualities-as-Signs ;
  • 2.
  • Disciplinary Boundaries: How Does Semiotics Relate to Psychology? ;
  • 1.
  • 3.
  • Living Sounds and Virtualities ;
  • 4.
  • Worlds of Sound and Subjective Identifications
  • 5.
  • Gesturing.
  • 1.
  • Gesture as performance and convention ;
  • 2.To Perform or to Dissimulate? ;
  • 3.
  • Musical Initiations ;
  • Voice and Gesture as Virtualities
  • 6.
  • Framing Willfulness in Tonal Law.
  • 1.
  • Theorists: Giving Roles to Rules ;
  • 2.
  • The Dialectics of Tonal Semiosis
  • 7.
  • Complex Syntheses.
  • 1. Expressive Complexity and Musical "Personae" ;
  • 2.
  • 2.
  • Modes of Synthesis
  • 8.
  • Culturally Embedded Signs.
  • 1.
  • Emergent Qualities ;
  • 2.
  • Skeptical Issues
  • 9.
  • Values and Personal Categories.
  • Subjects and Subjectivity ;
  • 1.
  • Sound and Sensuality ;
  • 2.
  • Encounters ;
  • 3.
  • Rehabilitating the Subject -- Afterword / by Robert S. Hatten -- Appendix: Theorizing Generals.
  • 1.
  • Real of Nominal Rules? ;
  • 2.
  • Finding Constancies, Explaining What One Hears, or Seeking Enlightenment?
  • 3.
  • A Philosophical Outlook
Dimensions
25 cm.
Extent
xviii, 370 p.
Isbn
9780253337542
Isbn Type
(cl : alk. paper)
Lccn
00040917
Other physical details
music
System control number
  • (OCoLC)44267750
  • (OCoLC)ocm44267750

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