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The Resource The vulgarization of art : the Victorians and aesthetic democracy, Linda Dowling
The vulgarization of art : the Victorians and aesthetic democracy, Linda Dowling
Resource Information
The item The vulgarization of art : the Victorians and aesthetic democracy, Linda Dowling represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.This item is available to borrow from all library branches.
Resource Information
The item The vulgarization of art : the Victorians and aesthetic democracy, Linda Dowling represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Boston University Libraries.
This item is available to borrow from all library branches.
- Summary
-
- In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition
- Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty
- The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense
- Language
- eng
- Extent
- xiv, 133 pages
- Contents
-
- I. Victorian Liberalism and Aesthetic Democracy
- II. Ruskin's Law in Art
- III. The Brotherly Company of Art
- IV. The Aristocracy of the Aesthetic
- Isbn
- 9780813916347
- Label
- The vulgarization of art : the Victorians and aesthetic democracy
- Title
- The vulgarization of art
- Title remainder
- the Victorians and aesthetic democracy
- Statement of responsibility
- Linda Dowling
- Subject
-
- Aestheticism (Literature)
- Aesthetics, British
- Art and literature -- Great Britain -- History -- 19th century
- Art criticism -- Great Britain -- History -- 19th century
- Art et littérature -- Grande-Bretagne -- 19e siècle
- Art et littérature -- Grande-Bretagne -- Histoire -- 19e siècle
- Artes -- Grã-bretanha
- Arts, British
- Criticism -- Great Britain -- History -- 19th century
- Critique -- Grande-Bretagne -- 19e siècle
- Critique -- Grande-Bretagne -- 19e siècle.
- Critique d'art -- Grande-Bretagne -- Histoire -- 19e siècle
- Crítica de arte (história) -- Grã-bretanha
- Culture populaire -- Grande-Bretagne -- 19e siècle
- Culture populaire -- Grande-Bretagne -- Histoire -- 19e siècle
- Democratisering
- Engels
- Englisch
- Englisch
- English literature -- 19th century -- History and criticism | Theory, etc
- Estheticisme
- Estética (arte) -- Grã-bretanha
- Geschichte 1860-1900
- Großbritannien
- Großbritannien
- Kunst
- Kunstkritiek
- Letterkunde
- Literatur
- Literatur
- Literatura inglesa (história e crítica)
- Littérature anglaise -- 19e siècle -- Histoire et critique
- Morris, William, 1834-1896
- Popular culture -- Great Britain -- History -- 19th century
- Rezeption
- Aesthetic movement (Art)
- Ruskin, John, 1819-1900
- Shaftesbury, Anthony Ashley Cooper <<of>>, 1671-1713
- Shaftesbury, Anthony Ashley Cooper of (Philosoph)
- Wilde, Oscar, 1854-1900
- Ästhetik
- Ästhetik
- Ästhetizismus
- Ästhetizismus
- Rezeption
- Language
- eng
- Summary
-
- In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition
- Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig polity in the earlier eighteenth century, Dowling locates the source of the Victorians' utopian hopes for art in the "moral sense" theory of Anthony Ashley Cooper, third earl of Shaftesbury. Shaftesbury's theory of a universal moral sense, argues The Vulgarization of Art, became the transcendental basis for the new Whig polity that proposed itself as an alternative to older theories of natural law and divine right. It would then sustain the Victorians' hope that their own nightmare landscape of commercial modernity and mass taste might be transformed by a universal pleasure in art and beauty
- The Vulgarization of Art goes on to explore the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1944-
- http://library.link/vocab/creatorName
- Dowling, Linda C.
- Government publication
- government publication of a state province territory dependency etc
- Index
- index present
- LC call number
- PR468.A33
- LC item number
- D69 1996
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Ruskin, John
- Wilde, Oscar
- Morris, William
- Shaftesbury, Anthony Ashley Cooper <<of>>
- Shaftesbury, Anthony Ashley Cooper of (Philosoph)
- English literature
- Art and literature
- Popular culture
- Art criticism
- Criticism
- Aesthetic movement (Art)
- Aestheticism (Literature)
- Aesthetics, British
- Arts, British
- Engels
- Letterkunde
- Estheticisme
- Democratisering
- Kunstkritiek
- Englisch
- Kunst
- Literatur
- Rezeption
- Ästhetik
- Ästhetizismus
- Literatura inglesa (história e crítica)
- Estética (arte)
- Crítica de arte (história)
- Artes
- Art et littérature
- Culture populaire
- Critique
- Littérature anglaise
- Art et littérature
- Culture populaire
- Critique d'art
- Ästhetik
- Rezeption
- Literatur
- Ästhetizismus
- Großbritannien
- Großbritannien
- Englisch
- Label
- The vulgarization of art : the Victorians and aesthetic democracy, Linda Dowling
- Bibliography note
- Includes bibliographical references (p. [119]-129) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- I. Victorian Liberalism and Aesthetic Democracy -- II. Ruskin's Law in Art -- III. The Brotherly Company of Art -- IV. The Aristocracy of the Aesthetic
- Dimensions
- 24 cm.
- Extent
- xiv, 133 pages
- Isbn
- 9780813916347
- Isbn Type
- (alk. paper)
- Lccn
- 95000314
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)32590018
- (OCoLC)ocm32590018
- Label
- The vulgarization of art : the Victorians and aesthetic democracy, Linda Dowling
- Bibliography note
- Includes bibliographical references (p. [119]-129) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- I. Victorian Liberalism and Aesthetic Democracy -- II. Ruskin's Law in Art -- III. The Brotherly Company of Art -- IV. The Aristocracy of the Aesthetic
- Dimensions
- 24 cm.
- Extent
- xiv, 133 pages
- Isbn
- 9780813916347
- Isbn Type
- (alk. paper)
- Lccn
- 95000314
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- System control number
-
- (OCoLC)32590018
- (OCoLC)ocm32590018
Subject
- Aestheticism (Literature)
- Aesthetics, British
- Art and literature -- Great Britain -- History -- 19th century
- Art criticism -- Great Britain -- History -- 19th century
- Art et littérature -- Grande-Bretagne -- 19e siècle
- Art et littérature -- Grande-Bretagne -- Histoire -- 19e siècle
- Artes -- Grã-bretanha
- Arts, British
- Criticism -- Great Britain -- History -- 19th century
- Critique -- Grande-Bretagne -- 19e siècle
- Critique -- Grande-Bretagne -- 19e siècle.
- Critique d'art -- Grande-Bretagne -- Histoire -- 19e siècle
- Crítica de arte (história) -- Grã-bretanha
- Culture populaire -- Grande-Bretagne -- 19e siècle
- Culture populaire -- Grande-Bretagne -- Histoire -- 19e siècle
- Democratisering
- Engels
- Englisch
- Englisch
- English literature -- 19th century -- History and criticism | Theory, etc
- Estheticisme
- Estética (arte) -- Grã-bretanha
- Geschichte 1860-1900
- Großbritannien
- Großbritannien
- Kunst
- Kunstkritiek
- Letterkunde
- Literatur
- Literatur
- Literatura inglesa (história e crítica)
- Littérature anglaise -- 19e siècle -- Histoire et critique
- Morris, William, 1834-1896
- Popular culture -- Great Britain -- History -- 19th century
- Rezeption
- Aesthetic movement (Art)
- Ruskin, John, 1819-1900
- Shaftesbury, Anthony Ashley Cooper <<of>>, 1671-1713
- Shaftesbury, Anthony Ashley Cooper of (Philosoph)
- Wilde, Oscar, 1854-1900
- Ästhetik
- Ästhetik
- Ästhetizismus
- Ästhetizismus
- Rezeption
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