The Resource Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism, Kamila Kuc

Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism, Kamila Kuc

Label
Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism
Title
Visions of avant-garde film
Title remainder
Polish cinematic experiments from expressionism to constructivism
Statement of responsibility
Kamila Kuc
Creator
Contributor
Author
Provider
Subject
Language
eng
Summary
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema
Cataloging source
DLC
http://library.link/vocab/creatorName
Kuc, Kamila
Government publication
government publication of a state province territory dependency etc
Index
index present
LC call number
PN1995.9.E96
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
JSTOR
http://library.link/vocab/subjectName
  • Experimental films
  • PERFORMING ARTS
  • Experimental films
  • Poland
  • PERFORMING ARTS / Film & Video / History & Criticism
Label
Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism, Kamila Kuc
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion
Extent
1 online resource
Form of item
online
Isbn
9780253024053
Lccn
2016057716
Media category
computer
Media MARC source
rdamedia
Media type code
c
Specific material designation
remote
Stock number
22573/ctt1zzj4px
System control number
  • (OCoLC)966314924
  • (OCoLC)ocn966314924
Label
Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism, Kamila Kuc
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion
Extent
1 online resource
Form of item
online
Isbn
9780253024053
Lccn
2016057716
Media category
computer
Media MARC source
rdamedia
Media type code
c
Specific material designation
remote
Stock number
22573/ctt1zzj4px
System control number
  • (OCoLC)966314924
  • (OCoLC)ocn966314924

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