The Resource The voice of Egypt : Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century, Virginia Danielson

The voice of Egypt : Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century, Virginia Danielson

Label
The voice of Egypt : Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century
Title
The voice of Egypt
Title remainder
Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century
Statement of responsibility
Virginia Danielson
Creator
Subject
Genre
Language
eng
Member of
Biography type
individual biography
Cataloging source
DLC
http://library.link/vocab/creatorName
Danielson, Virginia
Index
index present
LC call number
ML420.U46
LC item number
D36 1997
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Umm Kulthūm
  • Umm Kulthūm
  • Umm Kulthūm
  • Umm Kulthūm
  • Singers
  • Songs, Arabic
  • Popular music
  • Music
  • Music
  • Popular music
  • Singers
  • Songs, Arabic
  • Zangers
  • Liederen
  • Arabisch
  • Musique populaire
  • Musique
  • Chansons arabes (arabe égyptien)
  • Chanteuses
  • Musikleben
  • Egypt
  • Egypte
  • Ägypten
Label
The voice of Egypt : Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century, Virginia Danielson
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 251-261) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
"The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʼid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice ...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʻa ʼl-ʻAdawiyya" ; "A new stage" ; Collaboration with ʻAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
Dimensions
24 cm.
Extent
xiii, 273 pages
Isbn
9780226136127
Isbn Type
(pbk. : alk. paper)
Lccn
96045394
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, maps
System control number
  • (OCoLC)35829597
  • (OCoLC)ocm35829597
Label
The voice of Egypt : Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century, Virginia Danielson
Publication
Bibliography note
Includes bibliographical references (p. 251-261) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
"The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʼid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice ...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʻa ʼl-ʻAdawiyya" ; "A new stage" ; Collaboration with ʻAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
Dimensions
24 cm.
Extent
xiii, 273 pages
Isbn
9780226136127
Isbn Type
(pbk. : alk. paper)
Lccn
96045394
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, maps
System control number
  • (OCoLC)35829597
  • (OCoLC)ocm35829597

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