The Resource Wagner's musical prose : texts and contexts, Thomas S. Grey

Wagner's musical prose : texts and contexts, Thomas S. Grey

Label
Wagner's musical prose : texts and contexts
Title
Wagner's musical prose
Title remainder
texts and contexts
Statement of responsibility
Thomas S. Grey
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Grey, Thomas S
Illustrations
music
Index
index present
LC call number
ML410.W19
LC item number
G83 1995
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Wagner, Richard
  • Wagner, Richard
  • Wagner, Richard
  • Wagner, Richard
  • Wagner, Richard
  • Wagner, Richard
  • Beethoven, Ludwig van
  • Wagner, Richard
  • Wagner, Richard
  • Wagner, Richard
  • Music
  • Musical criticism
  • Opera
  • Musique
  • Critique musicale
  • Opéra
  • Aesthetics
  • Authorship
  • Music
  • Musical criticism
  • Opera
  • Proza
  • Muziek
  • Muziekkritiek
  • Opera's
  • Musikphilosophie
  • Komposition (Musik)
  • Musikästhetik
Label
Wagner's musical prose : texts and contexts, Thomas S. Grey
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Beethoven's "poetic ideas": notes on the genesis of a critical tradition
  • Poetics, heroics, funérailles
  • Fear of the Fifth: the uncanniness of instrumental speech
  • Beethoven's "sketches" (poetic intentions and musical consequences)
  • 3.
  • Engendering music drama: Opera and Drama and its metaphors:
  • Metaphors of gender, and others;
  • Natural sciences: reproductive biology and a theory of "evolution";
  • Music mastered, poetic reason (nearly) seduced: allegory and antithesis
  • 4.
  • 1.
  • The "poetic-musical period" and the "evolution" of Wagnerian form:
  • Periode and Entwicklung
  • "Evolving" period-complexes and Wagner's evolution: three dialogues
  • 5.
  • Endless melodies:
  • Wagner and his critics around 1860 (Wagner's melody--all or none?)
  • Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama)
  • Melody as form
  • 6.
  • Motives and motivations: leitmotif and "symphonic" drama:
  • Wagner and the problematics of "absolute music" in the nineteenth century:
  • Warum? (motives to musical form)
  • The birth of the music drama from the "labor-pains of program music"
  • Motif, motive, Motiv: dramatic motivations and "symphonic form"
  • Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama"
  • Dénouements (motivic threads, dramatic plots, musical knots and resolutions)
  • Ideas of absolute music
  • Questions of autonomy
  • Content and/or/as form
  • Absolute music and "ideas: a new determinacy?
  • 2.
  • Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms:
Dimensions
24 cm.
Extent
xix, 397 pages
Isbn
9780521417389
Lccn
94011417
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)30353841
  • (OCoLC)ocm30353841
Label
Wagner's musical prose : texts and contexts, Thomas S. Grey
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Beethoven's "poetic ideas": notes on the genesis of a critical tradition
  • Poetics, heroics, funérailles
  • Fear of the Fifth: the uncanniness of instrumental speech
  • Beethoven's "sketches" (poetic intentions and musical consequences)
  • 3.
  • Engendering music drama: Opera and Drama and its metaphors:
  • Metaphors of gender, and others;
  • Natural sciences: reproductive biology and a theory of "evolution";
  • Music mastered, poetic reason (nearly) seduced: allegory and antithesis
  • 4.
  • 1.
  • The "poetic-musical period" and the "evolution" of Wagnerian form:
  • Periode and Entwicklung
  • "Evolving" period-complexes and Wagner's evolution: three dialogues
  • 5.
  • Endless melodies:
  • Wagner and his critics around 1860 (Wagner's melody--all or none?)
  • Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama)
  • Melody as form
  • 6.
  • Motives and motivations: leitmotif and "symphonic" drama:
  • Wagner and the problematics of "absolute music" in the nineteenth century:
  • Warum? (motives to musical form)
  • The birth of the music drama from the "labor-pains of program music"
  • Motif, motive, Motiv: dramatic motivations and "symphonic form"
  • Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama"
  • Dénouements (motivic threads, dramatic plots, musical knots and resolutions)
  • Ideas of absolute music
  • Questions of autonomy
  • Content and/or/as form
  • Absolute music and "ideas: a new determinacy?
  • 2.
  • Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms:
Dimensions
24 cm.
Extent
xix, 397 pages
Isbn
9780521417389
Lccn
94011417
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (OCoLC)30353841
  • (OCoLC)ocm30353841

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